[Calligraphic specimen, 1281?, i.e. 1864 or 1865]. [مرقع حسن الخط, 1281ه؟، 1864 او 1865م؟].
( مرقع حسن الخط ه؟، او م؟)

İsim	[Calligraphic specimen, 1281?, i.e. 1864 or 1865]. [مرقع حسن الخط, 1281ه؟، 1864 او 1865م؟].
İsim Orijinal	مرقع حسن الخط ه؟، او م؟
Basım Tarihi:	1864
Konu	Manuscripts, Persian > Michigan > Ann Arbor. Calligraphy, Persian > Specimens.
Tür	Belge
Dil	Farsça
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	7 panels : paper ; 282 x 227 (215 x 174) mm.
Kütüphane:	Columbia Üniversitesi Kütüphaneleri
Kayıt Numarası	ht006805724
Lokasyon	Online
Tarih	1864
Notlar	Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 279 Origin: Date below vase with large floral spray 1281 [1864 or 5] ; other features also suggest 19th century. As appears in opening text, possibly executed for the Ottoman statesman Mehmet Fuat Paşa (d.1869). Former shelfmark: "598 [?]" inscribed in pencil on verso of 'front' flyleaf ; "123" inscribed in pencil on recto of 'back' flyleaf. Binding: Pasteboards covered in dark green leather (appearance of straight-grain leather but likely impressed straight grain or other artificial grain) ; Type II binding (with flap) ; pastedowns and flyleaves in a streaked paper (in yellow, dark purple, etc. reminiscent of tree-marbling or stream marbling) ; upper and lower covers carry gold-stamped central vegetal pendant, corner accents and vegetal border ; sewn in red thread, four stations, failed ; overall in fair condition with abrasion, staining, etc. Support: Paper of written area embossed to carry text and figurative designs, set in surface-dyed frames of bright green and mounted on pasteboards. Decoration: Embossed borders (reminiscent of mountains) as well as vegetal and figurative designs with such animals as lions, dragons, stags, bulls, etc. accenting the calligraphy or filling a page. Script: Mainly nastaʻlīq with occasional thuluth ; exquisite calligraphic hand executed with the fingernail or stylus in the technique known as khaṭṭ-i nākhunī ( خط ناخنی / khaṭṭ-e nākhonī). Compare no. 1-85-154.63 at the Library of Congress and see description provided by Christiane Gruber in Selections of Arabic, Persian, and Ottoman Calligraphy (available online). Layout: Varies widely, pages carrying text with mainly 6-8 lines per page ; many pages carrying figurative or vegetal decoration only. Collation: Seven 'panels' (mounted leaves) hinged together with blue textile. Explicit: "ایا چرخ در پیش قدر تو واله ... تویی آنکه بر درگهت چرخ دربان كتبه ابو تراب افتاده" Incipit: "مديح سپهر رفعت بحر و قار و كدهي يكانه كوهر بحر كرم فؤاد پاشا ... " Title supplied by cataloguer. Ms. codex. Purchase ; Acquired by purchase (funds donated by Horace Rackham). 1924. - Anvarī, Awḥad al-Dīn, -1189 or 1190. Poems. Selections انورى، اوحد الدين. اشعار. منتخبات.
Örnek Metin	Superb album of calligraphy (muraqqaʻ or murakkâ) employing verses of Anvari, etc. with interspersed figurative illustrations of lions, dragons, stags, bulls, etc. as well as vegetal motifs, all embossed in white paper likely with the fingernail, a technique known as khaṭṭ-i nākhunī ( خط ناخنی / khaṭṭ-e nākhonī). Contributions to the description from Ulrich Marzolph and Emily Neumeier.
İçinde	Abdul Hamid Collection.
Köken	Inscriptions in pencil "598 [?]" on verso of front flyleaf and "123" on recto of 'back' flyleaf ; red circular bookseller's sticker "De Marinis & Co. \| 5 Vecchietti \| Firenze" on 'upper' pastedown ; inscription in blue ink on recto of back flyleaf "على قوشى رسملى رسم ٧" ; clean copy.
Kaynaklar	Amélie Couvrat Desvergnes and Shiva Mihan, "Nail and Griffin on Paper: Exploring a Fingernail Calligraphy Album from Twentieth-century Iran," The Digital Orientalist, 29 October 2021 (available online) Christiane Gruber, "Without Pen, Without Ink: Fingernail Art in the Qajar period," In Revealing the Unseen: New Perspectives on Qajar Art, edited by Gwenaëlle Fellinger and Melanie Gibson (London: Gingko; Paris: Louvre Museum, 2021), 94-105 Shiva Mihan, "Fingernail Art (II): Three-dimensional Calligraphy and Drawing in the 19th-Century," The Digital Orientalist, 15 February 2021 (available online), figs. 13 and 14 Shiva Mihan, "Fingernail Art (I): Three-dimensional Calligraphy and Drawing in the 19th-Century," The Digital Orientalist, 11 December 2020 (available online) Library of Congress no. 1-85-154.63, available online (Christiane Gruber, Selections of Arabic, Persian, and Ottoman Calligraphy, digital id ascs 109) ʻArabʻzādah, Abū al-Faz̤l. "Muʻarrifī-i as̲arī-i nādir al-vujūd va nafīs: Khaṭṭ-i nākhunī." Payām-i Bahāristān, dawrah-i 2, shumārah-i 4, (Tābistān 1388 [2009]): 831-882 Zakariya, Mohamed. "Islamic calligraphy: A technical overview." In Brocade of the pen: the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991): 1-17 Brocade of the pen : the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991), no.8, p.84
WorldCat	https://www.worldcat.org/oclc/1194761769

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[Calligraphic specimen, 1281?, i.e. 1864 or 1865]. [مرقع حسن الخط, 1281ه؟، 1864 او 1865م؟].

( مرقع حسن الخط ه؟، او م؟)

Basım Tarihi 1864

Konu Manuscripts, Persian > Michigan > Ann Arbor. Calligraphy, Persian > Specimens.

Tür Belge

Dil Farsça

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 7 panels : paper ; 282 x 227 (215 x 174) mm.

Kütüphane Columbia Üniversitesi Kütüphaneleri

Kayıt Numarası ht006805724

Lokasyon Online

Tarih 1864

Notlar Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 279 Origin: Date below vase with large floral spray 1281 [1864 or 5] ; other features also suggest 19th century. As appears in opening text, possibly executed for the Ottoman statesman Mehmet Fuat Paşa (d.1869). Former shelfmark: "598 [?]" inscribed in pencil on verso of 'front' flyleaf ; "123" inscribed in pencil on recto of 'back' flyleaf. Binding: Pasteboards covered in dark green leather (appearance of straight-grain leather but likely impressed straight grain or other artificial grain) ; Type II binding (with flap) ; pastedowns and flyleaves in a streaked paper (in yellow, dark purple, etc. reminiscent of tree-marbling or stream marbling) ; upper and lower covers carry gold-stamped central vegetal pendant, corner accents and vegetal border ; sewn in red thread, four stations, failed ; overall in fair condition with abrasion, staining, etc. Support: Paper of written area embossed to carry text and figurative designs, set in surface-dyed frames of bright green and mounted on pasteboards. Decoration: Embossed borders (reminiscent of mountains) as well as vegetal and figurative designs with such animals as lions, dragons, stags, bulls, etc. accenting the calligraphy or filling a page. Script: Mainly nastaʻlīq with occasional thuluth ; exquisite calligraphic hand executed with the fingernail or stylus in the technique known as khaṭṭ-i nākhunī ( خط ناخنی / khaṭṭ-e nākhonī). Compare no. 1-85-154.63 at the Library of Congress and see description provided by Christiane Gruber in Selections of Arabic, Persian, and Ottoman Calligraphy (available online). Layout: Varies widely, pages carrying text with mainly 6-8 lines per page ; many pages carrying figurative or vegetal decoration only. Collation: Seven 'panels' (mounted leaves) hinged together with blue textile. Explicit: "ایا چرخ در پیش قدر تو واله ... تویی آنکه بر درگهت چرخ دربان كتبه ابو تراب افتاده" Incipit: "مديح سپهر رفعت بحر و قار و كدهي يكانه كوهر بحر كرم فؤاد پاشا ... " Title supplied by cataloguer. Ms. codex. Purchase ; Acquired by purchase (funds donated by Horace Rackham). 1924. - Anvarī, Awḥad al-Dīn, -1189 or 1190. Poems. Selections انورى، اوحد الدين. اشعار. منتخبات.

Örnek Metin Superb album of calligraphy (muraqqaʻ or murakkâ) employing verses of Anvari, etc. with interspersed figurative illustrations of lions, dragons, stags, bulls, etc. as well as vegetal motifs, all embossed in white paper likely with the fingernail, a technique known as khaṭṭ-i nākhunī ( خط ناخنی / khaṭṭ-e nākhonī). Contributions to the description from Ulrich Marzolph and Emily Neumeier.

İçinde Abdul Hamid Collection.

Köken Inscriptions in pencil "598 [?]" on verso of front flyleaf and "123" on recto of 'back' flyleaf ; red circular bookseller's sticker "De Marinis & Co. | 5 Vecchietti | Firenze" on 'upper' pastedown ; inscription in blue ink on recto of back flyleaf "على قوشى رسملى رسم ٧" ; clean copy.

Kaynaklar Amélie Couvrat Desvergnes and Shiva Mihan, "Nail and Griffin on Paper: Exploring a Fingernail Calligraphy Album from Twentieth-century Iran," The Digital Orientalist, 29 October 2021 (available online) Christiane Gruber, "Without Pen, Without Ink: Fingernail Art in the Qajar period," In Revealing the Unseen: New Perspectives on Qajar Art, edited by Gwenaëlle Fellinger and Melanie Gibson (London: Gingko; Paris: Louvre Museum, 2021), 94-105 Shiva Mihan, "Fingernail Art (II): Three-dimensional Calligraphy and Drawing in the 19th-Century," The Digital Orientalist, 15 February 2021 (available online), figs. 13 and 14 Shiva Mihan, "Fingernail Art (I): Three-dimensional Calligraphy and Drawing in the 19th-Century," The Digital Orientalist, 11 December 2020 (available online) Library of Congress no. 1-85-154.63, available online (Christiane Gruber, Selections of Arabic, Persian, and Ottoman Calligraphy, digital id ascs 109) ʻArabʻzādah, Abū al-Faz̤l. "Muʻarrifī-i as̲arī-i nādir al-vujūd va nafīs: Khaṭṭ-i nākhunī." Payām-i Bahāristān, dawrah-i 2, shumārah-i 4, (Tābistān 1388 [2009]): 831-882 Zakariya, Mohamed. "Islamic calligraphy: A technical overview." In Brocade of the pen: the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991): 1-17 Brocade of the pen : the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991), no.8, p.84

WorldCat https://www.worldcat.org/oclc/1194761769