Noah’s Ark | Kütüphane.osmanlica.com

Noah’s Ark

İsim Noah’s Ark
Basım Tarihi: AH c. 828 / AD c. 1425
Basım Yeri Herat -
Konu Timurids — Pigments
Tür Kitap
Dil Belirlenmemiş dil
Dijital Evet
Yazma Evet
Fiziksel Boyutlar Folio: 42.3cm × 32.6cm
Kütüphane: Museum With No Frontiers
Demirbaş Numarası Inv.no. 8/2005
Kayıt Numarası EPM_dn_Mus21_38
Lokasyon The David Collection
Tarih AH c. 828 / AD c. 1425
Notlar Timur’s sonShahRukh (r. AH 808-851 / AD 1405-1447) ordered the historian Hafiz-i Abru to write a continuation of Rashid al-Din’s famous history of the world,Jamial-tawarikh. Like the Il-Khanids, the Timurids were concerned with legitimizing their right to rule, and Hafiz-i Abru’s “A Collection of Histories” covers a period that included the time ofShahRukh himself.The style of the manuscript’s miniatures is slightly old-fashioned compared with the otherwise refined Timurid painting, but the scene on the stormy sea is quite dramatic, with the fluttering sail, the ark breaking out of the picture frame and the swollen bodies. The animals that are to populate the earth are rendered both humorously and fairly realistically.
Bu sayfanın künyesi Copyedited by:Zeina AL AMAD
Seçili bibliyografya American Art Association, Anderson Galleries, New York, 4/10-1936, 2. Session, lot 191.Folsach, K. V. and Meyer, J.,The Human Figure in Islamic Art – Holy Men, Princes, and Commoners, Copenhagen: The David Collection, 2017: cat. no. 23.Folsach, K.,For the Privileged Few: Islamic Miniature Painting from The David Collection, Louisiana: Museum of Modern Art, 2007: cat. no. 18.Ghiasian, Mohamad Reza,Lives of the Prophets: the illustrations to Hafiz-i Abru's "Assembly of Chronicles", Leiden: Brill 2018: cat.no. 2.2, 141.Rohr, C., ”Sintflutdarstellungen: ein transkultureller Mythos durch Zeiten und Räume” in G. J. Schenk et al. (ed.),Mensch - Natur – Katastrophe von Atlantis bis Heute, Mannheim: Schnell & Steiner, 2014: fig. 4.
Kaynağa git Museum With No Frontiers Museum With No Frontiers
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Noah’s Ark

Basım Tarihi AH c. 828 / AD c. 1425
Basım Yeri Herat -
Konu Timurids — Pigments
Tür Kitap
Dil Belirlenmemiş dil
Dijital Evet
Yazma Evet
Fiziksel Boyutlar Folio: 42.3cm × 32.6cm
Kütüphane Museum With No Frontiers
Demirbaş Numarası Inv.no. 8/2005
Kayıt Numarası EPM_dn_Mus21_38
Lokasyon The David Collection
Tarih AH c. 828 / AD c. 1425
Notlar Timur’s sonShahRukh (r. AH 808-851 / AD 1405-1447) ordered the historian Hafiz-i Abru to write a continuation of Rashid al-Din’s famous history of the world,Jamial-tawarikh. Like the Il-Khanids, the Timurids were concerned with legitimizing their right to rule, and Hafiz-i Abru’s “A Collection of Histories” covers a period that included the time ofShahRukh himself.The style of the manuscript’s miniatures is slightly old-fashioned compared with the otherwise refined Timurid painting, but the scene on the stormy sea is quite dramatic, with the fluttering sail, the ark breaking out of the picture frame and the swollen bodies. The animals that are to populate the earth are rendered both humorously and fairly realistically.
Bu sayfanın künyesi Copyedited by:Zeina AL AMAD
Seçili bibliyografya American Art Association, Anderson Galleries, New York, 4/10-1936, 2. Session, lot 191.Folsach, K. V. and Meyer, J.,The Human Figure in Islamic Art – Holy Men, Princes, and Commoners, Copenhagen: The David Collection, 2017: cat. no. 23.Folsach, K.,For the Privileged Few: Islamic Miniature Painting from The David Collection, Louisiana: Museum of Modern Art, 2007: cat. no. 18.Ghiasian, Mohamad Reza,Lives of the Prophets: the illustrations to Hafiz-i Abru's "Assembly of Chronicles", Leiden: Brill 2018: cat.no. 2.2, 141.Rohr, C., ”Sintflutdarstellungen: ein transkultureller Mythos durch Zeiten und Räume” in G. J. Schenk et al. (ed.),Mensch - Natur – Katastrophe von Atlantis bis Heute, Mannheim: Schnell & Steiner, 2014: fig. 4.
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