Mirror Case with Portrait of the Eunuch Manuchihr Khan Mu`tamid al-Dawla

İsim	Mirror Case with Portrait of the Eunuch Manuchihr Khan Mu`tamid al-Dawla
Basım Tarihi:	ca. 1847
Basım Yeri	- Brooklyn Museum
Tür	Diğer
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Hayır
Fiziksel Boyutlar	9 x 5 1/2 in. (22.9 x 14 cm)
Kütüphane:	Ortadoğu Dijital Kütüphanesi
Demirbaş Numarası	Accession Number: 71.49.2
Kayıt Numarası	brooklyn-97174
Lokasyon	Brooklyn Museum
Tarih	ca. 1847
Notlar	This lacquer mirror case was made under the patronage of the Georgian eunuch Manuchihr Khan, known as Mu`tamid al-Dawla, who served as viceroy of the provinces of Kirmanshah, Luristan, and Khuzistan, and later as governor of Isfahan under Muhammad Shah Qajar (r. 1834–1848). In the 1840s, Mu`tamid al-Dawla was considered one of the most powerful men in Iran. He had at his disposal an elaborate court administration with all its accoutrements, including the services of fine artists. Muhammad Isma`il, considered the greatest lacquer painter of his generation, probably produced this mirror case early in his career, before he was nominated naqqashbash, or painter laureate. Islamic Galleries, June 2009 Ladan Akbarnia \| more \| less
Malzeme	Ink, opaque watercolor, metallic pigment, and gold on papier mâché under lacquered varnish
Zaman Dilimi	Qajar Period

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Mirror Case with Portrait of the Eunuch Manuchihr Khan Mu`tamid al-Dawla

Basım Tarihi ca. 1847

Basım Yeri - Brooklyn Museum

Tür Diğer

Dil Belirlenmemiş dil

Dijital Evet

Yazma Hayır

Fiziksel Boyutlar 9 x 5 1/2 in. (22.9 x 14 cm)

Kütüphane Ortadoğu Dijital Kütüphanesi

Demirbaş Numarası Accession Number: 71.49.2

Kayıt Numarası brooklyn-97174

Lokasyon Brooklyn Museum

Tarih ca. 1847

Notlar This lacquer mirror case was made under the patronage of the Georgian eunuch Manuchihr Khan, known as Mu`tamid al-Dawla, who served as viceroy of the provinces of Kirmanshah, Luristan, and Khuzistan, and later as governor of Isfahan under Muhammad Shah Qajar (r. 1834–1848). In the 1840s, Mu`tamid al-Dawla was considered one of the most powerful men in Iran. He had at his disposal an elaborate court administration with all its accoutrements, including the services of fine artists. Muhammad Isma`il, considered the greatest lacquer painter of his generation, probably produced this mirror case early in his career, before he was nominated naqqashbash, or painter laureate. Islamic Galleries, June 2009 Ladan Akbarnia | more | less

Malzeme Ink, opaque watercolor, metallic pigment, and gold on papier mâché under lacquered varnish

Zaman Dilimi Qajar Period