Crucifixion, Harrowing of Hell, Ascension, and Pentecost

İsim	Crucifixion, Harrowing of Hell, Ascension, and Pentecost
Basım Tarihi:	14th century (Medieval)
Basım Yeri	- The Walters Art Museum
Konu	Culture: Byzantine \| more \| less
Tür	Diğer
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Hayır
Fiziksel Boyutlar	Dimensions: H: 5 9/16 x W: 3 1/2 x D: 3/8 in. (14.2 x 8.9 x 0.9 cm)
Kütüphane:	Ortadoğu Dijital Kütüphanesi
Demirbaş Numarası	71.137
Kayıt Numarası	walters-16123
Lokasyon	The Walters Art Museum
Tarih	14th century (Medieval)
Notlar	The compositions of the Crucifixion and the Ascension on this piece are almost identical to those on Walters 71.244 and 71.294, but the style is late Byzantine. Unusual details include the way the angels' legs turn outward while their bodies face inward toward the ascending Christ, and the extraordinary floating half-length figure of Eve behind Adam in Hell. The pierced holes show that the plaque was the center of a triptych. There are some losses in the Crucifixion scene, in the borders, and in the lower right corner. There is a vertical crack down the left side of the piece, held together at the top and bottom by silver plates. The ivory is brownish in color. Later inscriptions in Greek have been added to the background.For the latest information about this object, triptychs; icons, visit art.thewalters.org. \| Dynasty: \| Inscriptions: \| Reign: \| Style: \| more \| less
Parçası Olduğu	BYZ \| Medieval Art
Malzeme	ivory (elephant)

Kaynağa git Ortadoğu Dijital Kütüphanesi Digital Library of the Middle East

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Ortadoğu Dijital Kütüphanesi

Kaynağa git

Crucifixion, Harrowing of Hell, Ascension, and Pentecost

Basım Tarihi 14th century (Medieval)

Basım Yeri - The Walters Art Museum

Konu Culture: Byzantine | more | less

Tür Diğer

Dil Belirlenmemiş dil

Dijital Evet

Yazma Hayır

Fiziksel Boyutlar Dimensions: H: 5 9/16 x W: 3 1/2 x D: 3/8 in. (14.2 x 8.9 x 0.9 cm)

Kütüphane Ortadoğu Dijital Kütüphanesi

Demirbaş Numarası 71.137

Kayıt Numarası walters-16123

Lokasyon The Walters Art Museum

Tarih 14th century (Medieval)

Notlar The compositions of the Crucifixion and the Ascension on this piece are almost identical to those on Walters 71.244 and 71.294, but the style is late Byzantine. Unusual details include the way the angels' legs turn outward while their bodies face inward toward the ascending Christ, and the extraordinary floating half-length figure of Eve behind Adam in Hell. The pierced holes show that the plaque was the center of a triptych. There are some losses in the Crucifixion scene, in the borders, and in the lower right corner. There is a vertical crack down the left side of the piece, held together at the top and bottom by silver plates. The ivory is brownish in color. Later inscriptions in Greek have been added to the background.For the latest information about this object, triptychs; icons, visit art.thewalters.org. | Dynasty: | Inscriptions: | Reign: | Style: | more | less

Parçası Olduğu BYZ | Medieval Art

Malzeme ivory (elephant)