Cologny, Fondation Martin Bodmer, Cod. Bodmer 542 : Excerpts from the Koran and from a prayer

İsim	Cologny, Fondation Martin Bodmer, Cod. Bodmer 542 : Excerpts from the Koran and from a prayer
Basım Tarihi:	1450
Tür	Belge
Dil	Arapça
Dijital	Evet
Yazma	Hayır
Kütüphane:	Alabama Üniversitesi, Birmingham Kütüphaneleri
Kayıt Numarası	cdi_manuscriptorium_primary_ECODIC_FMBC_CODBODMER5421K8NMWB_en
Lokasyon	Available Online
Tarih	1450
Notlar	The roll mounted on thin green tissue (silk?) is composed of 19 paper strips glued together. It comes from the second half of the fifteenth or the beginning of the sixteenth century and was produced in an Iranian area (Timurids, Turkmen), as suggested by the floral tendril pattern on the background of 29 rectangles. The text copied on the roll consists of passages from the Koran (incomplete) and from a prayer. The text was copied in different colors (Red, Blue, Gold, Green, among others) in rectangles, squares and ribbons (Script: Nasḫ). The passages in large characters (ca. 4 cm high) in the rectangles are in turn composed of Koran passages in microscopic script (ġubār) (f. 5). This is characteristic of pieces from Iran from the sixteenth century onwards. In the first rectangle there are successive entries on a change of ownership in the year 957/1550. It is likely that the here-mentioned Sulṭān Sulaymān is Suleiman the Magnificent (reigned 1520–66), but it cannot be proven (f. 2). Martin Bodmer acquired the roll in 1961 from the estate of the famous antiquarian Martin Breslauer (1871-1940).

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Cologny, Fondation Martin Bodmer, Cod. Bodmer 542 : Excerpts from the Koran and from a prayer

Basım Tarihi 1450

Tür Belge

Dil Arapça

Dijital Evet

Yazma Hayır

Kütüphane Alabama Üniversitesi, Birmingham Kütüphaneleri

Kayıt Numarası cdi_manuscriptorium_primary_ECODIC_FMBC_CODBODMER5421K8NMWB_en

Lokasyon Available Online

Tarih 1450

Notlar The roll mounted on thin green tissue (silk?) is composed of 19 paper strips glued together. It comes from the second half of the fifteenth or the beginning of the sixteenth century and was produced in an Iranian area (Timurids, Turkmen), as suggested by the floral tendril pattern on the background of 29 rectangles. The text copied on the roll consists of passages from the Koran (incomplete) and from a prayer. The text was copied in different colors (Red, Blue, Gold, Green, among others) in rectangles, squares and ribbons (Script: Nasḫ). The passages in large characters (ca. 4 cm high) in the rectangles are in turn composed of Koran passages in microscopic script (ġubār) (f. 5). This is characteristic of pieces from Iran from the sixteenth century onwards. In the first rectangle there are successive entries on a change of ownership in the year 957/1550. It is likely that the here-mentioned Sulṭān Sulaymān is Suleiman the Magnificent (reigned 1520–66), but it cannot be proven (f. 2). Martin Bodmer acquired the roll in 1961 from the estate of the famous antiquarian Martin Breslauer (1871-1940).