[Naṣāʼiḥ va ashʻār-i Khvājah ʻAbd Allāh Anṣārī, late 15th or early 16th century?]. [نصايح و اشعار خواجه عبد الله انصارى, پايان قرن 15م يا آغاز فرن 16م؟].
( نصايح و اشعار خواجه عبد الله انصارى پايان قرن م يا آغاز فرن م؟)

Name: [Naṣāʼiḥ va ashʻār-i Khvājah ʻAbd Allāh Anṣārī, late 15th or early 16th century?]. [نصايح و اشعار خواجه عبد الله انصارى, پايان قرن 15م يا آغاز فرن 16م؟].
Author: Anṣārī al-Harawī, ʻAbd Allāh ibn Muḥammad, 1006-1089. انصاري الهروي, عبد الله محمد.

İsim	[Naṣāʼiḥ va ashʻār-i Khvājah ʻAbd Allāh Anṣārī, late 15th or early 16th century?]. [نصايح و اشعار خواجه عبد الله انصارى, پايان قرن 15م يا آغاز فرن 16م؟].
İsim Orijinal	نصايح و اشعار خواجه عبد الله انصارى پايان قرن م يا آغاز فرن م؟
Yazar	Anṣārī al-Harawī, ʻAbd Allāh ibn Muḥammad, 1006-1089. انصاري الهروي, عبد الله محمد.
Yazar Orijinal	انصاري الهروي عبد الله محمد
Basım Tarihi:	1490
Konu	Manuscripts, Persian > Michigan > Ann Arbor. Islamic calligraphy > Specimens. Writing, Arabic > Specimens. Calligraphy, Persian > Specimens. Sufism > Early works to 1800. Sufism > Prayers and devotions > Persian.
Tür	Belge
Dil	Farsça
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	16 leaves : paper ; 232 x 143 (129 x 69) mm. bound to 237 x 143 mm.
Kütüphane:	Columbia Üniversitesi Kütüphaneleri
Kayıt Numarası	ht006805294
Lokasyon	Online
Tarih	1490
Notlar	Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 273 Origin: Lacks dated colophon. According to note on 'title page' (fol.1a/p.1) executed by the renowned Timurid calligrapher Sulṭān ʻAlī Mashhadī (d.1520). Relatively consistent with his style and thus likely executed late 15th or early 16th century. Mounting and illumination possibly later in the 16th century. Former shelfmark: "٢١" and "216 T. De M. [i.e. Tammaro De Marinis]" in pencil on front flyleaf. Binding: Pasteboards covered in red leather ; Western style binding (without flap) ; board linings in shell marbled paper (mainly in lavender, pink, and yellow-green) ; upper and lower covers carry gold-painted rules and tooled border in a series of annular stamps ; now sewn in white thread, four stations ; overall in fairly good condition with some staining and minor abrasion though fully detached from text block ; while cover is not sized to be flush with text block, this appears to have been intentional as adhesive paper pattern on interior of spine matches that on spine of text block. Support: non-European (Persian) laid paper ; written area mounted in a frame of exquisite silhouette paper (laid with 6 laid lines per cm., chains occasionally visible, sturdy, well-burnished) in two floral compositions, one with floral vegetal motifs only, the other with bird motifs as well ; recto of each framing leaf in pastel blue and verso in pink (quite possibly composite with leaves of two distinct tints affixed to each other). Decoration: Superbly executed illuminated headpiece (ʻunwān / sarlawḥ) at opening on fol.1b (p.2) consisting of a rectangular piece with gold cartouche surrounded by intricate swirling arabesques with floral motifs in gold, white, red, yellow, green, and pink on a lapis lazuli ground with gold accents all bordered in bands of gold, white, blue, red and heavy gold interlace, surmounted by a band of floral vegetal decoration in gold, white, yellow, pink, and red over alternating eight-pointed stars in turquoise and gold on a black ground, itself surmounted by an triangular piece or hasp filled with further swirling arabesques with floral motifs in gold, white, red, pink, yellow, etc. on a gold ground with lapis lazuli accents, all surmounted by vertical stalks (tīgh) in lapis lazuli ; written area gold-flecked and surrounded by frame consisting of bands of gold, blue, red, and turquoise, divisions within defined by narrow gold bands outlined by black fillets ; rich floral vegetal accents appear occasionally flanking text ; compositions of silhouette paper in some leaves outlined in gold (in lower margin of fol.13a (p.25), bird motif in paper, elsewhere enhanced by the illuminator in the same bird theme, has been elaborated as a goat instead). Script: Nastaʻlīq ; compact, exquisite hand ; serifless, with slight effect of words descending to baseline, closed counters, and elongated horizontal strokes. Layout: Written in 10 lines per page ; frame-ruled. Collation: i, 2 III(12), II (16), i ; two ternions and a binion ; pagination in pencil, Western numerals, supplied during cataloguing. Explicit: "الهى بحق آنكه ترا حاجت نست رحمت كن برآنكه او را حجت نست تمت الكتاب" Incipit: "این چند كلمه است از نصايح و اشعار نديم بارگاه حضرت جبارى خواجه عبد الله انصارى عليه الرحمه و المغفره ای ز دردت بيدلانرا بوی در مال آمده ..." Title supplied by cataloguer from opening matter on fol.1b. Ms. codex. Purchase ; Acquired by purchase (funds donated by Horace Rackham). 1924.
Örnek Metin	Sublime copy of a selection of maxims and verses by Abū Ismāʻīl ʻAbd Allāh ibn Muḥammad al-Anṣārī al-Harawī (d.481/1089), attributed to the celebrated Timurid calligrapher Sulṭān ʻAlī Mashhadī (d.926/1520, see p.248 in Bayānī, Aḥvāl va āsār-i khūshʹnavīsān : nastaʻlīq navīsān, vol.1 and pp.30-32 in Soucek, "The Arts of Calligraphy").
Ayrıca Şu Başlıklar Altında	Mashhadī, Sulṭān ʻAlī, calligrapher, scribe. سلطان علي مشهدي, خطاط, ناسخ.
İçinde	Abdul Hamid Collection.
Köken	Possible ownership statement in a cryptic hand on 'title page' (fol.1a/p.1) dated 1273 [1856 or 7] ; also on 'title page' (fol.1a/p.1), oval seal impression in name of ḤusaynʻAlī (حسينعلى) dated 1271 or 2 [1854-5 or 1855-6] and traces of an effaced statement ; marginal correction on fol.6b/p.12 with signe de renvoi in the form of ٢ i.e. bāʼ Hindīyah.
Kaynaklar	Gandjeï, T. "Sulṭān Ḥusayn," EI2. Blair, Sheila. Islamic Calligraphy. (Edinburgh: Edinburgh University Press, 2006), pp.280-286 Soucek, Priscilla. "The Arts of Calligraphy." In The Arts of the book in Central Asia: 14th-16th centuries. Ed. Basil Gray. (Boulder, CO: Shambhala Publications, 1979): 7-34 Bayānī, Mahdī. Aḥvāl va āsār-i khūshʹnavīsān : nastaʻlīq navīsān. [Tehran] : Dānishgāh-i Tihrān, 1345 [1966], v.1 pp.241-266
WorldCat	https://www.worldcat.org/oclc/1354989182

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[Naṣāʼiḥ va ashʻār-i Khvājah ʻAbd Allāh Anṣārī, late 15th or early 16th century?]. [نصايح و اشعار خواجه عبد الله انصارى, پايان قرن 15م يا آغاز فرن 16م؟].

( نصايح و اشعار خواجه عبد الله انصارى پايان قرن م يا آغاز فرن م؟)

Yazar Anṣārī al-Harawī, ʻAbd Allāh ibn Muḥammad, 1006-1089. انصاري الهروي, عبد الله محمد.

Yazar Orijinal انصاري الهروي عبد الله محمد

Basım Tarihi 1490

Konu Manuscripts, Persian > Michigan > Ann Arbor. Islamic calligraphy > Specimens. Writing, Arabic > Specimens. Calligraphy, Persian > Specimens. Sufism > Early works to 1800. Sufism > Prayers and devotions > Persian.

Tür Belge

Dil Farsça

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 16 leaves : paper ; 232 x 143 (129 x 69) mm. bound to 237 x 143 mm.

Kütüphane Columbia Üniversitesi Kütüphaneleri

Kayıt Numarası ht006805294

Lokasyon Online

Tarih 1490

Notlar Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 273 Origin: Lacks dated colophon. According to note on 'title page' (fol.1a/p.1) executed by the renowned Timurid calligrapher Sulṭān ʻAlī Mashhadī (d.1520). Relatively consistent with his style and thus likely executed late 15th or early 16th century. Mounting and illumination possibly later in the 16th century. Former shelfmark: "٢١" and "216 T. De M. [i.e. Tammaro De Marinis]" in pencil on front flyleaf. Binding: Pasteboards covered in red leather ; Western style binding (without flap) ; board linings in shell marbled paper (mainly in lavender, pink, and yellow-green) ; upper and lower covers carry gold-painted rules and tooled border in a series of annular stamps ; now sewn in white thread, four stations ; overall in fairly good condition with some staining and minor abrasion though fully detached from text block ; while cover is not sized to be flush with text block, this appears to have been intentional as adhesive paper pattern on interior of spine matches that on spine of text block. Support: non-European (Persian) laid paper ; written area mounted in a frame of exquisite silhouette paper (laid with 6 laid lines per cm., chains occasionally visible, sturdy, well-burnished) in two floral compositions, one with floral vegetal motifs only, the other with bird motifs as well ; recto of each framing leaf in pastel blue and verso in pink (quite possibly composite with leaves of two distinct tints affixed to each other). Decoration: Superbly executed illuminated headpiece (ʻunwān / sarlawḥ) at opening on fol.1b (p.2) consisting of a rectangular piece with gold cartouche surrounded by intricate swirling arabesques with floral motifs in gold, white, red, yellow, green, and pink on a lapis lazuli ground with gold accents all bordered in bands of gold, white, blue, red and heavy gold interlace, surmounted by a band of floral vegetal decoration in gold, white, yellow, pink, and red over alternating eight-pointed stars in turquoise and gold on a black ground, itself surmounted by an triangular piece or hasp filled with further swirling arabesques with floral motifs in gold, white, red, pink, yellow, etc. on a gold ground with lapis lazuli accents, all surmounted by vertical stalks (tīgh) in lapis lazuli ; written area gold-flecked and surrounded by frame consisting of bands of gold, blue, red, and turquoise, divisions within defined by narrow gold bands outlined by black fillets ; rich floral vegetal accents appear occasionally flanking text ; compositions of silhouette paper in some leaves outlined in gold (in lower margin of fol.13a (p.25), bird motif in paper, elsewhere enhanced by the illuminator in the same bird theme, has been elaborated as a goat instead). Script: Nastaʻlīq ; compact, exquisite hand ; serifless, with slight effect of words descending to baseline, closed counters, and elongated horizontal strokes. Layout: Written in 10 lines per page ; frame-ruled. Collation: i, 2 III(12), II (16), i ; two ternions and a binion ; pagination in pencil, Western numerals, supplied during cataloguing. Explicit: "الهى بحق آنكه ترا حاجت نست رحمت كن برآنكه او را حجت نست تمت الكتاب" Incipit: "این چند كلمه است از نصايح و اشعار نديم بارگاه حضرت جبارى خواجه عبد الله انصارى عليه الرحمه و المغفره ای ز دردت بيدلانرا بوی در مال آمده ..." Title supplied by cataloguer from opening matter on fol.1b. Ms. codex. Purchase ; Acquired by purchase (funds donated by Horace Rackham). 1924.

Örnek Metin Sublime copy of a selection of maxims and verses by Abū Ismāʻīl ʻAbd Allāh ibn Muḥammad al-Anṣārī al-Harawī (d.481/1089), attributed to the celebrated Timurid calligrapher Sulṭān ʻAlī Mashhadī (d.926/1520, see p.248 in Bayānī, Aḥvāl va āsār-i khūshʹnavīsān : nastaʻlīq navīsān, vol.1 and pp.30-32 in Soucek, "The Arts of Calligraphy").

Ayrıca Şu Başlıklar Altında Mashhadī, Sulṭān ʻAlī, calligrapher, scribe. سلطان علي مشهدي, خطاط, ناسخ.

İçinde Abdul Hamid Collection.

Köken Possible ownership statement in a cryptic hand on 'title page' (fol.1a/p.1) dated 1273 [1856 or 7] ; also on 'title page' (fol.1a/p.1), oval seal impression in name of ḤusaynʻAlī (حسينعلى) dated 1271 or 2 [1854-5 or 1855-6] and traces of an effaced statement ; marginal correction on fol.6b/p.12 with signe de renvoi in the form of ٢ i.e. bāʼ Hindīyah.

Kaynaklar Gandjeï, T. "Sulṭān Ḥusayn," EI2. Blair, Sheila. Islamic Calligraphy. (Edinburgh: Edinburgh University Press, 2006), pp.280-286 Soucek, Priscilla. "The Arts of Calligraphy." In The Arts of the book in Central Asia: 14th-16th centuries. Ed. Basil Gray. (Boulder, CO: Shambhala Publications, 1979): 7-34 Bayānī, Mahdī. Aḥvāl va āsār-i khūshʹnavīsān : nastaʻlīq navīsān. [Tehran] : Dānishgāh-i Tihrān, 1345 [1966], v.1 pp.241-266

WorldCat https://www.worldcat.org/oclc/1354989182