Mamlukmashaf

Name: Mamlukmashaf
Author: Qadi(Judge) Taj al-Din Abi Ishaq al-Maliki (d. AH 771 / AD 1369).

İsim	Mamlukmashaf
Yazar	Qadi(Judge) Taj al-Din Abi Ishaq al-Maliki (d. AH 771 / AD 1369).
Basım Tarihi:	Before hegira 771 / AD 1369; during the lifetime of the original owner.
Basım Yeri	Egypt. -
Konu	Mamluk — Coloured inks on paper with gilding; the binding, embossed leather.
Tür	Kitap
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	Length 47 cm, width 32 cm, depth 11 cm.
Kütüphane:	Museum With No Frontiers
Demirbaş Numarası	م/ ش/16
Kayıt Numarası	ISL_pa_Mus01_34
Lokasyon	Islamic Museum, al-Aqsa Mosque / al-Haram al-Sharif.
Tarih	Before hegira 771 / AD 1369; during the lifetime of the original owner.
Notlar	Amashaf(Qur'anic manuscript) bound in deep-brown leather, made up of two covers (front and back) and a library marker. The ornamentation on this binding is reminiscent of Mamlukmashafsin that the intertwining geometric lines, by intersecting with each other, create fields of different sizes that are filled with embossed details. The margins of both sides of the binding are delineated with different decorative frames. The inside of the binding is also decorated with an embossed medium-sized circle surrounded by semi-circles.Folio 1b–2a is composed of two pages written inthuluthscript in black ink; the lettering branching out into illumination. There are 10 lines to each page; each line is surrounded by strokes that encircle the text. Folio 2b–3a forms thefrontispieceof themashaf.It comprises two pages that contain two identical panels covering most of the spread, and is composed of decoration made up of intersecting geometric lines. The lines encompass between them fields of varying sizes, and each field holds a golden blossom within it. Each blossom varies in size to fit the geometric zone that contains it. The decorative panels finish at the top and bottom with illuminated bands that include text from the Qur'an “al-Waqi'ah” (“The Event, The Inevitable” 56: 76–82). Vegetal decoration surrounds the bands and panels in gold and blue, framing all four sides of the pages.Folio 3b–4a contains the opening pages of themashaf. Both pages are identically decorated and are written in illuminatedthuluthscript composed of five lines. Ornamentation of climbing vegetal motifs, framing broad rectangular areas, is placed above and below the text as well as on the sides. On the remaining pages the text is written inthuluthscript in black ink. The pause marks assume the shape of flowers in gold, blue and brown. The name “Majesty” (al-Jalala)and theBasmala(In the name of Allah, Most Gracious, Most Merciful) are written in gold. The chapter and verse number is white outlined in black; it sits on a wavy gold background on blue, or occasionally red, within a wide gold strip that forms a rectangular frame. The last two pages of themashaf, which contain the last three chapters of the Qur'an, are written in gold.
Örnek Metin	A complete MamlukQur’anin two covers of leather with intertwining geometric lines. At the beginning are two identical decorative panels with two blossoms. The text is written inthuluthscript in black ink. The pause marks assume the shape of flowers in gold, blue and brown. Illumination is used especially in chapter names, a number of verses and where the word ‘Majesty’ appears. — Themashafwas transferred from al-Haram al-Ibrahimi (the Ibrahimi Mosque) in Hebron (al-Khalil) where it had been endowed by its owner for recitation, to the Islamic Museum in 1927. — The dating of thismashafis supported by the knowledge of the life-span of the original owner,Qadi(Judge) Taj al-Din Abi Ishaq al-Maliki (d. 771 / 1369). — Egypt was narrowed down as the place where themashafwas copied due to the style of the script, the decoration used, as well as the leather binding. Themashafis fairly typical of Egyptian manuscripts of this sort produced in the same period.
Bu sayfanın künyesi	Prepared by:Khader SALAMEHKhader Salameh has been the Director of the Islamic Museum and Al-Aqsa Library in Jerusalem for more than two decades. He was previously employed in the Hebrew University Library and worked as a librarian in Saudi Arabia and as a teacher in Libya. He is a Ph.D. Candidate in Ottoman History. He received a Certificate of Librarianship in 1986 from the Hebrew University. He obtained his BA degree from Beirut University in 1980. He catalogued the Manuscripts Collections of the Haram al-Sharif, which was published in six parts in several countries. His publications include many articles on different subjects and a recent publication in English and Arabic on the Qur'an manuscripts in the Islamic Museum.
Seçili bibliyografya	Al-'Asqalani, Ahmad bin 'Ali bin Hajar (d. 852 / 1448),Al-Durar al-Kamina fi al-A'yan al-Mi'a al-Thamina [The Valuable Jewellery of the Personalities of the Eighth Century],Vols. 1 and 6, Hyderabad, 1972.Salameh, K.,Al-Makhtutat al-Qur'aniya fi al-Muthaf al-Islamu fi al-Haram al-Sharif [Qur'anic Manuscripts in the Islamic Museum in al-Haram al-Sharif],Paris, 2003.Al-Maqrizi, Taqi al-Din, A., (d. 845 / 1442),Al-Suluk li Marifat Duwal al-Muluk [The Right Ways to Know the Lands of the Rulers],Vols. 2 and 3, Cairo, 1970.al-Shaja'i, Shams al-Din,Al-Malik al-Nasir Muhammad bin Qalawun Salihi wa Awladahu [The Ruler, al-Nasir Muhammad bin Qalawun Salihi and his Sons],Fisbadan, 1978.

Kaynağa git Museum With No Frontiers

Aramaya Dön

Museum With No Frontiers

Kaynağa git

Mamlukmashaf

Yazar Qadi(Judge) Taj al-Din Abi Ishaq al-Maliki (d. AH 771 / AD 1369).

Basım Tarihi Before hegira 771 / AD 1369; during the lifetime of the original owner.

Basım Yeri Egypt. -

Konu Mamluk — Coloured inks on paper with gilding; the binding, embossed leather.

Tür Kitap

Dil Belirlenmemiş dil

Dijital Evet

Yazma Evet

Fiziksel Boyutlar Length 47 cm, width 32 cm, depth 11 cm.

Kütüphane Museum With No Frontiers

Demirbaş Numarası م/ ش/16

Kayıt Numarası ISL_pa_Mus01_34

Lokasyon Islamic Museum, al-Aqsa Mosque / al-Haram al-Sharif.

Tarih Before hegira 771 / AD 1369; during the lifetime of the original owner.

Notlar Amashaf(Qur'anic manuscript) bound in deep-brown leather, made up of two covers (front and back) and a library marker. The ornamentation on this binding is reminiscent of Mamlukmashafsin that the intertwining geometric lines, by intersecting with each other, create fields of different sizes that are filled with embossed details. The margins of both sides of the binding are delineated with different decorative frames. The inside of the binding is also decorated with an embossed medium-sized circle surrounded by semi-circles.Folio 1b–2a is composed of two pages written inthuluthscript in black ink; the lettering branching out into illumination. There are 10 lines to each page; each line is surrounded by strokes that encircle the text. Folio 2b–3a forms thefrontispieceof themashaf.It comprises two pages that contain two identical panels covering most of the spread, and is composed of decoration made up of intersecting geometric lines. The lines encompass between them fields of varying sizes, and each field holds a golden blossom within it. Each blossom varies in size to fit the geometric zone that contains it. The decorative panels finish at the top and bottom with illuminated bands that include text from the Qur'an “al-Waqi'ah” (“The Event, The Inevitable” 56: 76–82). Vegetal decoration surrounds the bands and panels in gold and blue, framing all four sides of the pages.Folio 3b–4a contains the opening pages of themashaf. Both pages are identically decorated and are written in illuminatedthuluthscript composed of five lines. Ornamentation of climbing vegetal motifs, framing broad rectangular areas, is placed above and below the text as well as on the sides. On the remaining pages the text is written inthuluthscript in black ink. The pause marks assume the shape of flowers in gold, blue and brown. The name “Majesty” (al-Jalala)and theBasmala(In the name of Allah, Most Gracious, Most Merciful) are written in gold. The chapter and verse number is white outlined in black; it sits on a wavy gold background on blue, or occasionally red, within a wide gold strip that forms a rectangular frame. The last two pages of themashaf, which contain the last three chapters of the Qur'an, are written in gold.

Örnek Metin A complete MamlukQur’anin two covers of leather with intertwining geometric lines. At the beginning are two identical decorative panels with two blossoms. The text is written inthuluthscript in black ink. The pause marks assume the shape of flowers in gold, blue and brown. Illumination is used especially in chapter names, a number of verses and where the word ‘Majesty’ appears. — Themashafwas transferred from al-Haram al-Ibrahimi (the Ibrahimi Mosque) in Hebron (al-Khalil) where it had been endowed by its owner for recitation, to the Islamic Museum in 1927. — The dating of thismashafis supported by the knowledge of the life-span of the original owner,Qadi(Judge) Taj al-Din Abi Ishaq al-Maliki (d. 771 / 1369). — Egypt was narrowed down as the place where themashafwas copied due to the style of the script, the decoration used, as well as the leather binding. Themashafis fairly typical of Egyptian manuscripts of this sort produced in the same period.

Bu sayfanın künyesi Prepared by:Khader SALAMEHKhader Salameh has been the Director of the Islamic Museum and Al-Aqsa Library in Jerusalem for more than two decades. He was previously employed in the Hebrew University Library and worked as a librarian in Saudi Arabia and as a teacher in Libya. He is a Ph.D. Candidate in Ottoman History. He received a Certificate of Librarianship in 1986 from the Hebrew University. He obtained his BA degree from Beirut University in 1980. He catalogued the Manuscripts Collections of the Haram al-Sharif, which was published in six parts in several countries. His publications include many articles on different subjects and a recent publication in English and Arabic on the Qur'an manuscripts in the Islamic Museum.

Seçili bibliyografya Al-'Asqalani, Ahmad bin 'Ali bin Hajar (d. 852 / 1448),Al-Durar al-Kamina fi al-A'yan al-Mi'a al-Thamina [The Valuable Jewellery of the Personalities of the Eighth Century],Vols. 1 and 6, Hyderabad, 1972.Salameh, K.,Al-Makhtutat al-Qur'aniya fi al-Muthaf al-Islamu fi al-Haram al-Sharif [Qur'anic Manuscripts in the Islamic Museum in al-Haram al-Sharif],Paris, 2003.Al-Maqrizi, Taqi al-Din, A., (d. 845 / 1442),Al-Suluk li Marifat Duwal al-Muluk [The Right Ways to Know the Lands of the Rulers],Vols. 2 and 3, Cairo, 1970.al-Shaja'i, Shams al-Din,Al-Malik al-Nasir Muhammad bin Qalawun Salihi wa Awladahu [The Ruler, al-Nasir Muhammad bin Qalawun Salihi and his Sons],Fisbadan, 1978.