نویسنده
Unknown (makers)
تاریخ انتشار
836
محل انتشار
Samarra (made) -
موضوع
Musical Instruments
نوع
دیگر
زبان
نامشخص
دیجیتال
بله
نسخه خطی
خیر
ابعاد فیزیکی
Height: 26cm, Width: 20.2cm, Thickness: 2.8-3.4cm
کتابخانه
Victoria and Albert Museum
شناسه دارایی کتابخانه
A.50-1922
شماره ثبت
A.50-1922
محل کتابخانه
Middle East Section
تاریخ
836
یادداشتها
Part of a frieze, plaster, polychrome painted with a pearl border and a musical instrument; Iraq (Samarra), 836-900.
متن نمونه
Transliteration,
Tarihsel bağlam
Samarra was founded by the Abbasid Caliph al-Mu'tasim (r. 833-842) in 836 AD to serve as his imperial capital. The sight chosen was about 125km upstream from Baghdad on the left bank of the Tigris. The founding of new cities was an important way of displaying values of kingship. Al-Mu'tasim ordered the construction of a planned city including a network of canals, streets, monumental mosques, palaces, gardens and racecourses. He also allocated land to military and court officials, who built richly decorated palace complexes and greatly increased the size of the city. His son and successor, Caliph al-Mutawakkil (r. 847-861) ordered the construction of the famous spiral minaret at the great mosque. Construction halted at Samarra in about 880 AD and later was abandoned by the Caliph and his court in 892. At 57 km2, Samarra is today the largest Islamic archaeological site in the world. The construction of the many mosques and palaces at Samarra fostered an early flowering of architectural decoration. What mainly survives today are wall revetments in carved stucco and wall paintings on fine gypsum surfaces. Earlier Iranian (Sassanian) decorative styles influenced much of the carved stucco panels found at Samarra. The decoration was primarily based on vegetal forms but later developed into more abstract motifs. The wall paintings illustrate a wide range of subjects such as geometric patterns and courtly scenes with figurative representations of listening and playing music, banqueting and dancing. Depictions of animals, especially camels and birds also feature on fragments recovered from the site.
Malzemeler ve teknikler
Fragment of a frieze, plaster, large section of slightly concave surface, covered with a fine white plaster and one end having a painted border in black, orange and red, wth orange hearts with V-shaped strokes and outlines in black, on a red ground, traces of paint on the other end. Traces of a brown line/patch, probably a stain from a leak in the roof. The reverse with impressed reeds and traces of cords. Plaster Painted
Fiziksel açıklama
Fragment of a frieze, plaster, the section with a slightly curved face, covered in fine white plaster and painted with a pearl border in black outlines, the top layer is painted in black outlines with a stringed instrument, perhaps a lute with four tuning pegs and part of an arm. It is all on a pastel green ground. Where the plaster has chipped, there are traces of another frieze below in ochre and yellow belonging to an earlier period. The reverse has an impressed herringbone woven reed mat and two lines of cord. There is also a rectangular iron nail head.
Üslup
Abbasid
