[Münşeat-i Atıf Efendi ... etc., 18th century].
([منشآت عاطف افندى ... الخ, القرن 18م].)

Name: [Münşeat-i Atıf Efendi ... etc., 18th century].
Author: Atıf Mehmet Emin Efendi, -1771?

İsim	[Münşeat-i Atıf Efendi ... etc., 18th century].
İsim Orijinal	[منشآت عاطف افندى ... الخ, القرن 18م].
Yazar	Atıf Mehmet Emin Efendi, -1771?
Basım Tarihi:	[1740-1770]
Konu	Dürri Mehmet Efendi,, Dürri Mehmet Efendi, / -1736, Dürri Mehmet Efendi, / -1736 / Correspondence., Manuscripts, Turkish, Manuscripts, Turkish / Michigan, Manuscripts, Turkish / Michigan / Ann Arbor., Turkish prose literature, Turkish prose literature / Early works to 1800., Letter writing, Turkish, Letter writing, Turkish / 18th century., Turkey, Turkey / History, Turkey / History / Mahmud I, 1730-1754, Turkey / History / Mahmud I, 1730-1754 / Sources., Headpieces (layout features)
Tür	Kitap
Dil	ota,tur
Dijital	Hayır
Yazma	Bilinmiyor
Sayfa Sayısı	94
Fiziksel Boyutlar	94 leaves : paper ; 220 x 125 (160 x 59) mm
Kütüphane:	HathiTrust Dijital Kütüphanesi
Kayıt Numarası	006822780
Lokasyon	University of Michigan
Notlar	About: Elegant copy of what appears to be a collection of letters compiled by Atıf Mehmet Emin Efendi (d.1771) mainly while he served as secretary (mektupçu / مكتوبجى) for şeyhülislam Dürri Mehmet Efendi (d.1736) during the early part of the reign of Mahmut I (r.1730-1754), compare Isl. Ms. 856. Followed (in a later addition) by Hikaye-yi garibe. \| Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 420 Origin: Lacks dated colophon though decoration, hand, etc. would suggest 18th century and date of composition, author's dates and dated seal impressions [including one possibly for the author] would suggest mid to late 18th century. Hikaye-yi garibe likely added later. Binding: Pasteboards (both now almost entirely delaminated) covered in dark red leather ; Type II binding (with flap, though now lost) ; doublures in dark brown leather, hinges and flyleaves in fine marbled paper (in red, dark blue, light blue-green), flyleaves gold-flecked ; upper and lower covers carry large stamped and gold-painted mandorla (filled with vegetal composition, compare Déroche class. OAi) and pendants accented with gold-painted strokes, as well as gold-painted and tooled borders in rows of s-shaped stamps defined by gold fillets ; sewn in dark blue thread, two stations ; worked chevron endbands in pink and yellow, damaged with headband virtually gone, tailband detaching ; overall in poor condition with boards delaminated to individual leaves, flap lost, cover detached from text block at spine, abrasion, lifting and losses of leather (upper cover, exposing boards, and spine in particular), staining, etc. Support: non-European (likely Persian) laid paper of perhaps several types ; mainly with 8-9 laid lines per cm. (horizontal or vertical, curving, somewhat indistinct) and no chain lines plainly visible, cloudy formation, thin and trasluscent, well-sized and burnished ; another type with roughly 7 laid lines per cm. and chain lines in pairs (see p.186, etc.) ; some staining ; bifolium in each quire silver-flecked (see pp.85-86, 99-100, etc.). Decoration: Exquisite illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.4 consisting of rectangular piece with empty gold cartouche flanked by delicate floral designs on fields of gold and dark blue, surmounted by a w-shaped piece overlaid with similar swirling floral designs in light blue, pink, orange, gold, etc. on grounds of gold and dark blue / cobalt, itself surmounted by vertical stalks in dark blue with gold and red accents, all set in a well of heavy gold and black interlace with outermost pink band ; written area of opening work surrounded by a heavy gold frame defined by black fillets ; headings and some keywords rubricated ; textual dividers mainly in the form of inverted commas in red, though two exquisitely executed rosettes appear on incipit page (p.4). Script: Nastaʻlīq (talik) ; two elegant Ottoman hands ; opening work (through p.125) a large, clear hand in a medium line, serifless with slight effect of words descending to baseline, some elongation and thickening of horizontal strokes, many open counters, pointing mainly in conjoined dots or strokes, bowl of final nūn wide with point set down within ; second work (pp.130-166) in a compact, delicate hand in a fine line, serifless with very slight effect of words descending to baseline, elongation of horizontal strokes, pointing mainly in conjoined dots or strokes, bowl of final nūn wide with point set down within. Layout: Written in as many as 17 lines per page ; frame-ruled. Collation: i, 6 V(60), V+1 (71), IV (79), III (85), IV+1 (94), i ; chiefly quinions ; final leaves left blank (pp.167-190) ; catchwords present ; lacunae (typically the space of a single line) left between sections of opening work, likely for rubricated headings ; pagination in pencil, Western numerals, supplied during digitization (includes flyleaves). Incipit: [Münşeat] "كوكب درى سپهر علم وكمال خورشيد منير فلك عز وجلال مفتى الانام شيخ مشايخ الاسلام مرحوم ومغفور له درى محمد افندى حضرتلرينك ... انتظام احوال مكه مكرمه خبرينى متضمن شريف حضرتلرى طرفندن وارد اولان مكتوبك جوابنامه سيدر سلام المنان السبحانى المتلو بلسان سبحانى الذى تطمئن بذكره القلوب وتنزل من حضرات الغيوب ..." ; [Hikaye-yi garibe] "تاب اوران مرايى فهم وعقول وپرایه بندان غوانى روايات ونقول ..." Title supplied by cataloguer from inscription on p.127. Ms. composite codex. Former owners' marks on 'title page' (p.3) include shahādah, ownership statement and oval seal impression (seemingly dated 1156 [1743 or 4]) in name of Mehmet Emin Atıf ( محمد امين عاطف ) [the author?], as well as ownership statement and oval seal impression (seemingly dated either 1159 [1746 or 7] or 1199 [1784 or 5]) in name of İbrahim Ethem ( ابرهيم ادهم ), another large oval seal impression and an effaced statement and seal impression ; on p.127, birth notice for Mehmet Ali ( محمد على ) dated 15 Muḥarram 1222 [ca. 25 March 1807] and signed Mehmet Salih Ağa ( محمد صالح اغا ) ; occasional glosses in second work.

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[Münşeat-i Atıf Efendi ... etc., 18th century].

([منشآت عاطف افندى ... الخ, القرن 18م].)

Yazar Atıf Mehmet Emin Efendi, -1771?

Basım Tarihi [1740-1770]

Konu Dürri Mehmet Efendi,, Dürri Mehmet Efendi, / -1736, Dürri Mehmet Efendi, / -1736 / Correspondence., Manuscripts, Turkish, Manuscripts, Turkish / Michigan, Manuscripts, Turkish / Michigan / Ann Arbor., Turkish prose literature, Turkish prose literature / Early works to 1800., Letter writing, Turkish, Letter writing, Turkish / 18th century., Turkey, Turkey / History, Turkey / History / Mahmud I, 1730-1754, Turkey / History / Mahmud I, 1730-1754 / Sources., Headpieces (layout features)

Tür Kitap

Dil ota,tur

Dijital Hayır

Yazma Bilinmiyor

Sayfa Sayısı 94

Fiziksel Boyutlar 94 leaves : paper ; 220 x 125 (160 x 59) mm

Kütüphane HathiTrust Dijital Kütüphanesi

Kayıt Numarası 006822780

Lokasyon University of Michigan

Notlar About: Elegant copy of what appears to be a collection of letters compiled by Atıf Mehmet Emin Efendi (d.1771) mainly while he served as secretary (mektupçu / مكتوبجى) for şeyhülislam Dürri Mehmet Efendi (d.1736) during the early part of the reign of Mahmut I (r.1730-1754), compare Isl. Ms. 856. Followed (in a later addition) by Hikaye-yi garibe. | Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 420 Origin: Lacks dated colophon though decoration, hand, etc. would suggest 18th century and date of composition, author's dates and dated seal impressions [including one possibly for the author] would suggest mid to late 18th century. Hikaye-yi garibe likely added later. Binding: Pasteboards (both now almost entirely delaminated) covered in dark red leather ; Type II binding (with flap, though now lost) ; doublures in dark brown leather, hinges and flyleaves in fine marbled paper (in red, dark blue, light blue-green), flyleaves gold-flecked ; upper and lower covers carry large stamped and gold-painted mandorla (filled with vegetal composition, compare Déroche class. OAi) and pendants accented with gold-painted strokes, as well as gold-painted and tooled borders in rows of s-shaped stamps defined by gold fillets ; sewn in dark blue thread, two stations ; worked chevron endbands in pink and yellow, damaged with headband virtually gone, tailband detaching ; overall in poor condition with boards delaminated to individual leaves, flap lost, cover detached from text block at spine, abrasion, lifting and losses of leather (upper cover, exposing boards, and spine in particular), staining, etc. Support: non-European (likely Persian) laid paper of perhaps several types ; mainly with 8-9 laid lines per cm. (horizontal or vertical, curving, somewhat indistinct) and no chain lines plainly visible, cloudy formation, thin and trasluscent, well-sized and burnished ; another type with roughly 7 laid lines per cm. and chain lines in pairs (see p.186, etc.) ; some staining ; bifolium in each quire silver-flecked (see pp.85-86, 99-100, etc.). Decoration: Exquisite illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.4 consisting of rectangular piece with empty gold cartouche flanked by delicate floral designs on fields of gold and dark blue, surmounted by a w-shaped piece overlaid with similar swirling floral designs in light blue, pink, orange, gold, etc. on grounds of gold and dark blue / cobalt, itself surmounted by vertical stalks in dark blue with gold and red accents, all set in a well of heavy gold and black interlace with outermost pink band ; written area of opening work surrounded by a heavy gold frame defined by black fillets ; headings and some keywords rubricated ; textual dividers mainly in the form of inverted commas in red, though two exquisitely executed rosettes appear on incipit page (p.4). Script: Nastaʻlīq (talik) ; two elegant Ottoman hands ; opening work (through p.125) a large, clear hand in a medium line, serifless with slight effect of words descending to baseline, some elongation and thickening of horizontal strokes, many open counters, pointing mainly in conjoined dots or strokes, bowl of final nūn wide with point set down within ; second work (pp.130-166) in a compact, delicate hand in a fine line, serifless with very slight effect of words descending to baseline, elongation of horizontal strokes, pointing mainly in conjoined dots or strokes, bowl of final nūn wide with point set down within. Layout: Written in as many as 17 lines per page ; frame-ruled. Collation: i, 6 V(60), V+1 (71), IV (79), III (85), IV+1 (94), i ; chiefly quinions ; final leaves left blank (pp.167-190) ; catchwords present ; lacunae (typically the space of a single line) left between sections of opening work, likely for rubricated headings ; pagination in pencil, Western numerals, supplied during digitization (includes flyleaves). Incipit: [Münşeat] "كوكب درى سپهر علم وكمال خورشيد منير فلك عز وجلال مفتى الانام شيخ مشايخ الاسلام مرحوم ومغفور له درى محمد افندى حضرتلرينك ... انتظام احوال مكه مكرمه خبرينى متضمن شريف حضرتلرى طرفندن وارد اولان مكتوبك جوابنامه سيدر سلام المنان السبحانى المتلو بلسان سبحانى الذى تطمئن بذكره القلوب وتنزل من حضرات الغيوب ..." ; [Hikaye-yi garibe] "تاب اوران مرايى فهم وعقول وپرایه بندان غوانى روايات ونقول ..." Title supplied by cataloguer from inscription on p.127. Ms. composite codex. Former owners' marks on 'title page' (p.3) include shahādah, ownership statement and oval seal impression (seemingly dated 1156 [1743 or 4]) in name of Mehmet Emin Atıf ( محمد امين عاطف ) [the author?], as well as ownership statement and oval seal impression (seemingly dated either 1159 [1746 or 7] or 1199 [1784 or 5]) in name of İbrahim Ethem ( ابرهيم ادهم ), another large oval seal impression and an effaced statement and seal impression ; on p.127, birth notice for Mehmet Ali ( محمد على ) dated 15 Muḥarram 1222 [ca. 25 March 1807] and signed Mehmet Salih Ağa ( محمد صالح اغا ) ; occasional glosses in second work.