What we left unfinished / an Indexical Films production in association with Ajna Films ; a film by Mariam Ghani ; director, producer, Mariam Ghani.

İsim	What we left unfinished / an Indexical Films production in association with Ajna Films ; a film by Mariam Ghani ; director, producer, Mariam Ghani.
Basım Tarihi:	2019
Konu	Unfinished films > Afghanistan > History > 20th century. Motion pictures > Production and direction > Afghanistan > History > 20th century. Afghanistan > History > Soviet occupation, 1979-1989 > In motion pictures.
Tür	Diğer
Dil	Farsça
Dijital	Evet
Yazma	Hayır
Fiziksel Boyutlar	1 streaming video file (1 hr., 11 min.) : digital, sound, color
Kütüphane:	Yale Üniversitesi
Kayıt Numarası	991010386735508651
Tarih	2019
Notlar	Title from title frames. Originally produced by: Indexical Films LLC, ©2019. Cinematography, Adam Hogan ; editor, Ian Olds ; musical score, Qasim Naqvi. In Dari with English subtitles; closed captioning available. Description based on online resource; title from title frames (Docuseek2, viewed October 01, 2021).
Örnek Metin	WHAT WE LEFT UNFINISHED brings together newly rediscovered and restored footage from five lost Afghan Communist feature films--The April Revolution (1978), Downfall (1987), The Black Diamond (1989), Wrong Way (1990), and Agent (1991)--with present-day interviews that reveal the behind-the-scenes stories of the filmmakers and new footage shot in the same locations by some of the same directors and cinematographers. Just as the original filmmakers did when they shot action scenes with real bullets, hired ex-agents to play spies, or restaged the Communist coup d'état with the army, air force, and an awful lot of tanks and missiles, WHAT WE LEFT UNFINISHED interweaves histories and fictions. But it's also a tribute to a tight-knit group of filmmakers who loved cinema enough to risk their lives for art. Despite government interference, censorship boards, scarce resources, armed opposition, and near-constant threats of arrest and even death, they made films that were subversive and, in the filmmakers' opinions, constructed fictions that were always "true" to life.
Kataloğa Eklendi	June 24, 2025
Diğer Sorumlular	Ghani, Mariam, film director, film producer Indexical Films (Firm), production company Ajna Films (Firm), production company Good Docs (Firm), distributor
Video Kayıt Numarası	gd-wwlu Docuseek2

Kaynağa git Yale Üniversitesi Yale University

Aramaya Dön

Yale Üniversitesi

Kaynağa git

What we left unfinished / an Indexical Films production in association with Ajna Films ; a film by Mariam Ghani ; director, producer, Mariam Ghani.

Basım Tarihi 2019

Konu Unfinished films > Afghanistan > History > 20th century. Motion pictures > Production and direction > Afghanistan > History > 20th century. Afghanistan > History > Soviet occupation, 1979-1989 > In motion pictures.

Tür Diğer

Dil Farsça

Dijital Evet

Yazma Hayır

Fiziksel Boyutlar 1 streaming video file (1 hr., 11 min.) : digital, sound, color

Kütüphane Yale Üniversitesi

Kayıt Numarası 991010386735508651

Tarih 2019

Notlar Title from title frames. Originally produced by: Indexical Films LLC, ©2019. Cinematography, Adam Hogan ; editor, Ian Olds ; musical score, Qasim Naqvi. In Dari with English subtitles; closed captioning available. Description based on online resource; title from title frames (Docuseek2, viewed October 01, 2021).

Örnek Metin WHAT WE LEFT UNFINISHED brings together newly rediscovered and restored footage from five lost Afghan Communist feature films--The April Revolution (1978), Downfall (1987), The Black Diamond (1989), Wrong Way (1990), and Agent (1991)--with present-day interviews that reveal the behind-the-scenes stories of the filmmakers and new footage shot in the same locations by some of the same directors and cinematographers. Just as the original filmmakers did when they shot action scenes with real bullets, hired ex-agents to play spies, or restaged the Communist coup d'état with the army, air force, and an awful lot of tanks and missiles, WHAT WE LEFT UNFINISHED interweaves histories and fictions. But it's also a tribute to a tight-knit group of filmmakers who loved cinema enough to risk their lives for art. Despite government interference, censorship boards, scarce resources, armed opposition, and near-constant threats of arrest and even death, they made films that were subversive and, in the filmmakers' opinions, constructed fictions that were always "true" to life.

Kataloğa Eklendi June 24, 2025

Diğer Sorumlular Ghani, Mariam, film director, film producer Indexical Films (Firm), production company Ajna Films (Firm), production company Good Docs (Firm), distributor

Video Kayıt Numarası gd-wwlu Docuseek2