Munājāt-i Ḥaz̤rat-i ʻAlī, [18th century?]. مناجات حضرت علی, [قرن 18م؟].
( مناجات حضرت علی قرن م؟)

Name: Munājāt-i Ḥaz̤rat-i ʻAlī, [18th century?]. مناجات حضرت علی, [قرن 18م؟].
Author: ʻAlī ibn Abī Ṭālib, Caliph, approximately 600-661. علي بن ابي طالب, خليفة.

İsim	Munājāt-i Ḥaz̤rat-i ʻAlī, [18th century?]. مناجات حضرت علی, [قرن 18م؟].
İsim Orijinal	مناجات حضرت علی قرن م؟
Yazar	ʻAlī ibn Abī Ṭālib, Caliph, approximately 600-661. علي بن ابي طالب, خليفة.
Yazar Orijinal	علي بن ابي طالب خليفة
Konu	Manuscripts, Persian > Michigan > Ann Arbor. Manuscripts, Arabic > Michigan > Ann Arbor. Writing, Arabic > Specimens. Calligraphy, Persian > Specimens. Calligraphy, Arabic > Specimens. Islam > Prayers and devotions > Early works to 1800. Arabic poetry > 622-750.
Tür	Belge
Dil	ara,fas
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	8 leaves : paper ; 226 x 155 (120 x 66) mm.
Kütüphane:	Columbia Üniversitesi Kütüphaneleri
Kayıt Numarası	ht006814905
Lokasyon	Online
Notlar	Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 442 Origin: As appears in colophon at close, copy executed by al-Ḥājj Muḥammad Zakarīyā-yi Samarqandī. Date of transcription not specified ; paper, etc. may suggest 18th century. Former shelfmark: "543 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on upper board lining ; "111" inscribed in pencil on 'title page' (recto of leaf carrying incipit page). Binding: Pasteboards (thin, semi-limp) faced in blue-green textile with dark red leather over spine and edges / turn-ins (textile faced, leather edged, framed binding) ; Type III binding (without flap) ; board linings in untinted laid paper ; sewn in red thread, two stations ; overall in fair condition with minor staining and abrasion, sewing failing, cover detached at spine, etc. Support: European and non-European (likely Persian or Indian) laid paper, all highly sized and burnished ; bifolia appear to be composed of two leaves laminated together and mould markings are therefore difficult to examine in all but the second to last bifolium (which also carries a watermark, difficult to make out) ; some leaves tinted (green-blue / aquamarine and pale yellow ) with facing pages in the same color ; opening added bifolium (serving as flyleaves) in a paper with 8 laid lines per cm. (vertical, quite distinct) and no chain lines or watermarks visible), beige in color. Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) at opening consisting of rectangular piece with empty gold cartouche flanked by swirling arabesque in gold with floral motifs in orange-red and pink all on a light-blue ground, surmounted by a scalloped semi-circular piece (dome) filled with same manner of swirling arabesque and floral motifs (in gold, orange-red, pink) on a light-blue ground, itself surmounted by vertical stalks (tīgh) in gold with light-blue accents, and entire piece set in a heavy well of gold ; written area throughout surrounded by heavy frame in a series of narrow gold bands outlined by black fillets ; margin and panels within the written area also outlined in gold bands ; in the first few leaves (through fol.4a), elucidation in Persian surrounded by border evoking the design of the ʻunwān / sarlawḥ, a band of the same falls at the center of the written area ; written area (including outlined margin) gold-flecked to varying degrees. Script: Nastaʻlīq ; verses in a large, exquisite Indian style hand with elongation and somewhat exaggerated constrast in thickness between horizontal and vertical strokes ; elucidation in much smaller and compact hand. Layout: Written mainly in 4 lines of verse and 8 lines of elucidation per page, with lines of verse flanking lines of elucidation (written on the diagonal). Collation: ii, 4 I(8) ; catchwords present. Colophon: "Scribal," reads "تمت نسخۀ مناجات حضرت علي رضي الله تعالى عنه على يد اضعف الحقير العبد المذنب الحاج محمد زكرياى سمرقندى غفر له" Explicit: "وناجاك اخيار ببابك ركع يا رب ز توبر رسول صلوه سلام ... بر در كه تو ركوع آرند و قيام" Incipit: "لك الحمد يا ذا الجود والمجد والعلى تباركت تعطي من تشاء وتمنع ای صاحب جود مر ترا حمد و ثنا هستی تو بزرگوار با مجد و علا ..." Title from colophon. Ms. codex. Purchase ; Acquired by purchase (funds donated by Horace Rackham). 1924.
Örnek Metin	Elegant copy of the qaṣīdah in ʻayn, Munājāt ʻAlī, from the dīwān attributed to ʻAlī ibn Abī Ṭālib (ca. 600-661), accompanied by elucidation in Persian, possibly of Ḥaqīrī Tabrīzī (see al-Dharīʻah no.6860, vol.22, pp.237-238). Contributions to the cataloguing from Abbas Zarei Mehrvarz and Hossein Mottaghi.
Ayrıca Şu Başlıklar Altında	Muḥammad Zakarīyā Samarqandī, scribe, calligrapher. محمد زكريا سمرقندى, ناسخ, خطاط.
İçinde	Abdul Hamid Collection.
Köken	Clean copy.
Kaynaklar	Brockelmann, C. GAL, I 43 f. Āghā Buzurg al-Ṭihrānī. al-Dharīʻah ilá taṣānīf al-Shīʻah, no.6860, vol.22, pp.237-238
Tekdüzen Başlık	Poems. Selections ديوان. مختارات
WorldCat	https://www.worldcat.org/oclc/1194777182

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Munājāt-i Ḥaz̤rat-i ʻAlī, [18th century?]. مناجات حضرت علی, [قرن 18م؟].

( مناجات حضرت علی قرن م؟)

Yazar ʻAlī ibn Abī Ṭālib, Caliph, approximately 600-661. علي بن ابي طالب, خليفة.

Yazar Orijinal علي بن ابي طالب خليفة

Konu Manuscripts, Persian > Michigan > Ann Arbor. Manuscripts, Arabic > Michigan > Ann Arbor. Writing, Arabic > Specimens. Calligraphy, Persian > Specimens. Calligraphy, Arabic > Specimens. Islam > Prayers and devotions > Early works to 1800. Arabic poetry > 622-750.

Tür Belge

Dil ara,fas

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 8 leaves : paper ; 226 x 155 (120 x 66) mm.

Kütüphane Columbia Üniversitesi Kütüphaneleri

Kayıt Numarası ht006814905

Lokasyon Online

Notlar Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 442 Origin: As appears in colophon at close, copy executed by al-Ḥājj Muḥammad Zakarīyā-yi Samarqandī. Date of transcription not specified ; paper, etc. may suggest 18th century. Former shelfmark: "543 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on upper board lining ; "111" inscribed in pencil on 'title page' (recto of leaf carrying incipit page). Binding: Pasteboards (thin, semi-limp) faced in blue-green textile with dark red leather over spine and edges / turn-ins (textile faced, leather edged, framed binding) ; Type III binding (without flap) ; board linings in untinted laid paper ; sewn in red thread, two stations ; overall in fair condition with minor staining and abrasion, sewing failing, cover detached at spine, etc. Support: European and non-European (likely Persian or Indian) laid paper, all highly sized and burnished ; bifolia appear to be composed of two leaves laminated together and mould markings are therefore difficult to examine in all but the second to last bifolium (which also carries a watermark, difficult to make out) ; some leaves tinted (green-blue / aquamarine and pale yellow ) with facing pages in the same color ; opening added bifolium (serving as flyleaves) in a paper with 8 laid lines per cm. (vertical, quite distinct) and no chain lines or watermarks visible), beige in color. Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) at opening consisting of rectangular piece with empty gold cartouche flanked by swirling arabesque in gold with floral motifs in orange-red and pink all on a light-blue ground, surmounted by a scalloped semi-circular piece (dome) filled with same manner of swirling arabesque and floral motifs (in gold, orange-red, pink) on a light-blue ground, itself surmounted by vertical stalks (tīgh) in gold with light-blue accents, and entire piece set in a heavy well of gold ; written area throughout surrounded by heavy frame in a series of narrow gold bands outlined by black fillets ; margin and panels within the written area also outlined in gold bands ; in the first few leaves (through fol.4a), elucidation in Persian surrounded by border evoking the design of the ʻunwān / sarlawḥ, a band of the same falls at the center of the written area ; written area (including outlined margin) gold-flecked to varying degrees. Script: Nastaʻlīq ; verses in a large, exquisite Indian style hand with elongation and somewhat exaggerated constrast in thickness between horizontal and vertical strokes ; elucidation in much smaller and compact hand. Layout: Written mainly in 4 lines of verse and 8 lines of elucidation per page, with lines of verse flanking lines of elucidation (written on the diagonal). Collation: ii, 4 I(8) ; catchwords present. Colophon: "Scribal," reads "تمت نسخۀ مناجات حضرت علي رضي الله تعالى عنه على يد اضعف الحقير العبد المذنب الحاج محمد زكرياى سمرقندى غفر له" Explicit: "وناجاك اخيار ببابك ركع يا رب ز توبر رسول صلوه سلام ... بر در كه تو ركوع آرند و قيام" Incipit: "لك الحمد يا ذا الجود والمجد والعلى تباركت تعطي من تشاء وتمنع ای صاحب جود مر ترا حمد و ثنا هستی تو بزرگوار با مجد و علا ..." Title from colophon. Ms. codex. Purchase ; Acquired by purchase (funds donated by Horace Rackham). 1924.

Örnek Metin Elegant copy of the qaṣīdah in ʻayn, Munājāt ʻAlī, from the dīwān attributed to ʻAlī ibn Abī Ṭālib (ca. 600-661), accompanied by elucidation in Persian, possibly of Ḥaqīrī Tabrīzī (see al-Dharīʻah no.6860, vol.22, pp.237-238). Contributions to the cataloguing from Abbas Zarei Mehrvarz and Hossein Mottaghi.

Ayrıca Şu Başlıklar Altında Muḥammad Zakarīyā Samarqandī, scribe, calligrapher. محمد زكريا سمرقندى, ناسخ, خطاط.

İçinde Abdul Hamid Collection.

Köken Clean copy.

Kaynaklar Brockelmann, C. GAL, I 43 f. Āghā Buzurg al-Ṭihrānī. al-Dharīʻah ilá taṣānīf al-Shīʻah, no.6860, vol.22, pp.237-238

Tekdüzen Başlık Poems. Selections ديوان. مختارات

WorldCat https://www.worldcat.org/oclc/1194777182