Siyer-i Nebi(‘Biography of the Prophet’).

Name: Siyer-i Nebi(‘Biography of the Prophet’).
Author: illuminator: Sayyid Süleyman Kasım Pasha.

İsim	Siyer-i Nebi(‘Biography of the Prophet’).
Yazar	illuminator: Sayyid Süleyman Kasım Pasha.
Basım Tarihi:	mid hegira 11th century / AD 17th century.
Basım Yeri	Istanbul, Turkey. -
Konu	Ottoman — Finished (aharlı) paper, black ink, watercolour, gilding, leather (binding).
Tür	Kitap
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	Height 38 cm, width 26 cm.
Kütüphane:	Museum With No Frontiers
Demirbaş Numarası	1974.
Kayıt Numarası	ISL_tr_Mus01_30
Lokasyon	Museum of Turkish and Islamic Arts.
Tarih	mid hegira 11th century / AD 17th century.
Notlar	The work is written in Turkish on delicate finished (aharlı) paper using 13 lines per page of largenaskhiscript. The text is written within gilded margins in black ink; proper names are written in red ink. The areas between the lines of text are filled with gilding whose edges are traced in black. The six-volumeSiyer-i Nebior 'Biography of the Prophet' tells of the life of the Prophet Muhammad and of the history of Islam up until his death. The volume in the Museum of Turkish and Islamic Arts is a copy of the fourth volume and has 545 folios. A total of 193 miniatures depict the subjects within. The first page, an illuminated title page, is decorated with gilding. On those pages with miniatures, the painting is situated between the top and bottom two lines of text. The volume's brown leather binding is adorned with an oval medallion with palmette pendants and corner-pieces.The fourth volume begins with the birth of the Prophet's daughter, Fatima, and goes on to describe her marriage to 'Ali; the miracles of Muhammad; the love of Talha and Gamza; tales of heroic Muslim women; the preparation for the battle of Badr and the battle itself; Muhammad's wounding at the battle of Uhud; the death of the Prophet's uncleHamza; the distribution of the spoils of war; the story of Ka'b and his daughter; and the killing of the Muslims' enemy, SufyanibnKhalid.Siyer-i Nebiwas prepared in six volumes by the palace atelier at the behest ofSultanMurad III in the AH 10th / AD 16th century. Today one volume is lost, while the others are dispersed in libraries around the world. The manuscript in the Museum of Turkish and Islamic Arts is a copy (made in the AH 11th- / AD 17th-century) of a manuscript of the fourth volume ofSiyer-i Nebiin the Chester Beatty Library in Dublin, (T. 419). The miniatures are stylistically typical of the period.
Örnek Metin	This AH 11th- / AD 17th-century copy ofSiyer-i Nebi, literally 'Life of the Prophet', has an important place in Ottoman art not only because of subject but also because of its binding, the figurative style of its miniatures, and its architectural compositions. — The manuscript was transferred to the Museum in 1334 / 1916 from the library of the complex in Aksaray (Istanbul) founded by the wife of Sultan Mahmud II and mother of Sultan Abdülaziz I ('Abd al-'Aziz), Pertevniyal Valide Sultan (d. AH 1300 /AD 1883; queen mother from AH 1277–92 / AD 1861–76). — The style of the miniatures is characteristic of the 11th / 17th century. — Manuscripts of this quality and cost can only have been made in the palace atelier.
Bu sayfanın künyesi	Prepared by:Sevgi KUTLUAYSevgi Kutluay is the Head of the Calligraphy and Manuscripts Section at the Museum of Turkish and Islamic Arts in Istanbul. She graduated from the Department of Archaeology and Art History at Hacettepe University, Ankara, in 1985 with the thesis “The Complexes of Kayseri Huand Hatun and Afşin Eshab-ı Kehf and the Development of Complexes in the Anatolian Seljuq Period”. She completed her Master's at the same department with a thesis entitled “Divriği Great Mosque and Its Decorative Programme” in 1989. She started working at the Ministry of Culture and Tourism in 1988 and has worked as an expert at various museums and departments of the ministry. She quit her Ph.D. entitled “The Diwan of Hüseyin Baykara and the 15th Century Manuscripts of Herat”. She participated in restoration projects on the wall paintings of Göreme Dark Church and Sumela Monastery in Trabzon and in the display designs of various museums.
Seçili bibliyografya	çığ, K., “Türk ve İslam Eserleri Müzesi'ndeki Minyatürlü Kitapların Kataloğu”,Şarkiyat Mecmuası, III (1959), pp.51–90.Tanındı, Z.,Siyer-i Nebi. İslam Resim Sanatında Hazreti Muhammed'in Hayatı, Istanbul 1984, pp.156–9.ölçer, N.,et al, Museum of Turkish and Islamic Art,Istanbul, 2002, pp.292–5.

Kaynağa git Museum With No Frontiers

Aramaya Dön

Museum With No Frontiers

Kaynağa git

Siyer-i Nebi(‘Biography of the Prophet’).

Yazar illuminator: Sayyid Süleyman Kasım Pasha.

Basım Tarihi mid hegira 11th century / AD 17th century.

Basım Yeri Istanbul, Turkey. -

Konu Ottoman — Finished (aharlı) paper, black ink, watercolour, gilding, leather (binding).

Tür Kitap

Dil Belirlenmemiş dil

Dijital Evet

Yazma Evet

Fiziksel Boyutlar Height 38 cm, width 26 cm.

Kütüphane Museum With No Frontiers

Demirbaş Numarası 1974.

Kayıt Numarası ISL_tr_Mus01_30

Lokasyon Museum of Turkish and Islamic Arts.

Tarih mid hegira 11th century / AD 17th century.

Notlar The work is written in Turkish on delicate finished (aharlı) paper using 13 lines per page of largenaskhiscript. The text is written within gilded margins in black ink; proper names are written in red ink. The areas between the lines of text are filled with gilding whose edges are traced in black. The six-volumeSiyer-i Nebior 'Biography of the Prophet' tells of the life of the Prophet Muhammad and of the history of Islam up until his death. The volume in the Museum of Turkish and Islamic Arts is a copy of the fourth volume and has 545 folios. A total of 193 miniatures depict the subjects within. The first page, an illuminated title page, is decorated with gilding. On those pages with miniatures, the painting is situated between the top and bottom two lines of text. The volume's brown leather binding is adorned with an oval medallion with palmette pendants and corner-pieces.The fourth volume begins with the birth of the Prophet's daughter, Fatima, and goes on to describe her marriage to 'Ali; the miracles of Muhammad; the love of Talha and Gamza; tales of heroic Muslim women; the preparation for the battle of Badr and the battle itself; Muhammad's wounding at the battle of Uhud; the death of the Prophet's uncleHamza; the distribution of the spoils of war; the story of Ka'b and his daughter; and the killing of the Muslims' enemy, SufyanibnKhalid.Siyer-i Nebiwas prepared in six volumes by the palace atelier at the behest ofSultanMurad III in the AH 10th / AD 16th century. Today one volume is lost, while the others are dispersed in libraries around the world. The manuscript in the Museum of Turkish and Islamic Arts is a copy (made in the AH 11th- / AD 17th-century) of a manuscript of the fourth volume ofSiyer-i Nebiin the Chester Beatty Library in Dublin, (T. 419). The miniatures are stylistically typical of the period.

Örnek Metin This AH 11th- / AD 17th-century copy ofSiyer-i Nebi, literally 'Life of the Prophet', has an important place in Ottoman art not only because of subject but also because of its binding, the figurative style of its miniatures, and its architectural compositions. — The manuscript was transferred to the Museum in 1334 / 1916 from the library of the complex in Aksaray (Istanbul) founded by the wife of Sultan Mahmud II and mother of Sultan Abdülaziz I ('Abd al-'Aziz), Pertevniyal Valide Sultan (d. AH 1300 /AD 1883; queen mother from AH 1277–92 / AD 1861–76). — The style of the miniatures is characteristic of the 11th / 17th century. — Manuscripts of this quality and cost can only have been made in the palace atelier.

Bu sayfanın künyesi Prepared by:Sevgi KUTLUAYSevgi Kutluay is the Head of the Calligraphy and Manuscripts Section at the Museum of Turkish and Islamic Arts in Istanbul. She graduated from the Department of Archaeology and Art History at Hacettepe University, Ankara, in 1985 with the thesis “The Complexes of Kayseri Huand Hatun and Afşin Eshab-ı Kehf and the Development of Complexes in the Anatolian Seljuq Period”. She completed her Master's at the same department with a thesis entitled “Divriği Great Mosque and Its Decorative Programme” in 1989. She started working at the Ministry of Culture and Tourism in 1988 and has worked as an expert at various museums and departments of the ministry. She quit her Ph.D. entitled “The Diwan of Hüseyin Baykara and the 15th Century Manuscripts of Herat”. She participated in restoration projects on the wall paintings of Göreme Dark Church and Sumela Monastery in Trabzon and in the display designs of various museums.

Seçili bibliyografya çığ, K., “Türk ve İslam Eserleri Müzesi'ndeki Minyatürlü Kitapların Kataloğu”,Şarkiyat Mecmuası, III (1959), pp.51–90.Tanındı, Z.,Siyer-i Nebi. İslam Resim Sanatında Hazreti Muhammed'in Hayatı, Istanbul 1984, pp.156–9.ölçer, N.,et al, Museum of Turkish and Islamic Art,Istanbul, 2002, pp.292–5.