Panel

عنوان Panel
نویسنده Unknown (maker)
تاریخ انتشار: 1296
محل انتشار Egypt (made) Cairo (made) -
موضوع Islam Africa Woodwork
نوع دیگر
زبان نامشخص
دیجیتال بله
نسخه خطی خیر
ابعاد فیزیکی From register length: 18.625in, From register height: .125in
کتابخانه: Victoria and Albert Museum
شناسه دارایی کتابخانه 1085:1-1869
شماره ثبت 1085:1-1869
محل کتابخانه Middle East Section
تاریخ 1296
یادداشت‌ها These eight panels are amongst the finest examples of Egyptian Mamluk woodcarving (the Mamluks ruled Egypt and Syria between 1250 and 1517A.D). Such panels were used to decorate objects known as the minbar (pulpit in a mosque). Each individual panel formed part of the complex wooden inlay which covered the minbar. Mamluk carpentry techniques were highly innovative as once made, the wooden objects had to withstand the heat and humidity of the Egyptian climate. Such objects were made without any adhesive as the objects would expand and be damaged by the heat. This group of panels once formed the surface decoration of a minbar commissioned by Sultan Lajin (d. 1299 A.D). It was built in 1296 A.D and placed in the ninth century Mosque of Ibn Tulun. As a Mamluk officer Lajin used the dilapidated mosque for shelter during a period of civil unrest, as he hid from his political enemies. He vowed that if he survived, he would repay the mosque by repairing it to its former glory. These exquisite minbar panels are an example of his vow. The Lajin panels are important examples of early Mamluk woodcarving, as they attest to the skill and creativity of early Mamluk carpentry. According to Stanley Lane-Poole (1854 – 1931 A.D.) in his book The Art of the Saracens in Egypt, the Lajin minbar panels were exceptional examples of carving skill and creativity; the panels represent the peak of Mamluk minbar design. The panels are also excellent examples of Mamluk wood carving: ivory would later eclipse wood as the chief material used in minbar inlay, as wood panel production declined during the fifteenth century.
متن نمونه Transliteration,
İlişki Paris Exhibition, 1867 Husayn Fahmi Cairo
Malzemeler ve teknikler Carved and inlaid panels: possibly made from rosewood and ebony woods Rosewood Ebony
Parçalar Panels, Architectural Panel, Architectural Panel, Architectural Panel, Architectural Panel, Architectural Panel, Architectural Panel, Architectural Panel, Architectural Panel
Fiziksel açıklama A group of eight wooden panels carved in different levels of relief. The borders of all eight panels have been inlaid with narrow bands of wood. Two carved motifs are visible within the bands: a dark floral scrollwork and a lighter coloured studded strapwork. The dark floral scrollwork, forms the central carved design. Interlaced witn the floral scrollwork and carved in relief, is the lighter studded strapwork. Photography gives a clearer impression of the colouration of the scrollwork and strapwork. No two panels are the same: each has been carved with a different design. The shapes of the panels also vary. The group of panels is comprised of an eight sided star, a number of hexagonal panels and a trapezoid.
Üslup Mamluk
مشاهده در منبع Victoria and Albert Museum Victoria and Albert Museum - موتور جستجوی نسخه های خطی عثمانی
Victoria and Albert Museum - موتور جستجوی نسخه های خطی عثمانی Victoria and Albert Museum

Panel

نویسنده Unknown (maker)
تاریخ انتشار 1296
محل انتشار Egypt (made) Cairo (made) -
موضوع Islam Africa Woodwork
نوع دیگر
زبان نامشخص
دیجیتال بله
نسخه خطی خیر
ابعاد فیزیکی From register length: 18.625in, From register height: .125in
کتابخانه Victoria and Albert Museum
شناسه دارایی کتابخانه 1085:1-1869
شماره ثبت 1085:1-1869
محل کتابخانه Middle East Section
تاریخ 1296
یادداشت‌ها These eight panels are amongst the finest examples of Egyptian Mamluk woodcarving (the Mamluks ruled Egypt and Syria between 1250 and 1517A.D). Such panels were used to decorate objects known as the minbar (pulpit in a mosque). Each individual panel formed part of the complex wooden inlay which covered the minbar. Mamluk carpentry techniques were highly innovative as once made, the wooden objects had to withstand the heat and humidity of the Egyptian climate. Such objects were made without any adhesive as the objects would expand and be damaged by the heat. This group of panels once formed the surface decoration of a minbar commissioned by Sultan Lajin (d. 1299 A.D). It was built in 1296 A.D and placed in the ninth century Mosque of Ibn Tulun. As a Mamluk officer Lajin used the dilapidated mosque for shelter during a period of civil unrest, as he hid from his political enemies. He vowed that if he survived, he would repay the mosque by repairing it to its former glory. These exquisite minbar panels are an example of his vow. The Lajin panels are important examples of early Mamluk woodcarving, as they attest to the skill and creativity of early Mamluk carpentry. According to Stanley Lane-Poole (1854 – 1931 A.D.) in his book The Art of the Saracens in Egypt, the Lajin minbar panels were exceptional examples of carving skill and creativity; the panels represent the peak of Mamluk minbar design. The panels are also excellent examples of Mamluk wood carving: ivory would later eclipse wood as the chief material used in minbar inlay, as wood panel production declined during the fifteenth century.
متن نمونه Transliteration,
İlişki Paris Exhibition, 1867 Husayn Fahmi Cairo
Malzemeler ve teknikler Carved and inlaid panels: possibly made from rosewood and ebony woods Rosewood Ebony
Parçalar Panels, Architectural Panel, Architectural Panel, Architectural Panel, Architectural Panel, Architectural Panel, Architectural Panel, Architectural Panel, Architectural Panel
Fiziksel açıklama A group of eight wooden panels carved in different levels of relief. The borders of all eight panels have been inlaid with narrow bands of wood. Two carved motifs are visible within the bands: a dark floral scrollwork and a lighter coloured studded strapwork. The dark floral scrollwork, forms the central carved design. Interlaced witn the floral scrollwork and carved in relief, is the lighter studded strapwork. Photography gives a clearer impression of the colouration of the scrollwork and strapwork. No two panels are the same: each has been carved with a different design. The shapes of the panels also vary. The group of panels is comprised of an eight sided star, a number of hexagonal panels and a trapezoid.
Üslup Mamluk
Victoria and Albert Museum - موتور جستجوی نسخه های خطی عثمانی
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