al-Muʻādil, [1157, i.e. 1744].
(المعادل, [1157ه, 1744م].)

Name: al-Muʻādil, [1157, i.e. 1744].
Author: Marʻashī, ʻAbd al-Raḥīm ibn Abī Bakr.

İsim	al-Muʻādil, [1157, i.e. 1744].
İsim Orijinal	المعادل, [1157ه, 1744م].
Yazar	Marʻashī, ʻAbd al-Raḥīm ibn Abī Bakr.
Basım Tarihi:	[Paçan], [1744]
Konu	Ḥalabī, Ibrāhīm ibn Muḥammad,, Ḥalabī, Ibrāhīm ibn Muḥammad, / -1549 or 1550., Ḥalabī, Ibrāhīm ibn Muḥammad, / -1549 or 1550. / Multaqá al-abḥur., Manuscripts, Arabic, Manuscripts, Arabic / Michigan, Manuscripts, Arabic / Michigan / Ann Arbor., Hanafites, Hanafites / Early works to 1800., Islamic law, Islamic law / Early works to 1800.
Tür	Kitap
Dil	Arapça
Dijital	Hayır
Yazma	Bilinmiyor
Sayfa Sayısı	411
Fiziksel Boyutlar	411 leaves : paper ; 217 x 163 (165 x 100) mm. bound to 220 x 177 mm
Kütüphane:	HathiTrust Dijital Kütüphanesi
Kayıt Numarası	006491062
Lokasyon	University of Michigan
Notlar	About: Commentary on al al-Ḥalabī's Multaqá al-abḥur, a treatise of Ḥanafī fiqh. Includes table of contents. Many notes appear preceding and following the text. \| Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 91 Origin: As appears in colophon on fol.404b, copied by Saʻd ibn ʻAlī ibn Aḥmad ibn ʻAlī ibn Muslim ibn Sulaymān. Copying finished ("qad awqafa ʻinān al-qalam ʻan al-sayr fī maydān al-kitābah wa-al-raqm...") between noon and early afternoon of Tuesday, beginning of Dhū al-Qaʻdah, in the year 1157 [December 1744] in Sin a mahalle of Pāchān (ie Paçan, possibly the locality in Van now known as Topsakal in or in Trabzon now known as Maraşlı cf Türkiye Yerleşim Birimleri Envanteri = Index Anatolicus). Scribal verses and a note on the exemplar (a copy that had been copied from a copy of the author) appear in the copyist's hand adjacent to the colophon. Accompanying materials: a. scrap of paper with notes, sums, and seal impressions (one dated 1301 [1883 or 4]) between fol.56-57 -- b. tinted leaf from another text between fol.365-366. Former shelfmark: British Museum, London "No. 155. Commentary on Multaka al-abhur." Binding: Pasteboards covered with dark red leather; Type II binding (with flap); upper and lower covers carry blind-stamped central mandorla in simple vegetal design (very worn and difficult to make out but seemingly not symmetrical) as well as blind-tooled rosettes and lines forming a panel design surrounding the central ornament; design continues on flap; sewn in heavy rose thread, two stations; traces of worked endbands (head and tailband cores and primaries) though with much loss; overall in somewhat poor condition though with sound sewing and attachment to text block, upper cover detaching via split repair, abrasion, staining, etc.; several reapirs to spine in dark brown leathers. Support: Mainly European laid paper with roughly 7 laid lines per cm. (vertical), chain lines spaced 27-30 mm. apart (horizontal), and three crescents (tre lune) watermark (roughly 85 mm. long, perpendicular to chains, see pp.32, 64, 218, 220, etc.), quite dense and sturdy, cream in color, well-burnished; several leaves at close in a thinner European laid paper; flyleaves added at front and end of the textblock are of still a different European laid paper. Decoration: Text rubricated; overlinings, chapter headings and section headings in red. Script: Naskh; clear Turkish / Eastern Anatolian hand in a medium line; virtually serifless with slight effect of inclination to the left, occasional slight effect of words descending to baseline, pointing mainly in strokes rather than distinct dots, some sharp, straight descenders (rāʼ, etc.), freely ligatured with point of nūn often assimilated with bowl, elsewhere point fully encircled by bowl; many glosses in the same hand as the main text. Layout: Written in 23 lines per page. Collation: iv, II (4), 4 V (44), IV (52), 2 V (72), VI (84), 8 V (164), V+1 (175), 4 V (215), IV (223), 14 V (363), V-1 (372), 2 V (392), VI (404), 7 (411), i; chiefly quinons; quire signatures (numbering) in the form of "راس الكراس ٢", etc. on outer corner of the first folio of each quire beginning from the second quire and continuing through the seventeenth, thereafter marked inconsistently and without number (i.e., "راس الكراس" only); catchwords present, nearly centered under the final line of text on the verso of each folio; foliation in black ink, Hindu-Arabic numerals, begins following incipit page with "٢", skips a leaf and repeats "۵۳" on two separate leaves in error; pagination in pencil, Western numerals (referenced in cataloguing); fol.4a-5b and fol.405a-405b are blank and unmarked apart from a stray line of the table of contents and a few notes. Colophon: "Scribal," rectangular, reads: "قد اوقف عنان القلم عن السير في ميدان الكتابة والرقم في وقت ما بين الظهر والعصر في يوم الثلثاء في اوائل ذي القعدة المحرمة من شهور سنة سبع وخمسين ومائة والف من هجرة من له السعادة والشرف صلى الله تعالى عليه وسلم الفقير العاجز الزليل المحتاج الى مغفرة ربه ورحمة العزيز الجليل اقل الاقلين علما واجل الاجلين جرما قليل الاحسان كثير العصيان اذا غاب لم يذكر واذا آب لم يعرف [؟] سعد بن علي بن احمد بن علي بن مسلم بن سليمان عفي عنه وعنهم الملك الروؤف الديان سبحانه ... في سنة ١١٥٧ كتبته في محله سينه [؟] صانها الله تعالى عن البليه [؟] من محلات پاچان" Explicit: "على ما وعد بالزيادة في الخطبة ولم ازد شيئا من غيرهما اي من غير الدراية ومجمع البحرين حتى يسهل الطلب على من اشتبه عليه صحة شي مما ليس في الكتاب الاربعة" Incipit: " الحمد لله الذي من علينا باحياء طهارة القلوب ... اما بعد فان الراجي عفو ربه الكريم ... عبد الرحيم بن ابي بكر بن سليمان المسلوى المرعشي يقول بعون الله تعالى ان الكتاب الموسوم بملتقى الابحر حري... فسميتها بالمعاذل [كذا] ... كتاب الطهارة..." Title from opening fol.6b. Ms. codex. Bookplate of British Museum, London on inner front cover, "No. 155. Commentary on Multaka al-abhur." ; circular seal impression with figure of goat/gazelle in purple ink as well as inscription "334" in Western numerals on recto of first front flyleaf; on paper (tinted blue) pasted on fol.1a, a detailed waqf statement in the name of al-Sayyid ʻAbd Allāh Adīb (Abdullah Edip), known as Jannatʹzādah (Cennet-zade), qāḍī of Erzurum, accompanied by his seal, reads: "وقفت وقفا صحيحا شرعيا على ان لا يخرج من بيت الكتب الملتصق بداري الا لعلماء سكنوا بارضروم بكفيل مرعى اورهن قوى وانا الفقير اليه عز شانه السيد عبد الله اديب الشهير بجنت زاده القاضي بمدينة ارضروم في سنة اثنى وستين وماتين والف"; verses in hand of copyist and signed by him ("سعد بن علي رابعى زاده" Saʻd ibn ʻAlī Rābiʻīʹzādah) with statement in which he describes that he wrote the verses when setting out for Erzurum to study ("in pursuit of knowledge" لطلب العلم), end of Jumādá II 1159 [July 1746]) appear on second front flyleaf; collation mark "بلغ" appears on fol.6a; marginal corrections found through out along with accompanying signes-de-renvoi such as the inverted caret (see fol.6a, 9a, 15b, etc.); clarification of cacographic errors found of fol.201a and 205b; notabilia marked "مطلب" etc. and found on fol.15, 26b and throughout; glosses found throughout and often marked with the source of the quotation (see fol.107b, 114a, 160a, 182a, 190b, etc.); at the head of every folio is found an invocation employing the names of God, such as "يا وهاب سبحانك يا عليم سبحانك".

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al-Muʻādil, [1157, i.e. 1744].

(المعادل, [1157ه, 1744م].)

Yazar Marʻashī, ʻAbd al-Raḥīm ibn Abī Bakr.

Basım Tarihi [Paçan], [1744]

Konu Ḥalabī, Ibrāhīm ibn Muḥammad,, Ḥalabī, Ibrāhīm ibn Muḥammad, / -1549 or 1550., Ḥalabī, Ibrāhīm ibn Muḥammad, / -1549 or 1550. / Multaqá al-abḥur., Manuscripts, Arabic, Manuscripts, Arabic / Michigan, Manuscripts, Arabic / Michigan / Ann Arbor., Hanafites, Hanafites / Early works to 1800., Islamic law, Islamic law / Early works to 1800.

Tür Kitap

Dil Arapça

Dijital Hayır

Yazma Bilinmiyor

Sayfa Sayısı 411

Fiziksel Boyutlar 411 leaves : paper ; 217 x 163 (165 x 100) mm. bound to 220 x 177 mm

Kütüphane HathiTrust Dijital Kütüphanesi

Kayıt Numarası 006491062

Lokasyon University of Michigan

Notlar About: Commentary on al al-Ḥalabī's Multaqá al-abḥur, a treatise of Ḥanafī fiqh. Includes table of contents. Many notes appear preceding and following the text. | Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 91 Origin: As appears in colophon on fol.404b, copied by Saʻd ibn ʻAlī ibn Aḥmad ibn ʻAlī ibn Muslim ibn Sulaymān. Copying finished ("qad awqafa ʻinān al-qalam ʻan al-sayr fī maydān al-kitābah wa-al-raqm...") between noon and early afternoon of Tuesday, beginning of Dhū al-Qaʻdah, in the year 1157 [December 1744] in Sin a mahalle of Pāchān (ie Paçan, possibly the locality in Van now known as Topsakal in or in Trabzon now known as Maraşlı cf Türkiye Yerleşim Birimleri Envanteri = Index Anatolicus). Scribal verses and a note on the exemplar (a copy that had been copied from a copy of the author) appear in the copyist's hand adjacent to the colophon. Accompanying materials: a. scrap of paper with notes, sums, and seal impressions (one dated 1301 [1883 or 4]) between fol.56-57 -- b. tinted leaf from another text between fol.365-366. Former shelfmark: British Museum, London "No. 155. Commentary on Multaka al-abhur." Binding: Pasteboards covered with dark red leather; Type II binding (with flap); upper and lower covers carry blind-stamped central mandorla in simple vegetal design (very worn and difficult to make out but seemingly not symmetrical) as well as blind-tooled rosettes and lines forming a panel design surrounding the central ornament; design continues on flap; sewn in heavy rose thread, two stations; traces of worked endbands (head and tailband cores and primaries) though with much loss; overall in somewhat poor condition though with sound sewing and attachment to text block, upper cover detaching via split repair, abrasion, staining, etc.; several reapirs to spine in dark brown leathers. Support: Mainly European laid paper with roughly 7 laid lines per cm. (vertical), chain lines spaced 27-30 mm. apart (horizontal), and three crescents (tre lune) watermark (roughly 85 mm. long, perpendicular to chains, see pp.32, 64, 218, 220, etc.), quite dense and sturdy, cream in color, well-burnished; several leaves at close in a thinner European laid paper; flyleaves added at front and end of the textblock are of still a different European laid paper. Decoration: Text rubricated; overlinings, chapter headings and section headings in red. Script: Naskh; clear Turkish / Eastern Anatolian hand in a medium line; virtually serifless with slight effect of inclination to the left, occasional slight effect of words descending to baseline, pointing mainly in strokes rather than distinct dots, some sharp, straight descenders (rāʼ, etc.), freely ligatured with point of nūn often assimilated with bowl, elsewhere point fully encircled by bowl; many glosses in the same hand as the main text. Layout: Written in 23 lines per page. Collation: iv, II (4), 4 V (44), IV (52), 2 V (72), VI (84), 8 V (164), V+1 (175), 4 V (215), IV (223), 14 V (363), V-1 (372), 2 V (392), VI (404), 7 (411), i; chiefly quinons; quire signatures (numbering) in the form of "راس الكراس ٢", etc. on outer corner of the first folio of each quire beginning from the second quire and continuing through the seventeenth, thereafter marked inconsistently and without number (i.e., "راس الكراس" only); catchwords present, nearly centered under the final line of text on the verso of each folio; foliation in black ink, Hindu-Arabic numerals, begins following incipit page with "٢", skips a leaf and repeats "۵۳" on two separate leaves in error; pagination in pencil, Western numerals (referenced in cataloguing); fol.4a-5b and fol.405a-405b are blank and unmarked apart from a stray line of the table of contents and a few notes. Colophon: "Scribal," rectangular, reads: "قد اوقف عنان القلم عن السير في ميدان الكتابة والرقم في وقت ما بين الظهر والعصر في يوم الثلثاء في اوائل ذي القعدة المحرمة من شهور سنة سبع وخمسين ومائة والف من هجرة من له السعادة والشرف صلى الله تعالى عليه وسلم الفقير العاجز الزليل المحتاج الى مغفرة ربه ورحمة العزيز الجليل اقل الاقلين علما واجل الاجلين جرما قليل الاحسان كثير العصيان اذا غاب لم يذكر واذا آب لم يعرف [؟] سعد بن علي بن احمد بن علي بن مسلم بن سليمان عفي عنه وعنهم الملك الروؤف الديان سبحانه ... في سنة ١١٥٧ كتبته في محله سينه [؟] صانها الله تعالى عن البليه [؟] من محلات پاچان" Explicit: "على ما وعد بالزيادة في الخطبة ولم ازد شيئا من غيرهما اي من غير الدراية ومجمع البحرين حتى يسهل الطلب على من اشتبه عليه صحة شي مما ليس في الكتاب الاربعة" Incipit: " الحمد لله الذي من علينا باحياء طهارة القلوب ... اما بعد فان الراجي عفو ربه الكريم ... عبد الرحيم بن ابي بكر بن سليمان المسلوى المرعشي يقول بعون الله تعالى ان الكتاب الموسوم بملتقى الابحر حري... فسميتها بالمعاذل [كذا] ... كتاب الطهارة..." Title from opening fol.6b. Ms. codex. Bookplate of British Museum, London on inner front cover, "No. 155. Commentary on Multaka al-abhur." ; circular seal impression with figure of goat/gazelle in purple ink as well as inscription "334" in Western numerals on recto of first front flyleaf; on paper (tinted blue) pasted on fol.1a, a detailed waqf statement in the name of al-Sayyid ʻAbd Allāh Adīb (Abdullah Edip), known as Jannatʹzādah (Cennet-zade), qāḍī of Erzurum, accompanied by his seal, reads: "وقفت وقفا صحيحا شرعيا على ان لا يخرج من بيت الكتب الملتصق بداري الا لعلماء سكنوا بارضروم بكفيل مرعى اورهن قوى وانا الفقير اليه عز شانه السيد عبد الله اديب الشهير بجنت زاده القاضي بمدينة ارضروم في سنة اثنى وستين وماتين والف"; verses in hand of copyist and signed by him ("سعد بن علي رابعى زاده" Saʻd ibn ʻAlī Rābiʻīʹzādah) with statement in which he describes that he wrote the verses when setting out for Erzurum to study ("in pursuit of knowledge" لطلب العلم), end of Jumādá II 1159 [July 1746]) appear on second front flyleaf; collation mark "بلغ" appears on fol.6a; marginal corrections found through out along with accompanying signes-de-renvoi such as the inverted caret (see fol.6a, 9a, 15b, etc.); clarification of cacographic errors found of fol.201a and 205b; notabilia marked "مطلب" etc. and found on fol.15, 26b and throughout; glosses found throughout and often marked with the source of the quotation (see fol.107b, 114a, 160a, 182a, 190b, etc.); at the head of every folio is found an invocation employing the names of God, such as "يا وهاب سبحانك يا عليم سبحانك".