Shahnama (Big Head)

Name: Shahnama (Big Head)
Author: Firdausi

İsim	Shahnama (Big Head)
Yazar	Firdausi
Tür	Belge
Dil	Farsça
Dijital	Evet
Yazma	Evet
Sayfa Sayısı	8
Fiziksel Boyutlar	4 ff. Detached manuscript folios. Various portions of the text.
Kütüphane:	Cambridge Dijital Kütüphanesi
Kayıt Numarası	MS-DALLASMOA-K-00001-02014-00131-00402-00404-00405
Lokasyon	Dallas Museum of Art — Dallas Museum of Art K.1.2014.131, 402, 404-405
Tarih	Gregorian: 1493/Hcy/---/--. Hijri: 0899/---/--.-1493-1493
Notlar	Four detached folios of the 'Big Head' Shahnama, formerly III.128-131.See Robinson, 1976, pp. 159-62, colour pl. 15-17 and b/w pl. 35-36.The sample page is the back of 2014.405, chosen because it shows a rubric. The reverse side of all four leaves is available.For a study of this celebrated dispersed manuscript, see Ch. Melville, 'The Big head Shahnama'.
İlişkili Ad(lar)	Karkiya Mirza 'Ali
Bibliyografya	Melville, Charles, 'The 'Big Head' Shahnama in Istanbul and elsewhere: Some codicological and iconographical observations'. The Arts of Iran in Istanbul and Anatolia. Seven Essays Series no. 20 (2018), 113-149.Melville, Charles, 'The 'Big Head' Shahnama in Istanbul and elsewhere: Some codicological and iconographical observations'. The Arts of Iran in Istanbul and Anatolia. Seven Essays Series no. 20 (2018), 113-149.Melville, Charles, 'The 'Big Head' Shahnama in Istanbul and elsewhere: Some codicological and iconographical observations'. The Arts of Iran in Istanbul and Anatolia. Seven Essays Series no. 20 (2018), 113-149.
Süsleme	Courtiers in attendanceScene Title:Frontispiece (recto side)Folio number: 001rNotes: Formerly III.128. Courtiers in attendance; the left hand side of a double frontispiece; acccording to Robinson, the right side is reproduced in Sakisian, fig. 42, but this seems unlikely as they are not a pair. See also references in Tanindi. On the verso of this folio is the start of the text of the poem, under an illuminated 'unvan. Reproduced in Robinson, The Keir collection, London, 1976, fig. 35, colour pl. 15.Location in text:Mohl -1c, Frontispieces and Finispieces, first line: None, break line before: None, break line after: None, last line: None.Illuminated title page (verso side)Folio number: 001vNotes: Illuminated title page at the start of the poem.Location in text:Mohl -1a, Illuminations, first line: None, break line before: None, break line after: None, last line: None.Rustam's seventh labour: he kills the White DivFolio number: 002rNotes: Formerly III.129. Reproduced in B.W. Robinson, The Keir Collection, London, 1976, colour pl. 16. See also, Dispersed MSS.Location in text:Mohl 12, Kay Kavus (150 years), first line: 608, break line before: 634, break line after: 635.0, last line: 635.Kay Kavus fights the King of HamavaranFolio number: 003rNotes: Formerly III.130. Reproduced in B.W. Robinson, The Keir Collection, London, 1976, fig. 36.Location in text:Mohl 12b, Kay Kavus fights the King of Hamavaran, first line: 61, break line before: 64, break line after: 65.0, last line: 65.Text pageFolio number: 003vNotes: The page is missing 10 verses in Mohl's edition. Location in text:Mohl -1a, Illuminations, first line: 67, break line before: None, break line after: None, last line: 123.Text pageFolio number: 004rNotes: The chalipa passages before the painting on the verso side have reduced the number of verses on the page from 46 to 34.Location in text:Mohl -1a, Illuminations, first line: 2343, break line before: None, break line after: None, last line: 2377.Afrasiyab is taken out of the waterFolio number: 004vNotes: Formerly III.131. The painting comes a little after the critical line. Robinson describes this as a 'very rare subject' (p. 160), and records that the folio came from the Pozzi Collection. It is reproduced as colour pl. 17 in his catalogue of the Keir collection, London, 1976. The painting is mounted and framed, allowing the text side also to be visible.Location in text:Mohl 13g, The Great War between Kay Khusrau and Afrasiyab, first line: 2378, break line before: 2385, break line after: 2386.0, last line: 2397.Sample pageFolio number: 002v
Mizanpaj	4 columns. 23 rows. Written height: 230 mm, width: 155 mm.
Not(lar)	Patron: Karkiya Mirza 'Ali.
Menşei Yeri	Lahijan, Gilan
Köken (Provenance)	Ex Hermelin and de Mitjana Collections.
Müstensih(ler)	Salik b. Sa'id
Yazı Tipi	Nasta'liq. Calligrapher: Salik b. Sa'id.
Yüzyıl 1	1400s C.E.
Oluşturma Tarihi (Bağlantı Türü)	keyword search
Oluşturma Türü	creation
Yıl (Bitiş)	1493
Yıl (Başlangıç)	1493
Görüntü Hakları (Görüntüleme)	Zooming image © 2017 Dallas Museum of Art. All rights reserved.
Görüntü Hakları (İndirme)	Images made available for download are licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License (CC BY-NC 4.0)
Dil Kodu 1	per
Dil 1	Persian
Metadata Hakları	This metadata is licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License.
Küçük Resim Yönü	portrait
Filigran Beyanı	© 2017 Dallas Museum of Art. All rights reserved (CC BY-NC 4.0)

Kaynağa git Cambridge Dijital Kütüphanesi Cambridge Digital Library

Aramaya Dön

Cambridge Dijital Kütüphanesi

Kaynağa git

Shahnama (Big Head)

Yazar Firdausi

Tür Belge

Dil Farsça

Dijital Evet

Yazma Evet

Sayfa Sayısı 8

Fiziksel Boyutlar 4 ff. Detached manuscript folios. Various portions of the text.

Kütüphane Cambridge Dijital Kütüphanesi

Kayıt Numarası MS-DALLASMOA-K-00001-02014-00131-00402-00404-00405

Lokasyon Dallas Museum of Art — Dallas Museum of Art K.1.2014.131, 402, 404-405

Tarih Gregorian: 1493/Hcy/---/--. Hijri: 0899/---/--.-1493-1493

Notlar Four detached folios of the 'Big Head' Shahnama, formerly III.128-131.See Robinson, 1976, pp. 159-62, colour pl. 15-17 and b/w pl. 35-36.The sample page is the back of 2014.405, chosen because it shows a rubric. The reverse side of all four leaves is available.For a study of this celebrated dispersed manuscript, see Ch. Melville, 'The Big head Shahnama'.

İlişkili Ad(lar) Karkiya Mirza 'Ali

Bibliyografya Melville, Charles, 'The 'Big Head' Shahnama in Istanbul and elsewhere: Some codicological and iconographical observations'. The Arts of Iran in Istanbul and Anatolia. Seven Essays Series no. 20 (2018), 113-149.Melville, Charles, 'The 'Big Head' Shahnama in Istanbul and elsewhere: Some codicological and iconographical observations'. The Arts of Iran in Istanbul and Anatolia. Seven Essays Series no. 20 (2018), 113-149.Melville, Charles, 'The 'Big Head' Shahnama in Istanbul and elsewhere: Some codicological and iconographical observations'. The Arts of Iran in Istanbul and Anatolia. Seven Essays Series no. 20 (2018), 113-149.

Süsleme Courtiers in attendanceScene Title:Frontispiece (recto side)Folio number: 001rNotes: Formerly III.128. Courtiers in attendance; the left hand side of a double frontispiece; acccording to Robinson, the right side is reproduced in Sakisian, fig. 42, but this seems unlikely as they are not a pair. See also references in Tanindi. On the verso of this folio is the start of the text of the poem, under an illuminated 'unvan. Reproduced in Robinson, The Keir collection, London, 1976, fig. 35, colour pl. 15.Location in text:Mohl -1c, Frontispieces and Finispieces, first line: None, break line before: None, break line after: None, last line: None.Illuminated title page (verso side)Folio number: 001vNotes: Illuminated title page at the start of the poem.Location in text:Mohl -1a, Illuminations, first line: None, break line before: None, break line after: None, last line: None.Rustam's seventh labour: he kills the White DivFolio number: 002rNotes: Formerly III.129. Reproduced in B.W. Robinson, The Keir Collection, London, 1976, colour pl. 16. See also, Dispersed MSS.Location in text:Mohl 12, Kay Kavus (150 years), first line: 608, break line before: 634, break line after: 635.0, last line: 635.Kay Kavus fights the King of HamavaranFolio number: 003rNotes: Formerly III.130. Reproduced in B.W. Robinson, The Keir Collection, London, 1976, fig. 36.Location in text:Mohl 12b, Kay Kavus fights the King of Hamavaran, first line: 61, break line before: 64, break line after: 65.0, last line: 65.Text pageFolio number: 003vNotes: The page is missing 10 verses in Mohl's edition. Location in text:Mohl -1a, Illuminations, first line: 67, break line before: None, break line after: None, last line: 123.Text pageFolio number: 004rNotes: The chalipa passages before the painting on the verso side have reduced the number of verses on the page from 46 to 34.Location in text:Mohl -1a, Illuminations, first line: 2343, break line before: None, break line after: None, last line: 2377.Afrasiyab is taken out of the waterFolio number: 004vNotes: Formerly III.131. The painting comes a little after the critical line. Robinson describes this as a 'very rare subject' (p. 160), and records that the folio came from the Pozzi Collection. It is reproduced as colour pl. 17 in his catalogue of the Keir collection, London, 1976. The painting is mounted and framed, allowing the text side also to be visible.Location in text:Mohl 13g, The Great War between Kay Khusrau and Afrasiyab, first line: 2378, break line before: 2385, break line after: 2386.0, last line: 2397.Sample pageFolio number: 002v

Mizanpaj 4 columns. 23 rows. Written height: 230 mm, width: 155 mm.

Not(lar) Patron: Karkiya Mirza 'Ali.

Menşei Yeri Lahijan, Gilan

Köken (Provenance) Ex Hermelin and de Mitjana Collections.

Müstensih(ler) Salik b. Sa'id

Yazı Tipi Nasta'liq. Calligrapher: Salik b. Sa'id.

Yüzyıl 1 1400s C.E.

Oluşturma Tarihi (Bağlantı Türü) keyword search

Oluşturma Türü creation

Yıl (Bitiş) 1493

Yıl (Başlangıç) 1493

Görüntü Hakları (İndirme) Images made available for download are licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License (CC BY-NC 4.0)

Dil Kodu 1 per

Dil 1 Persian

Metadata Hakları This metadata is licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License.

Küçük Resim Yönü portrait