Bowl fragment

İsim Bowl fragment
Yazar Unknown (makers)
Basım Yeri Iraq (made) -
Konu Archaeology
Tür Diğer
Dil Belirlenmemiş dil
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar Height: 2.5cm, Width: 2.65cm, Thickness: 0.4-0.6cm
Kütüphane: Victoria and Albert Museum
Demirbaş Numarası A.111-1922
Kayıt Numarası A.111-1922
Lokasyon Middle East Section
Notlar Fragment, possibly from a lid to a vessel, steatite, carved and pierced; Iraq (Samarra), 9th century.
Örnek Metin Transliteration,
Tarihsel bağlam Samarra was founded by the Abbasid Caliph al-Mu'tasim (r. 833-842) in 836 AD to serve as his imperial capital. The sight chosen was about 125km upstream from Baghdad on the left bank of the Tigris. The founding of new cities was an important way of displaying values of kingship. Al-Mu'tasim ordered the construction of a planned city including a network of canals, streets, monumental mosques, palaces, gardens and racecourses. He also allocated land to military and court officials, who built richly decorated palace complexes and greatly increased the size of the city. His son and successor, Caliph al-Mutawakkil (r. 847-861) ordered the construction of the famous spiral minaret at the great mosque. Construction halted at Samarra in about 880 AD and later was abandoned by the Caliph and his court in 892. At 57 km2, Samarra is today the largest Islamic archaeological site in the world. The construction of the many mosques and palaces at Samarra fostered an early flowering of architectural decoration. What mainly survives today are wall revetments in carved stucco and wall paintings on fine gypsum surfaces. Earlier Iranian (Sassanian) decorative styles influenced much of the carved stucco panels found at Samarra. The decoration was primarily based on vegetal forms but later developed into more abstract motifs. The wall paintings illustrate a wide range of subjects such as geometric patterns and courtly scenes with figurative representations of listening and playing music, banqueting and dancing. Depictions of animals, especially camels and birds also feature on fragments recovered from the site.
Malzemeler ve teknikler Steatite, carved, pierced
Fiziksel açıklama Small fragment, probably from the lid to a vessel, possibly an incense burner, steatite, with a slight curve, with raised curved lines around an incomplete aperture. Associated with A.103-1922
Üslup Abbasid
Kaynağa git Victoria and Albert Museum Victoria and Albert Museum - Osmanlıca el yazması arama motoru
Victoria and Albert Museum - Osmanlıca el yazması arama motoru Victoria and Albert Museum

Bowl fragment

Yazar Unknown (makers)
Basım Yeri Iraq (made) -
Konu Archaeology
Tür Diğer
Dil Belirlenmemiş dil
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar Height: 2.5cm, Width: 2.65cm, Thickness: 0.4-0.6cm
Kütüphane Victoria and Albert Museum
Demirbaş Numarası A.111-1922
Kayıt Numarası A.111-1922
Lokasyon Middle East Section
Notlar Fragment, possibly from a lid to a vessel, steatite, carved and pierced; Iraq (Samarra), 9th century.
Örnek Metin Transliteration,
Tarihsel bağlam Samarra was founded by the Abbasid Caliph al-Mu'tasim (r. 833-842) in 836 AD to serve as his imperial capital. The sight chosen was about 125km upstream from Baghdad on the left bank of the Tigris. The founding of new cities was an important way of displaying values of kingship. Al-Mu'tasim ordered the construction of a planned city including a network of canals, streets, monumental mosques, palaces, gardens and racecourses. He also allocated land to military and court officials, who built richly decorated palace complexes and greatly increased the size of the city. His son and successor, Caliph al-Mutawakkil (r. 847-861) ordered the construction of the famous spiral minaret at the great mosque. Construction halted at Samarra in about 880 AD and later was abandoned by the Caliph and his court in 892. At 57 km2, Samarra is today the largest Islamic archaeological site in the world. The construction of the many mosques and palaces at Samarra fostered an early flowering of architectural decoration. What mainly survives today are wall revetments in carved stucco and wall paintings on fine gypsum surfaces. Earlier Iranian (Sassanian) decorative styles influenced much of the carved stucco panels found at Samarra. The decoration was primarily based on vegetal forms but later developed into more abstract motifs. The wall paintings illustrate a wide range of subjects such as geometric patterns and courtly scenes with figurative representations of listening and playing music, banqueting and dancing. Depictions of animals, especially camels and birds also feature on fragments recovered from the site.
Malzemeler ve teknikler Steatite, carved, pierced
Fiziksel açıklama Small fragment, probably from the lid to a vessel, possibly an incense burner, steatite, with a slight curve, with raised curved lines around an incomplete aperture. Associated with A.103-1922
Üslup Abbasid
Victoria and Albert Museum - Osmanlıca el yazması arama motoru
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