Recueil de calligraphies en nasḫi, ta'liq, nasta'liq et shikasté

İsim	Recueil de calligraphies en nasḫi, ta'liq, nasta'liq et shikasté
Basım Tarihi:	1775
Tür	Diğer
Dil	Arapça
Dijital	Evet
Yazma	Hayır
Kütüphane:	Pompeu Fabra Üniversitesi Kütüphanesi
Kayıt Numarası	cdi_europeana_collections_9200519_ark_12148_btv1b8432260g
Lokasyon	Available Online
Tarih	1775
Örnek Metin	Scanning from an original document. Only two paintings (n ° I and III) can be found in the collection. Calligraphed pieces are of various hands. Many are written on the occasion of “ayd” celebrations. To the f. 92, 97, 109, 114v or 115 are numbers put by Gentil himself. I- F.1 (122 x 204 mm) painting: “Musulman seated with two officers with him” (Deccan, 19th century?) [the invoice of this painting and the invoice of the n ° III recall strongly the other pieces coming from Gentil, filed in the Cabinet of Prints and published under n ° 121 and 122 in A la Cour du Grand Moghol, Paris, 1986, pp. 134, 137 and 146].II.- F.1v (written surface 107 x 200 mm). Rubā “ī Persian to the praise of the eighth imām, anonymous calligraphy in Nasta” līq.III.F. 107 x 197 mm) painting “Musician and Dancers” (Deccan, 19th century?) [published by N. Caron - D. Safvate, Iran. Musical traditions, Paris, 1966, Pl.]IV.F. 2v (125 x 215 mm). In the center, two bayt calligraphy in Nasta 'līq by Sulș ān Bāyazīd [b. Mīr Niżām Dūrī (this calligrapher, from Harāt to India, stayed at the Akbar Court; he died in 986H./1578 during a trip to the Mekke), cf. M. Bayānī, Hwušnivīsān, 2nd ed., Tehran, 1363H./1984, I, n ° 148, p. 95- 96; M. Ashraf, Catalogue of the Persian ManusAu. No date, on green paper, with golden floral decoration.On the left side are glued calligraphed worms, another hand.V.F. 3 (84 x 178 mm). Two bayt of Prophet “s praise, in Nasta” līq, by 'Alī Kātib [compares to Persan 129, II-III etc.?; see also n ° XLIII infra], against a background of clouds standing on a golden background, with two illuminated ornamental triangles with blue.VI.F. 4 (93 x 180 mm). Two unsigned bayt, in Nasta 'līq, on pink marbled paper with clouages.VII.- F.5 (110 x 190 mm). Ligatures of the “Lig” in Nasta" līq. Unsigned calligraphy on green paper with gold and silver.F. 6 (122 x 222 mm). Rubā “ī Persian calligraphed in Nasta” līq by Muș ammad A’ żam, without date, on brown brown to brown corolla papille.IX.F. 7 (120 x 220). Alphabet in Nasta’ līq, unsigned.X.F. 8 (72 x 136). Two Persian bayt in Sulus, calligraphed on pink speckled paper by "Alī-Naqī [compare to XII, XIII, XXIV and XLV; perhaps it is the same calligrapher as the f. 35v of the album J.4598 of the Berlin Islamic Museum].XI.-F. 9 (78 x 138). “Ġazal de Navā” ī, unsigned on moucheté paper of or.XII.- F.10 (72 x 145). Rubā “ī calligraphy in Nashī by” Alī-Naqī (compare to n ° X) on wetted rose.XIII.- F.11 (145 x 187). Two Arabic lines in Rayễānī by the same Alī-Naqī (compare to n ° X), on paper-moucheté of rose.XIV.F. 12 (95 x 212). A ribā ī “in Nasta” līq and several bayt in Šikasta, calligraphed by Sa’d al-Dīn [MuUn.] Razavī [Lakhnavī] on gold sandpaper with golden clouds.XV.- F. 13 (91 x 233). Calligraphy of three bayt of a liazal, in Nasta “līq, signed” Abd-ullāh [compare to Persian Supplement 388, f. 10v and Smith-Lesouëf 247, f. 56v; it could be called 'Abd-ullāh liusaynī who calligraphed the 11v and 19v of Smith-Lesouëf 247, Persian Supplement 1955 (11) or the f. 39v of the album J. 4598 of the Islamic Museum of Berlin; see also Calarazī, Fili Served in motifs of red and golden neighbors. XVI.- F. 14 (96 x 171). Rubā “ī in Nasta” līq, unsigned, calligraphed with yellow ink on green paper. Floral decoration on the bottom and two illuminated golden triangles and verts.XVII.F. 14v (105 x 197). Rubā ā calligraphed in Nasta 'līq by Muș. Kāżim al-Mūsà al-Nağafī, dated 1097H.(/ 1686), 30th year [of the ğulūs dAwrangzēb]. The paper is decorated with clouds with black and golden edges. XVIII.F. 15 (84 x 155). Two bayt on the art of calligraphy, written in Nasta “līq [ca. 1480- 1520] by Sulĕān” Alī al-Mašhadī (compare to Persan 129, VI, etc.). With cloud motif with red grid background, a rectangle illuminated at the top of the page and two illuminated triangles in the base.XIX.F. 16 (127 x 252 mm). DễBș A-i NAW RAS. Żuhūrī. Cf. Persian Supplement 116 (III, A).Incipit cf. Persian Supplement 116 (III, A).Copy made in Ta’ līq by Hīrābīd Kūl and dated 19 Rağab 1188H.(/ 25 September 1774).XX.F. 17, 18v and 19 (132 x 255 each). Models of the different letters in writing Ta’ līq with their different legatures. The note of the f. 18v delivers neither name nor date seemingly t-il.XXI.F. 20 (123 x 201). Page from an album (muraqqa’) with margins decorated with floral paintings with six lines of ligature models of the letters in Nasta 'līq, on blue marbled paper, without name or date.XXII.F. 21 (95 x 160 mm). Two unsigned bayt in Nasta 'līq.XXIII.F. 22 (102 x 210). Two bayt in Nasta “līq, signed Mīrzā Sayf” Alī (compare to n ° LII), copied on blue paper.XXIV.F. 23 (86 x 165). Rubā “ī en Nasta’ līq signed” Alī Naqī (cf. n ° X); same paper as the n ° X.XXV.F. 24 (87 x 167). A bayt in Nasta 'līq, unsigned, on yellow sanded paper of or.XXVI.F. 25 (192 x 67). A bayt in Nasta 'līq signed by Muș ammad Un āliș usaynī, with the date of [...] 33. The paper has a decoration of arabesques and brown volutes and or.XXVII.F. 26 (118 x 200). Three bayt in Nasta 'līq, signed by Muș ammad Šarīf (see also n ° XXIX) [this calligrapher was - cf. M. Bayānī, ATrois vāl va āsār-i hwušnivīsān, Tehran, 1363H./1985, III, n ° 1091, p. 753 - active in India between 1039H./1629 and 1058H./1648]; copied obliquely on a background of clouds with golden rim.XXVIII.F. 26v (70 x 84). Seven lines from the beginning of a dībāğa in Ta’ līq; dated to 15 Sept afar 1182H.(/ 1 July 1769) and signed by Sa’ dat 'Alī Hān Bahādur [who became governor of Awadh in 1798 and died in 1814] (compare to n ° XXXI, XXXIII, XL, XLVI, LVII, LXXII). On moucheté paper of or.XXIX.F. 27 (112 x 222). Three bayt of Trois āmī calligraphed in Nasta’ līq, signed by Muș ammad Šarīf (cf. n ° XXVII).XXX.F. 28 (117 x 225). Rubā ī en Nasta’ līq calligraphed on Thursday 20 Rabī’ I 1185H.(/ 3 July 1771) by Hān Mīrzā Bahādur (compare to n ° XXXII), on red sandpaper and moucheté of or.XXXI.F. 29v and 29 (73 x 127 and 75 x 134). Texts in prose (probably two dībāğa), calligraphy in Ta’ līq on a green marbled paper with red or yellow or green corolla, signed by Sa’ dat 'Alī Hān Bahādur (compare n ° XXVIII) and dated Tuesday 10 and Monday 24 Rabī’ I 1182H.(/ 25 July and 8 August 1768).XXXII.F. 29v (127 x 222). Quest of four lines in Nasta 'līq, by Hān Mīrzā Bahādur (compare to n ° XXX), dated on a Thursday; same paper as n ° XXX.XXXIII.F. 30 (72 x 125). Beginning of a dībāğa in Ta “līq, by Son” ādat “Alī Hān Bahādur (compare n ° XXVIII), dated to 13 Rabī” Ier 1182H.(/ 28 July 1768); on pink moucheted paper of or.XXXIV.F. 30v (145 x 215). Two lines of Nasta 'līq, unsigned, on moucheted ochry paper of or.XXXV.F. 31 (126 x 200). Rubā 'ī signed Muī ammad Sa’ īd (see also n ° XXXVII); on salmon paper with cloud decoration on a golden background.XXXVI.F. 32 (85 x 145). Rubā “ī, without date, calligraphed in Nasta” līq for the ī āī ibzāda Mīrzā Muș ammad Bāqir; in clouds on a golden background with floral silhouets.XXXVII.F. 33 (110 x 223). Rubā’ ī arabe in Nasta’ līq, calligraphed in 912H.(/ 1506-7) [sic] by Muș ammad Sa’ īd Lāhīğī [in fact, he might act, as for n ° XXXV, of the poet and calligrapher Mu(. Son’ īd Lāhīğānī, who came to India under the reign of (ahāngīr, who died after 1047H./1637]. Calligraphy on the inside of red rectangles with golden framing; flower decoration, green and reddish. XXXVIII.F. 34 (94 x 182). Three bayt of a masnavī, calligraphed in Nasta “līq by Muễammad Mu” min [on this calligrapher see B. Schmitz, Catalogue (...) Piert Morgan Library, New York, n ° 61.58 and Drouot, Paris, 18- 19 November 1991, n ° 172]; copied in clouds on golden background with flowers of different colors.XXXIX.F. 35 (115 x 175). Four lines calligraphed in Nasta’ līq, without date, on a blue paper with cloud-decoration and thin grid background; three illuminated bands were glued between these lines.XL.F. 36 (83 x 144). Prose text evoking the Šab-i barāt [the 15 Ša’ bān], calligraphed in Ta’ līq [by Sa’ ādat 'Alī Hān Bahādur (compare n ° XXVIII)], on green paper with redheaded corolle.XLI.F. 37 (107 x 172). Model alphabet in Nasta 'līq, unsigned, on vert.XLII.F. 38 (91 x 176). Rubā’ ī calligraphed in Nasta’ līq in 1169H.(/ 1755-6) by Gulzār-Raqam Hān (compare to LIV) [on this calligrapher see M. Bayānī, Aș vāl va āsār-i hwušnivīsān, Tehran, 1363H./1985, III, n ° 807, p. 593].XLIII.F. 39 (93 x 170). Rubā “ī calligraphed in Nasta” līq, signed 'Alī al-Kātib [ca. 1520- 1540?] (cf. n ° V), copied in a decoration of clouds on a golden background; with three triangular illuminated motifs, two of which are polylobed border.XLIV.F. 40 (86 x 150). Same prose text as the n ° XL, calligraphed in Šikasta [possibly with the hand of 'Alī Naqī, like the n ° X, etc.]; on paper sanded with red.XLV.F. 41 (72 x 144). Eight bayt of a masnavī calligraphed in Šikasta by "Alī Naqī (cf. n ° X, etc.); on paper sanded with red.XLVI.F. 42 (94 x 168). Same prose text as the n ° XL, calligraphed also in Ta’ līq by Sa’ ādat “Alī Hān Bahādur (compare n ° XXVIII), the 27 Rabī” I 1182H.(/ August 11, 1768), on pink moucheted paper by or.XLVII.F. 43 (94 x 165). Rubā “ī calligraphed in Nasta” līq, in yellow ink on dark blue paper, by a figure who signed 'āqibat-i Maễmūd-i Kātib and was possibly named Maā mūd.XLVIII.F. 44 (118 x 177). Siyāh-mašq in Nasta 'līq on ocre.XLIX.F. 45 (82 x 177). Rubā “ī in Nasta” līq, unsigned, on red marbled paper with cloud decoration on golden background and three illuminated ornamental triangles.F. 46 (139 x 87). Inscription navvāb nāmdār salāmat in a calligraphy made up of floral motifs, unsigned. LI.F. 47 (69 x 151). Two bayt calligraphed on silver sandpaper, unsigned. LII.F. 48 (107 x 210). Two lines of a rhymed praise, in Nasta “līq, where appears the name of the calligrapher Mīrzā Sayf” Alī (compare to n ° XXIII), on paper sanded with red and moucheté of or.LIII.F. 49 (85 x 77). Bayt Persian in Nasta’ līq, unsigned, in a cloud decoration with golden rim.LIV.F. 50 (88 x 177). Rubā ‛ and bayt e
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Kaynağa git Pompeu Fabra Üniversitesi Kütüphanesi Pompeu Fabra University Library

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Pompeu Fabra Üniversitesi Kütüphanesi

Kaynağa git

Recueil de calligraphies en nasḫi, ta'liq, nasta'liq et shikasté

Basım Tarihi 1775

Tür Diğer

Dil Arapça

Dijital Evet

Yazma Hayır

Kütüphane Pompeu Fabra Üniversitesi Kütüphanesi

Kayıt Numarası cdi_europeana_collections_9200519_ark_12148_btv1b8432260g

Lokasyon Available Online

Tarih 1775

Örnek Metin Scanning from an original document. Only two paintings (n ° I and III) can be found in the collection. Calligraphed pieces are of various hands. Many are written on the occasion of “ayd” celebrations. To the f. 92, 97, 109, 114v or 115 are numbers put by Gentil himself. I- F.1 (122 x 204 mm) painting: “Musulman seated with two officers with him” (Deccan, 19th century?) [the invoice of this painting and the invoice of the n ° III recall strongly the other pieces coming from Gentil, filed in the Cabinet of Prints and published under n ° 121 and 122 in A la Cour du Grand Moghol, Paris, 1986, pp. 134, 137 and 146].II.- F.1v (written surface 107 x 200 mm). Rubā “ī Persian to the praise of the eighth imām, anonymous calligraphy in Nasta” līq.III.F. 107 x 197 mm) painting “Musician and Dancers” (Deccan, 19th century?) [published by N. Caron - D. Safvate, Iran. Musical traditions, Paris, 1966, Pl.]IV.F. 2v (125 x 215 mm). In the center, two bayt calligraphy in Nasta 'līq by Sulș ān Bāyazīd [b. Mīr Niżām Dūrī (this calligrapher, from Harāt to India, stayed at the Akbar Court; he died in 986H./1578 during a trip to the Mekke), cf. M. Bayānī, Hwušnivīsān, 2nd ed., Tehran, 1363H./1984, I, n ° 148, p. 95- 96; M. Ashraf, Catalogue of the Persian ManusAu. No date, on green paper, with golden floral decoration.On the left side are glued calligraphed worms, another hand.V.F. 3 (84 x 178 mm). Two bayt of Prophet “s praise, in Nasta” līq, by 'Alī Kātib [compares to Persan 129, II-III etc.?; see also n ° XLIII infra], against a background of clouds standing on a golden background, with two illuminated ornamental triangles with blue.VI.F. 4 (93 x 180 mm). Two unsigned bayt, in Nasta 'līq, on pink marbled paper with clouages.VII.- F.5 (110 x 190 mm). Ligatures of the “Lig” in Nasta" līq. Unsigned calligraphy on green paper with gold and silver.F. 6 (122 x 222 mm). Rubā “ī Persian calligraphed in Nasta” līq by Muș ammad A’ żam, without date, on brown brown to brown corolla papille.IX.F. 7 (120 x 220). Alphabet in Nasta’ līq, unsigned.X.F. 8 (72 x 136). Two Persian bayt in Sulus, calligraphed on pink speckled paper by "Alī-Naqī [compare to XII, XIII, XXIV and XLV; perhaps it is the same calligrapher as the f. 35v of the album J.4598 of the Berlin Islamic Museum].XI.-F. 9 (78 x 138). “Ġazal de Navā” ī, unsigned on moucheté paper of or.XII.- F.10 (72 x 145). Rubā “ī calligraphy in Nashī by” Alī-Naqī (compare to n ° X) on wetted rose.XIII.- F.11 (145 x 187). Two Arabic lines in Rayễānī by the same Alī-Naqī (compare to n ° X), on paper-moucheté of rose.XIV.F. 12 (95 x 212). A ribā ī “in Nasta” līq and several bayt in Šikasta, calligraphed by Sa’d al-Dīn [MuUn.] Razavī [Lakhnavī] on gold sandpaper with golden clouds.XV.- F. 13 (91 x 233). Calligraphy of three bayt of a liazal, in Nasta “līq, signed” Abd-ullāh [compare to Persian Supplement 388, f. 10v and Smith-Lesouëf 247, f. 56v; it could be called 'Abd-ullāh liusaynī who calligraphed the 11v and 19v of Smith-Lesouëf 247, Persian Supplement 1955 (11) or the f. 39v of the album J. 4598 of the Islamic Museum of Berlin; see also Calarazī, Fili Served in motifs of red and golden neighbors. XVI.- F. 14 (96 x 171). Rubā “ī in Nasta” līq, unsigned, calligraphed with yellow ink on green paper. Floral decoration on the bottom and two illuminated golden triangles and verts.XVII.F. 14v (105 x 197). Rubā ā calligraphed in Nasta 'līq by Muș. Kāżim al-Mūsà al-Nağafī, dated 1097H.(/ 1686), 30th year [of the ğulūs dAwrangzēb]. The paper is decorated with clouds with black and golden edges. XVIII.F. 15 (84 x 155). Two bayt on the art of calligraphy, written in Nasta “līq [ca. 1480- 1520] by Sulĕān” Alī al-Mašhadī (compare to Persan 129, VI, etc.). With cloud motif with red grid background, a rectangle illuminated at the top of the page and two illuminated triangles in the base.XIX.F. 16 (127 x 252 mm). DễBș A-i NAW RAS. Żuhūrī. Cf. Persian Supplement 116 (III, A).Incipit cf. Persian Supplement 116 (III, A).Copy made in Ta’ līq by Hīrābīd Kūl and dated 19 Rağab 1188H.(/ 25 September 1774).XX.F. 17, 18v and 19 (132 x 255 each). Models of the different letters in writing Ta’ līq with their different legatures. The note of the f. 18v delivers neither name nor date seemingly t-il.XXI.F. 20 (123 x 201). Page from an album (muraqqa’) with margins decorated with floral paintings with six lines of ligature models of the letters in Nasta 'līq, on blue marbled paper, without name or date.XXII.F. 21 (95 x 160 mm). Two unsigned bayt in Nasta 'līq.XXIII.F. 22 (102 x 210). Two bayt in Nasta “līq, signed Mīrzā Sayf” Alī (compare to n ° LII), copied on blue paper.XXIV.F. 23 (86 x 165). Rubā “ī en Nasta’ līq signed” Alī Naqī (cf. n ° X); same paper as the n ° X.XXV.F. 24 (87 x 167). A bayt in Nasta 'līq, unsigned, on yellow sanded paper of or.XXVI.F. 25 (192 x 67). A bayt in Nasta 'līq signed by Muș ammad Un āliș usaynī, with the date of [...] 33. The paper has a decoration of arabesques and brown volutes and or.XXVII.F. 26 (118 x 200). Three bayt in Nasta 'līq, signed by Muș ammad Šarīf (see also n ° XXIX) [this calligrapher was - cf. M. Bayānī, ATrois vāl va āsār-i hwušnivīsān, Tehran, 1363H./1985, III, n ° 1091, p. 753 - active in India between 1039H./1629 and 1058H./1648]; copied obliquely on a background of clouds with golden rim.XXVIII.F. 26v (70 x 84). Seven lines from the beginning of a dībāğa in Ta’ līq; dated to 15 Sept afar 1182H.(/ 1 July 1769) and signed by Sa’ dat 'Alī Hān Bahādur [who became governor of Awadh in 1798 and died in 1814] (compare to n ° XXXI, XXXIII, XL, XLVI, LVII, LXXII). On moucheté paper of or.XXIX.F. 27 (112 x 222). Three bayt of Trois āmī calligraphed in Nasta’ līq, signed by Muș ammad Šarīf (cf. n ° XXVII).XXX.F. 28 (117 x 225). Rubā ī en Nasta’ līq calligraphed on Thursday 20 Rabī’ I 1185H.(/ 3 July 1771) by Hān Mīrzā Bahādur (compare to n ° XXXII), on red sandpaper and moucheté of or.XXXI.F. 29v and 29 (73 x 127 and 75 x 134). Texts in prose (probably two dībāğa), calligraphy in Ta’ līq on a green marbled paper with red or yellow or green corolla, signed by Sa’ dat 'Alī Hān Bahādur (compare n ° XXVIII) and dated Tuesday 10 and Monday 24 Rabī’ I 1182H.(/ 25 July and 8 August 1768).XXXII.F. 29v (127 x 222). Quest of four lines in Nasta 'līq, by Hān Mīrzā Bahādur (compare to n ° XXX), dated on a Thursday; same paper as n ° XXX.XXXIII.F. 30 (72 x 125). Beginning of a dībāğa in Ta “līq, by Son” ādat “Alī Hān Bahādur (compare n ° XXVIII), dated to 13 Rabī” Ier 1182H.(/ 28 July 1768); on pink moucheted paper of or.XXXIV.F. 30v (145 x 215). Two lines of Nasta 'līq, unsigned, on moucheted ochry paper of or.XXXV.F. 31 (126 x 200). Rubā 'ī signed Muī ammad Sa’ īd (see also n ° XXXVII); on salmon paper with cloud decoration on a golden background.XXXVI.F. 32 (85 x 145). Rubā “ī, without date, calligraphed in Nasta” līq for the ī āī ibzāda Mīrzā Muș ammad Bāqir; in clouds on a golden background with floral silhouets.XXXVII.F. 33 (110 x 223). Rubā’ ī arabe in Nasta’ līq, calligraphed in 912H.(/ 1506-7) [sic] by Muș ammad Sa’ īd Lāhīğī [in fact, he might act, as for n ° XXXV, of the poet and calligrapher Mu(. Son’ īd Lāhīğānī, who came to India under the reign of (ahāngīr, who died after 1047H./1637]. Calligraphy on the inside of red rectangles with golden framing; flower decoration, green and reddish. XXXVIII.F. 34 (94 x 182). Three bayt of a masnavī, calligraphed in Nasta “līq by Muễammad Mu” min [on this calligrapher see B. Schmitz, Catalogue (...) Piert Morgan Library, New York, n ° 61.58 and Drouot, Paris, 18- 19 November 1991, n ° 172]; copied in clouds on golden background with flowers of different colors.XXXIX.F. 35 (115 x 175). Four lines calligraphed in Nasta’ līq, without date, on a blue paper with cloud-decoration and thin grid background; three illuminated bands were glued between these lines.XL.F. 36 (83 x 144). Prose text evoking the Šab-i barāt [the 15 Ša’ bān], calligraphed in Ta’ līq [by Sa’ ādat 'Alī Hān Bahādur (compare n ° XXVIII)], on green paper with redheaded corolle.XLI.F. 37 (107 x 172). Model alphabet in Nasta 'līq, unsigned, on vert.XLII.F. 38 (91 x 176). Rubā’ ī calligraphed in Nasta’ līq in 1169H.(/ 1755-6) by Gulzār-Raqam Hān (compare to LIV) [on this calligrapher see M. Bayānī, Aș vāl va āsār-i hwušnivīsān, Tehran, 1363H./1985, III, n ° 807, p. 593].XLIII.F. 39 (93 x 170). Rubā “ī calligraphed in Nasta” līq, signed 'Alī al-Kātib [ca. 1520- 1540?] (cf. n ° V), copied in a decoration of clouds on a golden background; with three triangular illuminated motifs, two of which are polylobed border.XLIV.F. 40 (86 x 150). Same prose text as the n ° XL, calligraphed in Šikasta [possibly with the hand of 'Alī Naqī, like the n ° X, etc.]; on paper sanded with red.XLV.F. 41 (72 x 144). Eight bayt of a masnavī calligraphed in Šikasta by "Alī Naqī (cf. n ° X, etc.); on paper sanded with red.XLVI.F. 42 (94 x 168). Same prose text as the n ° XL, calligraphed also in Ta’ līq by Sa’ ādat “Alī Hān Bahādur (compare n ° XXVIII), the 27 Rabī” I 1182H.(/ August 11, 1768), on pink moucheted paper by or.XLVII.F. 43 (94 x 165). Rubā “ī calligraphed in Nasta” līq, in yellow ink on dark blue paper, by a figure who signed 'āqibat-i Maễmūd-i Kātib and was possibly named Maā mūd.XLVIII.F. 44 (118 x 177). Siyāh-mašq in Nasta 'līq on ocre.XLIX.F. 45 (82 x 177). Rubā “ī in Nasta” līq, unsigned, on red marbled paper with cloud decoration on golden background and three illuminated ornamental triangles.F. 46 (139 x 87). Inscription navvāb nāmdār salāmat in a calligraphy made up of floral motifs, unsigned. LI.F. 47 (69 x 151). Two bayt calligraphed on silver sandpaper, unsigned. LII.F. 48 (107 x 210). Two lines of a rhymed praise, in Nasta “līq, where appears the name of the calligrapher Mīrzā Sayf” Alī (compare to n ° XXIII), on paper sanded with red and moucheté of or.LIII.F. 49 (85 x 77). Bayt Persian in Nasta’ līq, unsigned, in a cloud decoration with golden rim.LIV.F. 50 (88 x 177). Rubā ‛ and bayt e

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