Wasīlat al-ṭullāb li-maʻrifat aʻmāl al-layl wa-al-nahār bi-ṭarīq al-ḥisāb : manuscript, [between 1525? and 1861].
(وسيلة الطلاب ل معرفة أعمال الليل والنهار بطريق الحساب : manuscript، [between 1525? and 1861].)

Name: Wasīlat al-ṭullāb li-maʻrifat aʻmāl al-layl wa-al-nahār bi-ṭarīq al-ḥisāb : manuscript, [between 1525? and 1861].
Author: Ḥaṭṭāb, Yaḥyá ibn Muḥammad, 1496 or 1497-1586 or 1587.

İsim	Wasīlat al-ṭullāb li-maʻrifat aʻmāl al-layl wa-al-nahār bi-ṭarīq al-ḥisāb : manuscript, [between 1525? and 1861].
İsim Orijinal	وسيلة الطلاب ل معرفة أعمال الليل والنهار بطريق الحساب : manuscript، [between 1525? and 1861].
Yazar	Ḥaṭṭāb, Yaḥyá ibn Muḥammad, 1496 or 1497-1586 or 1587.
Basım Tarihi:	1525
Konu	Ḥaṭṭāb, Muḥammad ibn Muḥammad,, Ḥaṭṭāb, Muḥammad ibn Muḥammad, / 1497-1547., Ḥaṭṭāb, Muḥammad ibn Muḥammad, / 1497-1547. / Risālah mukhtaṣarah fī maʻrifat istikhrāj awqāt al-ṣalāh wa-shayʼ min al-tawārīkh wa-al-aʻmāl al-falakīyah min ghayr ālah., Horology, Horology / Early works to 1800., Astronomy, Arab, Astronomy, Arab / Early works to 1800., Manuscripts, Arabic, Manuscripts, Arabic / Michigan, Manuscripts, Arabic / Michigan / Ann Arbor.
Tür	Kitap
Dil	Arapça
Dijital	Hayır
Yazma	Bilinmiyor
Fiziksel Boyutlar	1 v. ([44] p.) ; 23 cm
Kütüphane:	HathiTrust Dijital Kütüphanesi
Kayıt Numarası	002594326
Lokasyon	University of Michigan
Notlar	About: "A treatise on the reckoning of the hours of prayer, abridged from the Risāla fī maʻrifat istikhrāj auḳāt al-ṣalāh by his father Muḥammad ibn Muḥammad ibn al-Ḥaṭṭāb al-Mālikī." Cataloging by Elinor M. Husselman, 1945. \| Watermarks: Three crescents; Andrea Galvani of Pordenone. See Edward Heawood, Watermarks, Mainly of the 17th and 18th Centuries (Hilversum, 1950), pp. 24 and 36 and no. 860. Contains short tables. Text rubricated; marginal corrections and notes in hand of copyist and others; on p. [1] is note: k[urrāsah] 2 ʻadad al-waraqah 22 ithnayn wa-ʻishrīn. End date from owner's mark on p. [13]. Purchased in Cairo, 1933/34. Owners' marks: on pp. [1] and [44], owner's autograph, on p. [13], his name and date: hādhā kitāb Sālim Ḥasan sanat 1277; inside cover and on p. [1], manuscript notes in handwriting of Max Meyerhof.

Kaynağa git HathiTrust Dijital Kütüphanesi HathiTrust Digital Library

Aramaya Dön

HathiTrust Dijital Kütüphanesi

Kaynağa git

Wasīlat al-ṭullāb li-maʻrifat aʻmāl al-layl wa-al-nahār bi-ṭarīq al-ḥisāb : manuscript, [between 1525? and 1861].

(وسيلة الطلاب ل معرفة أعمال الليل والنهار بطريق الحساب : manuscript، [between 1525? and 1861].)

Yazar Ḥaṭṭāb, Yaḥyá ibn Muḥammad, 1496 or 1497-1586 or 1587.

Basım Tarihi 1525

Konu Ḥaṭṭāb, Muḥammad ibn Muḥammad,, Ḥaṭṭāb, Muḥammad ibn Muḥammad, / 1497-1547., Ḥaṭṭāb, Muḥammad ibn Muḥammad, / 1497-1547. / Risālah mukhtaṣarah fī maʻrifat istikhrāj awqāt al-ṣalāh wa-shayʼ min al-tawārīkh wa-al-aʻmāl al-falakīyah min ghayr ālah., Horology, Horology / Early works to 1800., Astronomy, Arab, Astronomy, Arab / Early works to 1800., Manuscripts, Arabic, Manuscripts, Arabic / Michigan, Manuscripts, Arabic / Michigan / Ann Arbor.

Tür Kitap

Dil Arapça

Dijital Hayır

Yazma Bilinmiyor

Fiziksel Boyutlar 1 v. ([44] p.) ; 23 cm

Kütüphane HathiTrust Dijital Kütüphanesi

Kayıt Numarası 002594326

Lokasyon University of Michigan

Notlar About: "A treatise on the reckoning of the hours of prayer, abridged from the Risāla fī maʻrifat istikhrāj auḳāt al-ṣalāh by his father Muḥammad ibn Muḥammad ibn al-Ḥaṭṭāb al-Mālikī." Cataloging by Elinor M. Husselman, 1945. | Watermarks: Three crescents; Andrea Galvani of Pordenone. See Edward Heawood, Watermarks, Mainly of the 17th and 18th Centuries (Hilversum, 1950), pp. 24 and 36 and no. 860. Contains short tables. Text rubricated; marginal corrections and notes in hand of copyist and others; on p. [1] is note: k[urrāsah] 2 ʻadad al-waraqah 22 ithnayn wa-ʻishrīn. End date from owner's mark on p. [13]. Purchased in Cairo, 1933/34. Owners' marks: on pp. [1] and [44], owner's autograph, on p. [13], his name and date: hādhā kitāb Sālim Ḥasan sanat 1277; inside cover and on p. [1], manuscript notes in handwriting of Max Meyerhof.