Mecmua-yi eş'ar ve enva-yi hutut, [16th to early 17th century]. مجموعۀ اشعار وانواع خطوط, [القرن 16 الى القرن 17م].
( مجموعۀ اشعار وانواع خطوط القرن الى القرن م)

İsim	Mecmua-yi eş'ar ve enva-yi hutut, [16th to early 17th century]. مجموعۀ اشعار وانواع خطوط, [القرن 16 الى القرن 17م].
İsim Orijinal	مجموعۀ اشعار وانواع خطوط القرن الى القرن م
Basım Tarihi:	1640
Konu	Manuscripts, Turkish > Michigan > Ann Arbor. Manuscripts, Persian > Michigan > Ann Arbor. Persian poetry > Early works to 1800. Calligraphy, Persian > Early works to 1800.
Tür	Belge
Dil	fas,ota
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	112 leaves : paper ; 198 x 130 mm.
Kütüphane:	Columbia Üniversitesi Kütüphaneleri
Kayıt Numarası	ht006818023
Lokasyon	Online
Tarih	1640
Notlar	Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 356 Origin: Lacks dated colophon ; paper would suggest 16th or perhaps early 17th century ; dated calligraphic inscriptions (see p.9 and 11) provide terminus ante quem of 1640. Former shelfmark: "264" inscribed in pencil on added leaf (p.5) ; "394 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on added leaf (p.6). Binding: Pasteboards covered in dark brown leather ; Type III binding (without flap) ; board linings (doublures) in comb marbled paper (mainly in pink, blue, black, and yellow) ; upper and lower covers carry blind-stamped scalloped mandorla (filled with vegetal composition, compare Déroche class. OAi) with gold-painted accents and tooled border ; sewn in dark blue thread, two stations ; worked chevron endbands in blue and yellow, fair condition ; overall in somewhat poor condition with abrasion, staining, lifting and losses of leather, etc. ; housed in box for protection. Support: non-European (perhaps Persian) and European laid papers of several types ; added leaves in a type with 9 laid lines per cm. (vertical), chain lines spaced 26-27 mm. apart (horizontal) and crown-star-crescent watermark (see p.8, 10, 11, etc.), cream in color, sturdy and burnished ; main type with 10 laid lines per cm. (vertical), chain lines spaced 28-30 mm. apart (horizontal), and angel with wings (in circle) watermark (see p.170-171, etc.), thin but quite sturdy ; many leaves tinted (pink, etc.) and interspersed with silhouette or shadowed paper decorated in exquisite vegetal-floral (see pp.20, 33, 41, 51, 69, 165, etc.) and even textual (see p.31) compositions (some outlined or filled in ink or gold) ; to occasional leaves marbled or other decorative papers have been applied (see pp.72, 80, 91-92, 124, 125, etc.). Decoration: Elegant illuminated headpiece at opening on p.20 consisting of large rectangular piece with empty gold cartouche surrounded by swirling floral vegetal accents in gold, red, white, pink, blue, etc. on grounds of gold and blue (lapis or cobalt), bordered in blue band with diamonds or crosses and surmounted by a small scalloped dome in similar design, itself surmounted by tall vertical stalks (tīgh) ; written area in opening section surrounded by a gold frame with devisions within also defined by gold bands ; in some sections headings (mainly poets' names) rubricated (see p.150, etc.) or chyrsographed (see p.172) ; extensive use of decorative papers (silhouette, marbled, gold-flecked, tinted, etc.) including one case where the calligraphic inscription has been cut away from a marbled paper and applied over a tinted leaf underneath (see p.124). Script: Mainly nastaʻlīq (talik) and naskh ; elegant, even calligraphic Ottoman hands ; larger talik, thuluth and riqāʻ (see p.120, etc.), divani, etc. appear in some of the calligraphic inscriptions. Layout: Highly variable, though some consistency according to calligraphic style employed ; in opening section written area divided to two columns with 10 lines (single hemistich to a line) on the diagonal per column and poet's name above, then a similar arrangement of lines in three larger columns (see p.24), followed by the smaller arrangment in two columns (see p.31), etc. ; an arrangment of 12-14 lines in two large columns also appears (see p.37, etc.) with some lines on the diagonal and others not ; another arrangement features 8 large lines (see p.87) ; still another features 25 hemistiches in 15 lines (see p.93, etc.). Collation: I (2), III+1 (9), V-1 (18), V (28), III (34), IV (42), I+1 (45), IV (53), V-1 (62), 2 IV(78), 2 V(98), 2 III(110), I (112) ; pagination in pencil, Western numerals, supplied during digitization (includes added leaves at opening and close of codex and the separate pieces of a leaf torn in three, see pp.109-110, 111-112, 113-114). Incipit: "در جفا نیست احتیار ترا آزمودم هزار بار ترا ..." Title from inscription on added leaf (p.5). Ms. composite codex. Purchase ; Acquired by purchase (funds donated by Horace Rackham). 1924.
Örnek Metin	Elegant collection (majmūʻah / mecmua) featuring poetry in Persian and Ottoman Turkish, as well samples of fine calligraphy. Contributions to the cataloguing from Yasin Şale.
İçinde	Abdul Hamid Collection.
Köken	Several inscriptions on added leaves (pp.6-7) in praise of Hasan Paşa, governor of Baghdad (r.1724-1723) ; calligraphic inscription in large divani (dīwānī) script on p.9 seemingly dated 1049 [1639 or 40] as is inscription in an elegant naskh on p.11 ; numerous seal impressions appear scattered throughout, including octagonal seal impression on incipit and facing page (pp.20-21), circular and small almond-shaped seal impressions on p.21, oval seal impression on p.22, etc.
WorldCat	https://www.worldcat.org/oclc/1194771463

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Mecmua-yi eş'ar ve enva-yi hutut, [16th to early 17th century]. مجموعۀ اشعار وانواع خطوط, [القرن 16 الى القرن 17م].

( مجموعۀ اشعار وانواع خطوط القرن الى القرن م)

Basım Tarihi 1640

Konu Manuscripts, Turkish > Michigan > Ann Arbor. Manuscripts, Persian > Michigan > Ann Arbor. Persian poetry > Early works to 1800. Calligraphy, Persian > Early works to 1800.

Tür Belge

Dil fas,ota

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 112 leaves : paper ; 198 x 130 mm.

Kütüphane Columbia Üniversitesi Kütüphaneleri

Kayıt Numarası ht006818023

Lokasyon Online

Tarih 1640

Notlar Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 356 Origin: Lacks dated colophon ; paper would suggest 16th or perhaps early 17th century ; dated calligraphic inscriptions (see p.9 and 11) provide terminus ante quem of 1640. Former shelfmark: "264" inscribed in pencil on added leaf (p.5) ; "394 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on added leaf (p.6). Binding: Pasteboards covered in dark brown leather ; Type III binding (without flap) ; board linings (doublures) in comb marbled paper (mainly in pink, blue, black, and yellow) ; upper and lower covers carry blind-stamped scalloped mandorla (filled with vegetal composition, compare Déroche class. OAi) with gold-painted accents and tooled border ; sewn in dark blue thread, two stations ; worked chevron endbands in blue and yellow, fair condition ; overall in somewhat poor condition with abrasion, staining, lifting and losses of leather, etc. ; housed in box for protection. Support: non-European (perhaps Persian) and European laid papers of several types ; added leaves in a type with 9 laid lines per cm. (vertical), chain lines spaced 26-27 mm. apart (horizontal) and crown-star-crescent watermark (see p.8, 10, 11, etc.), cream in color, sturdy and burnished ; main type with 10 laid lines per cm. (vertical), chain lines spaced 28-30 mm. apart (horizontal), and angel with wings (in circle) watermark (see p.170-171, etc.), thin but quite sturdy ; many leaves tinted (pink, etc.) and interspersed with silhouette or shadowed paper decorated in exquisite vegetal-floral (see pp.20, 33, 41, 51, 69, 165, etc.) and even textual (see p.31) compositions (some outlined or filled in ink or gold) ; to occasional leaves marbled or other decorative papers have been applied (see pp.72, 80, 91-92, 124, 125, etc.). Decoration: Elegant illuminated headpiece at opening on p.20 consisting of large rectangular piece with empty gold cartouche surrounded by swirling floral vegetal accents in gold, red, white, pink, blue, etc. on grounds of gold and blue (lapis or cobalt), bordered in blue band with diamonds or crosses and surmounted by a small scalloped dome in similar design, itself surmounted by tall vertical stalks (tīgh) ; written area in opening section surrounded by a gold frame with devisions within also defined by gold bands ; in some sections headings (mainly poets' names) rubricated (see p.150, etc.) or chyrsographed (see p.172) ; extensive use of decorative papers (silhouette, marbled, gold-flecked, tinted, etc.) including one case where the calligraphic inscription has been cut away from a marbled paper and applied over a tinted leaf underneath (see p.124). Script: Mainly nastaʻlīq (talik) and naskh ; elegant, even calligraphic Ottoman hands ; larger talik, thuluth and riqāʻ (see p.120, etc.), divani, etc. appear in some of the calligraphic inscriptions. Layout: Highly variable, though some consistency according to calligraphic style employed ; in opening section written area divided to two columns with 10 lines (single hemistich to a line) on the diagonal per column and poet's name above, then a similar arrangement of lines in three larger columns (see p.24), followed by the smaller arrangment in two columns (see p.31), etc. ; an arrangment of 12-14 lines in two large columns also appears (see p.37, etc.) with some lines on the diagonal and others not ; another arrangement features 8 large lines (see p.87) ; still another features 25 hemistiches in 15 lines (see p.93, etc.). Collation: I (2), III+1 (9), V-1 (18), V (28), III (34), IV (42), I+1 (45), IV (53), V-1 (62), 2 IV(78), 2 V(98), 2 III(110), I (112) ; pagination in pencil, Western numerals, supplied during digitization (includes added leaves at opening and close of codex and the separate pieces of a leaf torn in three, see pp.109-110, 111-112, 113-114). Incipit: "در جفا نیست احتیار ترا آزمودم هزار بار ترا ..." Title from inscription on added leaf (p.5). Ms. composite codex. Purchase ; Acquired by purchase (funds donated by Horace Rackham). 1924.

Örnek Metin Elegant collection (majmūʻah / mecmua) featuring poetry in Persian and Ottoman Turkish, as well samples of fine calligraphy. Contributions to the cataloguing from Yasin Şale.

İçinde Abdul Hamid Collection.

Köken Several inscriptions on added leaves (pp.6-7) in praise of Hasan Paşa, governor of Baghdad (r.1724-1723) ; calligraphic inscription in large divani (dīwānī) script on p.9 seemingly dated 1049 [1639 or 40] as is inscription in an elegant naskh on p.11 ; numerous seal impressions appear scattered throughout, including octagonal seal impression on incipit and facing page (pp.20-21), circular and small almond-shaped seal impressions on p.21, oval seal impression on p.22, etc.

WorldCat https://www.worldcat.org/oclc/1194771463