Dīvān-i Muḥtasham, [1203, i.e. 1789]. | Kütüphane.osmanlica.com

Dīvān-i Muḥtasham, [1203, i.e. 1789].
(دیوان محتشم, [1203ه, 1789م].)

İsim Dīvān-i Muḥtasham, [1203, i.e. 1789].
İsim Orijinal دیوان محتشم, [1203ه, 1789م].
Yazar Muḥtasham, ʻAlī ibn Aḥmad, 1499 or 1500-1587 or 1588.
Basım Tarihi: [1789]
Konu Manuscripts, Persian, Manuscripts, Persian / Michigan, Manuscripts, Persian / Michigan / Ann Arbor., Persian poetry, Persian poetry / 1500-1796., Headpieces (layout features)
Tür Kitap
Dil Farsça
Dijital Hayır
Yazma Bilinmiyor
Sayfa Sayısı 340
Fiziksel Boyutlar 340 leaves : paper ; 308 x 205 (200 x 75) mm
Kütüphane: HathiTrust Dijital Kütüphanesi
Kayıt Numarası 006816030
Lokasyon University of Michigan
Notlar About: Splendid copy of the Dīvān of Muḥtasham-i Kāshānī (d.1587 or 9) produced by Muḥammad Fatḥ Allāh ibn Muḥammad Taqī Sāravī, known as Mullā Muḥammad Sāravī (author of the Tārīkh-i Muḥammadī) for Fatḥ ʻAlī Shāh Qājār (1769-1834, r.1797-1834) | Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 337 Origin: As appears in closing matter (colophon including patronage statement) on pp.676-7, produced on the order of Fatḥ ʻAlī Shāh Qājār (1769-1834, r.1797-1834) seemingly before his ascension to the throne ("ḥasaba al-amr amīr bī-naẓīr... Fatḥ ʻAlī Khān, al-shahīr bi-Bābā Khān, Qājār Quvānlū ... sawwadahu wa-nammaqahu...") by Ibn Muḥammad Taqī, Muḥammad al-Sāravī (Muḥammad Fatḥ Allāh ibn Muḥammad Taqī Sāravī, known as Mullā Muḥammad Sāravī, author of the Tārīkh-i Muḥammadī, still living in 1802) with transcription completed yawm al-Arbiʻāʼ 23 Jumādá I 1203 [ca. 19 February 1789]. Later statement dated Rabīʻ I 1232 [January-February 1817] on 'title page' (p.3) names the (by now deceased) copyist and indicates that the manuscript was inspected for the Imperial Library. Former shelfmark: "432 T. De M. [i.e. Tammaro De Marinis]" and "١۷" inscribed in pencil on opening leaf (p.1, serves as flyleaf) ; possible inventory inscription on fore edge of text block. Binding: Heavy pasteboards covered in painted lacquerwork with spine in dark gray leather ; Type III binding (without flap), two-piece binding (overlapping flanges visible at spine) ; upper and lower doublures in fine painted lacquerwork of a central medallion evoking a four-petalled flower and pendants of vegetal design in gold on a red ground, framed in gold ; upper and lower covers bear paintings of nearly identical composition with entire panel virtually filled with swirling vines in yellow / gold, leaves of green and grapes of dark red on a pale orange ground, surrounded by vegetal borders in gold on dark red and green grounds ; sewn in red thread, two stations ; worked chevron endbands in red, cream and [?] (now gray), good condition ; overall in fair condition with some abrasion and losses to lacquerwork and pasteboard, etc. ; housed in box for protection. Support: European laid paper of several types ; opening type with 13 laid lines per cm. (horizontal), chain lines spaced 19-22 mm. apart (vertical) and watermarks of "FC" under scalloped crown (see p.8, etc.) and shield with lion rampant, "F" below and scalloped crown above (see p.10, 14, 16, etc.) ; next type with 11-13 laid lines per cm. (horizontal), chain lines spaced 22 mm. apart (vertical), and watermarks of smiling lion passant guardant with "F" below (see p.12, 20, 22, etc.) and "FC" only (see p.26, 28, etc.) ; next (and majority) type with 11 laid lines per cm. (horizontal), chain lines spaced 19-21 mm. apart (vertical), and watermarks of "FL" under scalloped crown (see p.98, 120, 360, 680, etc.) and three hats (see p.100, 154, 184, 340, 488, etc.) ; all highly sized and burnished, thin and crisp though quite sturdy. Decoration: Splendid illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.4 consisting of rectangular panel with empty gold cartouche flanked by floral motifs and swirling vegetal design in gold, red, blue, and white on fields of blue and red, surmounted by scalloped w-shaped piece filled with swirling vegetal design and floral motifs in green, lavender, orange, red, pink, and yellow on a blue and gold ground with outline and accents in white and black, all set in a well of blue with white accents ; rich illuminated marginal decoration (including inner margin) on incipit and facing page (pp.4-5) consisting of elaborate swirling floral vegetal design in green, orange, yellow, pink, lavender, and light blue on a gold ground, on incipit page (p.4) surrounding and beneath a medallion in gold carrying the name of Fatḥ ʻAlī Shāh Qājār ("السلطان فتحعلي شاه قاجار") ; additional exquisite double illuminations at openings on pp.342-343 and 344-345, including headpieces and marginal decoration (on pp.344-345, marginal decoration includes birds in pink, blue and orange) ; written area of incipit and facing page surrounded by frame of red with gold accents, gold cloud-bands setting off the text, and vertical bands of blue and red arabesque framing the columns ; written area elsewhere surrounded by frame of gold bands defined by black fillets (columns and divisions within written area also defined by gold bands and black fillets) ; keywords and section heading rubricated ; occasional textual dividers in the form of three or four red discs. Script: Shikastah (shikastah-nastaʻlīq / شكسته نستعليق ) ; elegant Persian hand ; serifless, with effect of words descending to baseline, closed counters, and elongated horizontal strokes. Layout: Written in roughly 19 lines per page, with written area mainly divided to two columns ; frame-ruled. Collation: IV (8), 34 IV(280), V+3 (293), 2 III(305), III+1 (312), 3 IV(336), II (340) ; Chiefly quaternions ; pagination in pencil, Western numerals, supplied during digitization (includes front flyleaf). Colophon: "Scribal," including patronage statement, in Persian and Arabic, reads "حسب الامر امیر بی نظیر زیبنده تاج و سریر ... فتحعلی خان الشهیر ببابا خان قاجار قوانلو خلد الله سلطانته باتمام این کلیات واختتام این ابیات معجز آیات پرداخت ... سوده ونمقه العبد المحتاج الى الله الصمد ابن محمد تقى الساروى محمد في يوم الاربعا ثالث عشرون شهر جميدى الاول من شهور سنه ۱۲۰۳" Explicit: "اگر که گاه بودی محتشم را نکته آموزی" Incipit: "نفیر مرغ سحر خوان چو شد بلند صدا پرید زاغ شب از روی بیضه بیضا ..." Title from statement on 'title page' (p.3). Ms. codex. Inscriptions in pencil on recto of opening leaf (p.1, serving as front flyleaf) "432 T. De M. [i.e. Tammaro De Marinis]" and "١۷" along with inventory mark "محتشم" ; on 'title page' (p.3), statement dated Rabīʻ I 1232 [January-February 1817] (accompanied by rectangular seal impression "... عبده عبد الوهاب الموسوى") names the copyist and indicates that the manuscript was inspected for the Imperial Library, statement reads "دیوان محتشم بخط مرحوم ملا محمد ساروی بتاریخ شهر ربیع الاول سنه ۱۲۳۲ از عرض کتابخانۀ مبارکۀ شاهنشاهی روحی و روح العالمین ..." ; later medallion in the name of Fatḥ ʻAlī Shāh Qājār in the outer margin of the incipit page (p.4), reads "السلطان فتحعلی شاه قاجار" ; as appears in closing matter, produced for Fatḥ ʻAlī Shāh Qājār (1769-1834, r.1797-1834) ; fairly clean copy with rare correction (see p.304, 323, etc.).
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Dīvān-i Muḥtasham, [1203, i.e. 1789].

(دیوان محتشم, [1203ه, 1789م].)
Yazar Muḥtasham, ʻAlī ibn Aḥmad, 1499 or 1500-1587 or 1588.
Basım Tarihi [1789]
Konu Manuscripts, Persian, Manuscripts, Persian / Michigan, Manuscripts, Persian / Michigan / Ann Arbor., Persian poetry, Persian poetry / 1500-1796., Headpieces (layout features)
Tür Kitap
Dil Farsça
Dijital Hayır
Yazma Bilinmiyor
Sayfa Sayısı 340
Fiziksel Boyutlar 340 leaves : paper ; 308 x 205 (200 x 75) mm
Kütüphane HathiTrust Dijital Kütüphanesi
Kayıt Numarası 006816030
Lokasyon University of Michigan
Notlar About: Splendid copy of the Dīvān of Muḥtasham-i Kāshānī (d.1587 or 9) produced by Muḥammad Fatḥ Allāh ibn Muḥammad Taqī Sāravī, known as Mullā Muḥammad Sāravī (author of the Tārīkh-i Muḥammadī) for Fatḥ ʻAlī Shāh Qājār (1769-1834, r.1797-1834) | Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 337 Origin: As appears in closing matter (colophon including patronage statement) on pp.676-7, produced on the order of Fatḥ ʻAlī Shāh Qājār (1769-1834, r.1797-1834) seemingly before his ascension to the throne ("ḥasaba al-amr amīr bī-naẓīr... Fatḥ ʻAlī Khān, al-shahīr bi-Bābā Khān, Qājār Quvānlū ... sawwadahu wa-nammaqahu...") by Ibn Muḥammad Taqī, Muḥammad al-Sāravī (Muḥammad Fatḥ Allāh ibn Muḥammad Taqī Sāravī, known as Mullā Muḥammad Sāravī, author of the Tārīkh-i Muḥammadī, still living in 1802) with transcription completed yawm al-Arbiʻāʼ 23 Jumādá I 1203 [ca. 19 February 1789]. Later statement dated Rabīʻ I 1232 [January-February 1817] on 'title page' (p.3) names the (by now deceased) copyist and indicates that the manuscript was inspected for the Imperial Library. Former shelfmark: "432 T. De M. [i.e. Tammaro De Marinis]" and "١۷" inscribed in pencil on opening leaf (p.1, serves as flyleaf) ; possible inventory inscription on fore edge of text block. Binding: Heavy pasteboards covered in painted lacquerwork with spine in dark gray leather ; Type III binding (without flap), two-piece binding (overlapping flanges visible at spine) ; upper and lower doublures in fine painted lacquerwork of a central medallion evoking a four-petalled flower and pendants of vegetal design in gold on a red ground, framed in gold ; upper and lower covers bear paintings of nearly identical composition with entire panel virtually filled with swirling vines in yellow / gold, leaves of green and grapes of dark red on a pale orange ground, surrounded by vegetal borders in gold on dark red and green grounds ; sewn in red thread, two stations ; worked chevron endbands in red, cream and [?] (now gray), good condition ; overall in fair condition with some abrasion and losses to lacquerwork and pasteboard, etc. ; housed in box for protection. Support: European laid paper of several types ; opening type with 13 laid lines per cm. (horizontal), chain lines spaced 19-22 mm. apart (vertical) and watermarks of "FC" under scalloped crown (see p.8, etc.) and shield with lion rampant, "F" below and scalloped crown above (see p.10, 14, 16, etc.) ; next type with 11-13 laid lines per cm. (horizontal), chain lines spaced 22 mm. apart (vertical), and watermarks of smiling lion passant guardant with "F" below (see p.12, 20, 22, etc.) and "FC" only (see p.26, 28, etc.) ; next (and majority) type with 11 laid lines per cm. (horizontal), chain lines spaced 19-21 mm. apart (vertical), and watermarks of "FL" under scalloped crown (see p.98, 120, 360, 680, etc.) and three hats (see p.100, 154, 184, 340, 488, etc.) ; all highly sized and burnished, thin and crisp though quite sturdy. Decoration: Splendid illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.4 consisting of rectangular panel with empty gold cartouche flanked by floral motifs and swirling vegetal design in gold, red, blue, and white on fields of blue and red, surmounted by scalloped w-shaped piece filled with swirling vegetal design and floral motifs in green, lavender, orange, red, pink, and yellow on a blue and gold ground with outline and accents in white and black, all set in a well of blue with white accents ; rich illuminated marginal decoration (including inner margin) on incipit and facing page (pp.4-5) consisting of elaborate swirling floral vegetal design in green, orange, yellow, pink, lavender, and light blue on a gold ground, on incipit page (p.4) surrounding and beneath a medallion in gold carrying the name of Fatḥ ʻAlī Shāh Qājār ("السلطان فتحعلي شاه قاجار") ; additional exquisite double illuminations at openings on pp.342-343 and 344-345, including headpieces and marginal decoration (on pp.344-345, marginal decoration includes birds in pink, blue and orange) ; written area of incipit and facing page surrounded by frame of red with gold accents, gold cloud-bands setting off the text, and vertical bands of blue and red arabesque framing the columns ; written area elsewhere surrounded by frame of gold bands defined by black fillets (columns and divisions within written area also defined by gold bands and black fillets) ; keywords and section heading rubricated ; occasional textual dividers in the form of three or four red discs. Script: Shikastah (shikastah-nastaʻlīq / شكسته نستعليق ) ; elegant Persian hand ; serifless, with effect of words descending to baseline, closed counters, and elongated horizontal strokes. Layout: Written in roughly 19 lines per page, with written area mainly divided to two columns ; frame-ruled. Collation: IV (8), 34 IV(280), V+3 (293), 2 III(305), III+1 (312), 3 IV(336), II (340) ; Chiefly quaternions ; pagination in pencil, Western numerals, supplied during digitization (includes front flyleaf). Colophon: "Scribal," including patronage statement, in Persian and Arabic, reads "حسب الامر امیر بی نظیر زیبنده تاج و سریر ... فتحعلی خان الشهیر ببابا خان قاجار قوانلو خلد الله سلطانته باتمام این کلیات واختتام این ابیات معجز آیات پرداخت ... سوده ونمقه العبد المحتاج الى الله الصمد ابن محمد تقى الساروى محمد في يوم الاربعا ثالث عشرون شهر جميدى الاول من شهور سنه ۱۲۰۳" Explicit: "اگر که گاه بودی محتشم را نکته آموزی" Incipit: "نفیر مرغ سحر خوان چو شد بلند صدا پرید زاغ شب از روی بیضه بیضا ..." Title from statement on 'title page' (p.3). Ms. codex. Inscriptions in pencil on recto of opening leaf (p.1, serving as front flyleaf) "432 T. De M. [i.e. Tammaro De Marinis]" and "١۷" along with inventory mark "محتشم" ; on 'title page' (p.3), statement dated Rabīʻ I 1232 [January-February 1817] (accompanied by rectangular seal impression "... عبده عبد الوهاب الموسوى") names the copyist and indicates that the manuscript was inspected for the Imperial Library, statement reads "دیوان محتشم بخط مرحوم ملا محمد ساروی بتاریخ شهر ربیع الاول سنه ۱۲۳۲ از عرض کتابخانۀ مبارکۀ شاهنشاهی روحی و روح العالمین ..." ; later medallion in the name of Fatḥ ʻAlī Shāh Qājār in the outer margin of the incipit page (p.4), reads "السلطان فتحعلی شاه قاجار" ; as appears in closing matter, produced for Fatḥ ʻAlī Shāh Qājār (1769-1834, r.1797-1834) ; fairly clean copy with rare correction (see p.304, 323, etc.).
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