[Hilye-yi şerif, 1099, i.e. 1687 or 1688].
([حليه شريف, 1099ه، 1687 او 1688].)

İsim	[Hilye-yi şerif, 1099, i.e. 1687 or 1688].
İsim Orijinal	[حليه شريف, 1099ه، 1687 او 1688].
Basım Tarihi:	[Istanbul?], [1687 or 1688]
Konu	Muḥammad,, Muḥammad, / Prophet,, Muḥammad, / Prophet, / -632, Muḥammad, / Prophet, / -632 / Early works to 1800., Manuscripts, Arabic, Manuscripts, Arabic / Michigan, Manuscripts, Arabic / Michigan / Ann Arbor., Islam, Islam / Prayers and devotions, Islam / Prayers and devotions / Early works to 1800., Islamic calligraphy, Islamic calligraphy / Specimens., Writing, Arabic, Writing, Arabic / Specimens., Calligraphy, Arabic, Calligraphy, Arabic / Specimens., Calligraphy, Ottoman, Calligraphy, Ottoman / Specimens., Headpieces (layout features)
Tür	Kitap
Dil	Arapça
Dijital	Hayır
Yazma	Bilinmiyor
Fiziksel Boyutlar	3 panels : paper ; 147 x 285 mm. opening vertically to 438 x 287 mm
Kütüphane:	HathiTrust Dijital Kütüphanesi
Kayıt Numarası	006796301
Lokasyon	University of Michigan
Notlar	About: Exquisite hilye (written depiction of the Prophet) executed by the master who developed this graphic form of the hilye, Hafız Osman Efendi (d.1698). Decoration and mounting later, likely in at least two distinct stages (18th and 19th century). \| Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 238 Origin: As appears at close, calligraphy executed by ʻUthmān, known as Ḥāfiẓ Kalām al-Wahhāb (i.e. Hafız Osman Efendi) in 1099 [1687 or 8]. Decoration and earlier mounting likely 18th century. Most recent mounting and borders likely 19th century. Former shelfmark: "546 T.D.M. [i.e. Tammaro De Marinis]" in pencil on reverse of uppermost panel ; "113" in pencil in border adjacent to illuminated headpiece. Binding: The three pieced panels of the levha are mounted on boards backed with silk, edged and hinged together with red-brown leather, unfolding like a triptych but vertically ; some repairs to the edging in purple leather ; minor hinge repairs in Japanese paper. Support: European laid paper, well-burnished, pieced and mounted on boards. Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) appears in a rectangular panel above the baş makam, consisting of a semi-circular piece (dome) filled with a depiction of al-Masjid al-Ḥarām at Mecca (kaʻbah visible) and set off by an outer border of swirling vegetal designs in white, lavender, mint green, pink, gold, etc. on a blue ground with heavy gold and black borders and surmounting vertical stalks (tīgh) ; the same vegetal designs fill the area around the göbek and the koltuklar ; a black and gold frame surrounds the uppermost rectangular panel, the baş makam, the square containing the göbek, hilâl (in gold), and names of the çiharyâr, the ayet and the etek ; bands of turquoise and gold surround the circles with names of the çiharyâr ; textual dividers in the form of illuminated rosettes accent the hilye text ; a heavy border in olive green with gold painted floral accents, itself set-off by white fillets and framed by black and gold bands, surrounds the entire levha. Script: Exquisite specimen of Ottoman calligraphy ; basmalah (besmele), āyah (ayet) and names of the first four caliphs (çiharyâr) in thuluth (sülüs) ; hilye texts (of the göbek and etek) in naskh (nesih). Layout: Baș makam with besmele (opening with "انه من سليمان وانه" in small cartouche above "بسم") ; göbek with 9 lines of text ; ayet in a single line ; etek with 4 lines of text. Collation: Three 'panels' (likely once a single levha, now pieced) hinged together with red-brown leather, opening for display as a levha. Colophon: "كتبه اضعف الكتاب عثمان المعروف بحافظ كلام الوهاب سنه تسع وتسعين والف" Explicit: "يقول ناعته لم ار قبله ولا بعده مثله صلى الله عليه وسلم" Incipit: "عن علي كان اذا وصف النبي صلى الله عليه وسلم قال لم يكن بالطويل الممغط ولا بالقصير المتردد ..." Title supplied by cataloguer. Ms. (three panels hinged together). Inscriptions in pencil "546 T.D.M. [i.e. Tammaro De Marinis]" in pencil on reverse of uppermost panel ; "113" in pencil in border adjacent to illuminated headpiece ; clean copy.

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[Hilye-yi şerif, 1099, i.e. 1687 or 1688].

([حليه شريف, 1099ه، 1687 او 1688].)

Basım Tarihi [Istanbul?], [1687 or 1688]

Konu Muḥammad,, Muḥammad, / Prophet,, Muḥammad, / Prophet, / -632, Muḥammad, / Prophet, / -632 / Early works to 1800., Manuscripts, Arabic, Manuscripts, Arabic / Michigan, Manuscripts, Arabic / Michigan / Ann Arbor., Islam, Islam / Prayers and devotions, Islam / Prayers and devotions / Early works to 1800., Islamic calligraphy, Islamic calligraphy / Specimens., Writing, Arabic, Writing, Arabic / Specimens., Calligraphy, Arabic, Calligraphy, Arabic / Specimens., Calligraphy, Ottoman, Calligraphy, Ottoman / Specimens., Headpieces (layout features)

Tür Kitap

Dil Arapça

Dijital Hayır

Yazma Bilinmiyor

Fiziksel Boyutlar 3 panels : paper ; 147 x 285 mm. opening vertically to 438 x 287 mm

Kütüphane HathiTrust Dijital Kütüphanesi

Kayıt Numarası 006796301

Lokasyon University of Michigan

Notlar About: Exquisite hilye (written depiction of the Prophet) executed by the master who developed this graphic form of the hilye, Hafız Osman Efendi (d.1698). Decoration and mounting later, likely in at least two distinct stages (18th and 19th century). | Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 238 Origin: As appears at close, calligraphy executed by ʻUthmān, known as Ḥāfiẓ Kalām al-Wahhāb (i.e. Hafız Osman Efendi) in 1099 [1687 or 8]. Decoration and earlier mounting likely 18th century. Most recent mounting and borders likely 19th century. Former shelfmark: "546 T.D.M. [i.e. Tammaro De Marinis]" in pencil on reverse of uppermost panel ; "113" in pencil in border adjacent to illuminated headpiece. Binding: The three pieced panels of the levha are mounted on boards backed with silk, edged and hinged together with red-brown leather, unfolding like a triptych but vertically ; some repairs to the edging in purple leather ; minor hinge repairs in Japanese paper. Support: European laid paper, well-burnished, pieced and mounted on boards. Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) appears in a rectangular panel above the baş makam, consisting of a semi-circular piece (dome) filled with a depiction of al-Masjid al-Ḥarām at Mecca (kaʻbah visible) and set off by an outer border of swirling vegetal designs in white, lavender, mint green, pink, gold, etc. on a blue ground with heavy gold and black borders and surmounting vertical stalks (tīgh) ; the same vegetal designs fill the area around the göbek and the koltuklar ; a black and gold frame surrounds the uppermost rectangular panel, the baş makam, the square containing the göbek, hilâl (in gold), and names of the çiharyâr, the ayet and the etek ; bands of turquoise and gold surround the circles with names of the çiharyâr ; textual dividers in the form of illuminated rosettes accent the hilye text ; a heavy border in olive green with gold painted floral accents, itself set-off by white fillets and framed by black and gold bands, surrounds the entire levha. Script: Exquisite specimen of Ottoman calligraphy ; basmalah (besmele), āyah (ayet) and names of the first four caliphs (çiharyâr) in thuluth (sülüs) ; hilye texts (of the göbek and etek) in naskh (nesih). Layout: Baș makam with besmele (opening with "انه من سليمان وانه" in small cartouche above "بسم") ; göbek with 9 lines of text ; ayet in a single line ; etek with 4 lines of text. Collation: Three 'panels' (likely once a single levha, now pieced) hinged together with red-brown leather, opening for display as a levha. Colophon: "كتبه اضعف الكتاب عثمان المعروف بحافظ كلام الوهاب سنه تسع وتسعين والف" Explicit: "يقول ناعته لم ار قبله ولا بعده مثله صلى الله عليه وسلم" Incipit: "عن علي كان اذا وصف النبي صلى الله عليه وسلم قال لم يكن بالطويل الممغط ولا بالقصير المتردد ..." Title supplied by cataloguer. Ms. (three panels hinged together). Inscriptions in pencil "546 T.D.M. [i.e. Tammaro De Marinis]" in pencil on reverse of uppermost panel ; "113" in pencil in border adjacent to illuminated headpiece ; clean copy.