Treatise on the description and use of the sine quadrant : manuscript, [19th century?].

İsim	Treatise on the description and use of the sine quadrant : manuscript, [19th century?].
Basım Tarihi:	1800
Konu	Quadrants (Astronomical instruments), Astronomical instruments., Astronomy, Arab., Manuscripts, Arabic, Manuscripts, Arabic / Michigan, Manuscripts, Arabic / Michigan / Ann Arbor.
Tür	Kitap
Dil	ara,tur
Dijital	Hayır
Yazma	Bilinmiyor
Fiziksel Boyutlar	1 v. ([34] p.) : ill. ; 24 cm
Kütüphane:	HathiTrust Dijital Kütüphanesi
Kayıt Numarası	002631695
Lokasyon	University of Michigan
Notlar	About: Unidentified treatise, in a muqaddimah and nine bābs. \| Watermark: Scrollwork with crown and lion (?); eagle. Text rubricated; marginal notes in Turkish in another hand. Pp. [1-7]. Bound with: [2] Muḥammad ibn ʻAlī al-Ḥumaydī, Risālah fī al-ālah al-musammāh dhāt al-kursī, pp. [9-24]; [3] Bahāʼ al-Dīn Muḥammad ibn al-Ḥusayn al-ʻĀmilī, Tashrīḥ al-aflāk, pp. [25-34]. Purchased in Cairo, 1933/34. Owners' marks: inside back cover, manuscript notes in handwriting of Max Meyerhof.

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Treatise on the description and use of the sine quadrant : manuscript, [19th century?].

Basım Tarihi 1800

Konu Quadrants (Astronomical instruments), Astronomical instruments., Astronomy, Arab., Manuscripts, Arabic, Manuscripts, Arabic / Michigan, Manuscripts, Arabic / Michigan / Ann Arbor.

Tür Kitap

Dil ara,tur

Dijital Hayır

Yazma Bilinmiyor

Fiziksel Boyutlar 1 v. ([34] p.) : ill. ; 24 cm

Kütüphane HathiTrust Dijital Kütüphanesi

Kayıt Numarası 002631695

Lokasyon University of Michigan

Notlar About: Unidentified treatise, in a muqaddimah and nine bābs. | Watermark: Scrollwork with crown and lion (?); eagle. Text rubricated; marginal notes in Turkish in another hand. Pp. [1-7]. Bound with: [2] Muḥammad ibn ʻAlī al-Ḥumaydī, Risālah fī al-ālah al-musammāh dhāt al-kursī, pp. [9-24]; [3] Bahāʼ al-Dīn Muḥammad ibn al-Ḥusayn al-ʻĀmilī, Tashrīḥ al-aflāk, pp. [25-34]. Purchased in Cairo, 1933/34. Owners' marks: inside back cover, manuscript notes in handwriting of Max Meyerhof.