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Shahnama

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Fiziksel Boyutlar 809 ff. Codex. Complete.
Kütüphane: Cambridge Dijital Kütüphanesi
Kayıt Numarası MS-BE-MS-DIEZ-A-FOL-00001
Lokasyon Staatsbibliothek zu Berlin — Staatsbibliothek zu Berlin Ms. Diez A fol. 1
Tarih Gregorian: 1593/Hcm/Sep/--. Hijri: 1002/Muh/--.-1593-1593
Notlar According to a stamp on f. 1r the manuscript once belonged to the library of Sultan 'Uthman b. Mustafa (1754-7). It entered the collection in 1817 as part of the Diez bequest.The manuscript has a binding of Shirazi type made from dark brown leather (without flap). Outer and inner surfaces are identically structured: a central area with medallion, pendants and corner pieces surrounded by two borders filled with cartouches - and completely gilded or covered by leather filigree on coloured backgrounds. On the outsides of the covers, stamped and gilded decoration consisting of flowered tendrils and cloud ribbons dominates. Only the inner border has coloured decoration. Contrastingly, on the doublures, gilded leather filigree over red, blue or green backgrounds is used for most decorative units. The double-page frontispiece (ff. 1v-2r) and the heading at the beginning of the poem (f. 18v) are typical Shirazi work as well. This, however, cannot be said about the illustrations. In particular, those attributed to painter 1 by Stchoukine have much more in common with the Qazvin style of about 1590. The inferior work - most likely the work of one artist - also relates to Qazvin painting. Where this complex work was produced remains an open question. Since another manuscript copied by Yusuf b. Husain b. Yusuf (katib Jahrumi) with Shiraz style miniatures was already completed in 1571 it is not of much help in fixing the place of origin of the Shahnama. Both painters use the same range of strong colours. Concerning their balance, the drawing of figures, faces and landscape details, and the evoking of the illusion of space, painter 1 is clearly the better artist. His interior architecture, however, displays the same flat ornamented surfaces as does the work of the second painter.The volume has the Baysunghur preface and contains two large interpolations, the Barzunama (beginning on f. 293r) and the Bahmannama (beginning on f. 485r). 23 of the 31 miniatures are assigned to the first part of the Shahnama and the interpolations it includes. While the Shahnama illustrations are dedicated to well-known episodes, for the interpolations several unusual subjects were selected. Probably, the people involved in the production of the manuscript had little experience illustrating the interpolated texts. The second artist in particular may have kept to the notes that in some cases are preserved at the top of the upper margin (see e.g. f. 481r) . (Karin Ruhrdanz)Bibliography:W. Pertsch, Die Handschriftenverzeichnisse der königlichen Bibliothek zu Berlin, 4: Verzeichnis der persischen Handschriften, Berlin, 1888, 734-5, no. 703.I. Stchoukine, B. Flemming, P. Luft, & H. Sohrweide, Illuminierte islamische Handschriften, Wiesbaden, 1971, 73-7, no. 26.
İlişkili Ad(lar) Painter 1; Painter 2; Painter 3
Süsleme Zal marries RudabaFolio number: 072vPainter:Painter 1Location in text:Mohl 7, Manuchihr (120 years), first line: 1632, break line before: None, break line after: 1638.0, last line: 1639.Rustam catches RakhshFolio number: 089rPainter:Painter 1Location in text:Mohl 10, Garshasp (9 years), first line: None, break line before: 129, break line after: 132.0, last line: 137.Rustam's third labour: he kills a dragonFolio number: 099vPainter:Painter 1Location in text:Mohl 12, Kay Kavus (150 years), first line: 400, break line before: 399, break line after: None, last line: 410.Rustam's seventh labour: he kills the White DivFolio number: 102vPainter:Painter 1Location in text:Mohl 12, Kay Kavus (150 years), first line: 610, break line before: 609, break line after: 619.0, last line: 618.Bertels 12, Kay Ka'us - Mazandaran (918), first line: 581.0, break line before: 579.0, break line after: 587.0, last line: 618.The fire ordeal of SiyavushFolio number: 142vPainter:Painter 1Location in text:Mohl 12d, Siyavush, first line: 533, break line before: 532, break line after: None, last line: None.Kay Khusrau receives Rustam and ZalFolio number: 197rPainter:Painter 1Notes: This painting comes very early in the text (where the shah is praised by the elders): but Rustam is depicted seated before the shah, although this does not take place until v. 51.Location in text:Mohl 13, Kay Khusrau (60 years), first line: 24, break line before: None, break line after: 27.0, last line: 30.Rustam kills Ashkabus and his horseFolio number: 240rPainter:Painter 1Location in text:Mohl 13b, Kamus-i Kashani, first line: 1396, break line before: 1397, break line after: 1412.0, last line: 1411.Khaleghi-Motlagh 20, Kamus-i Kashani (2881), first line: 1296.0, break line before: 1297.0, break line after: 1304.0, last line: 1303.0.Rustam pulls the Khaqan of Chin from his elephant by lassoFolio number: 253vPainter:Painter 1Location in text:Mohl 13c, Rustam and the Khaqan-i Chin, first line: 717, break line before: 722, break line after: 723.0, last line: None.Akvan Div flings Rustam into the seaFolio number: 268vPainter:Painter 2Location in text:Mohl 13d, Rustam fights Akhvan Div, first line: None, break line before: 106, break line after: 107.0, last line: 113.Rustam rescues Bizhan from the pitFolio number: 289vPainter:Painter 2Location in text:Mohl 13e, Bizhan and Manizha, first line: 1164, break line before: 1163, break line after: None, last line: 1174.Rustam throws Barzu to the ground while wrestlingScene Title:Scene from the BarzunamaFolio number: 319vPainter:Painter 2Location in text:Mohl -2b, Barzunama, first line: None, break line before: None, break line after: None, last line: None.Description of the company of Rustam and the heroes of IranScene Title:Scene from the BarzunamaFolio number: 323vPainter:Painter 2Notes: Description of the company of Rustam and the heroes of Iran.Location in text:Mohl -2b, Barzunama, first line: None, break line before: None, break line after: None, last line: None.Rustam meets Kay Khusrau ridingScene Title:Scene from the BarzunamaFolio number: 338vPainter:Painter 3Notes: Rustam meets Kay Khusrau riding.Location in text:Mohl -2b, Barzunama, first line: None, break line before: None, break line after: None, last line: None.Bizhan kills HumanFolio number: 354vPainter:Painter 2Location in text:Mohl 13f, The Twelve Rukhs, first line: 816, break line before: 820, break line after: 821.0, last line: 825.Bertels 21, The twelve Rukhs (2518), first line: 803.0, break line before: 807.0, break line after: 808.0, last line: 825.Kay Khusrau speaks with Jahn who has come as a messenger of AfrasiyabScene Title:Jahn arrives with a message from AfrasiyabFolio number: 382vPainter:Painter 3Location in text:Mohl 13g, The Great War between Kay Khusrau and Afrasiyab, first line: 1160, break line before: 1166, break line after: 1167.0, last line: 1169.Bertels 22, Kay Khusrau - The great war (3107), first line: 1126.0, break line before: 1125.0, break line after: 1132.0, last line: 1169.The execution of GarsivazFolio number: 399vPainter:Painter 2Location in text:Mohl 13g, The Great War between Kay Khusrau and Afrasiyab, first line: 2416, break line before: 2420, break line after: 2421.0, last line: 2425.Bertels 22, Kay Khusrau - The great war (3107), first line: 2362.0, break line before: 2366.0, break line after: 2367.0, last line: 2425.Luhrasp enthronedScene Title:The coronation of LuhraspFolio number: 414rPainter:Painter 1Location in text:Mohl 14, Luhrasp (120 years), first line: 13, break line before: 18, break line after: 18.0, last line: 20.Bertels 23, Luhrasp (901), first line: 14.0, break line before: 13.0, break line after: 18.0, last line: 20.Bidarafsh kills ZarirScene Title:Bidarafsh kills Zarir, the brother of GushtaspFolio number: 433vPainter:Painter 3Location in text:Mohl 15, Gushtasp (120 years), first line: 606, break line before: 610, break line after: 610.0, last line: 615.Bertels 24, Gushtasp (Daqiqi) (1022), first line: 590.0, break line before: 589.0, break line after: 595.0, last line: 615.Isfandiyar besieges Arjasp's fortressFolio number: 454vPainter:Painter 3Location in text:Mohl 15, Gushtasp (120 years), first line: 2163, break line before: 2169, break line after: 2170.0, last line: 2174.Khaleghi-Motlagh 26, Gushtasp (1537), first line: 626.0, break line before: 625.0, break line after: 636.0, last line: 637.0.Rustam shoots Isfandiyar in the eyes with a double-pointed arrowFolio number: 474vPainter:Painter 3Location in text:Mohl 15, Gushtasp (120 years), first line: None, break line before: 3792, break line after: 3793.0, last line: 3796.Khaleghi-Motlagh 28, Rustam and Isfandiyar (849), first line: 1389.1, break line before: 1388.0, break line after: 1394.0, last line: 1395.0.Shaghad watches Rustam falling down into the pitScene Title:Rustam falls into a pitFolio number: 481rPainter:Painter 2Notes: The lines found on this folio are not in any of the standard editions of the text. Although the iconography is quite standard, Shaghad (if it he) is still safely contemplating the scene. (GvdB). The note at the top of the page, left by for the artist, says "mauzu‘-e shikar-gah va Rustam ba-chah oftadan", without mentioning Shaghad. It is not clear whether Shaghad is in fact a part of the composition, or whether he is to be found as one of the two standard onlookers. (Karin Ruhrdanz).Location in text:Mohl 15, Gushtasp (120 years), first line: None, break line before: None, break line after: None, last line: None.Barzin visits ZalScene Title:Scene from the BahmannamaFolio number: 505vPainter:Painter 3Notes: Barzin visits Zal.Location in text:Mohl -2a, Bahmannama, first line: None, break line before: None, break line after: None, last line: None.Iskandar attends the dying DaraFolio number: 519rPainter:Painter 2Location in text:Mohl 19, Dara son of Darab (14 years), first line: 324, break line before: 327, break line after: 328.0, last line: 332.Bertels 32, Dara son of Darab (453), first line: 319.0, break line before: 322.0, break line after: 323.0, last line: 332.Bahram Gur on the throne after having killed the two lionsScene Title:Bahram Gur enthroned after killing the lionsFolio number: 596vPainter:Painter 3Location in text:Mohl 34, Yazdagird the Sinner (21 years), first line: None, break line before: 681, break line after: 682.0, last line: None.Anushirvan sits before the chessboard sent by the Raja of HindFolio number: 680vPainter:Painter 3Location in text:Mohl 41, Kisra Anushirvan (48 years), first line: 2735, break line before: 2734, break line after: 2743.0, last line: 2744.Bertels 54, Anushirvan (4468), first line: 2665.0, break line before: 2664.0, break line after: 2673.0, last line: 2744.Bahram Chubina defeats and kills Sava ShahScene Title:Bahram Chubina kills the fleeing Sava ShahFolio number: 715rPainter:Painter 3Location in text:Mohl 42, Hurmuzd (14 years), first line: 915, break line before: 916, break line after: 922.0, last line: 921.Bertels 55, Hurmuzd (1887), first line: 893.0, break line before: 894.0, break line after: 900.0, last line: 921.Khusrau Parviz reviews the troops brought by Niatus from RumFolio number: 751rPainter:Painter 2Location in text:Mohl 43, Khusrau Parviz (38 years), first line: 1622, break line before: 1623, break line after: None, last line: 1628.Bahram Chubina and Khusrau Parviz fight for the third timeFolio number: 756vPainter:Painter 2Location in text:Mohl 43, Khusrau Parviz (38 years), first line: 1994, break line before: 1993, break line after: None, last line: 2009.Bahram Chubina kills the monkey-lionFolio number: 763rPainter:Painter 2Notes: The lines before and after the painting are quite far apart in the standard editions of the text, suggesting at first sight that the painting cover up the intervening verses, although this does not seem to be the case. The text is rather disordered here.Location in text:Mohl 43, Khusrau Parviz (38 years), first line: None, break line before: 2431, break line after: 2447.0, last line: 2443.The musician Barbad plays for Khusrau ParvizFolio number: 781vPainter:Painter 2Location in text:Mohl 43, Khusrau Parviz (38 years), first line: 3780, break line before: 3784, break line after: 3785.0, last line: 3789.Bertels 56, Khusrau Parviz (4083), first line: 3665.0, break line before: 3669.0, break line after: 3670.0, last line: 3789.Bizhan cuts off hands and feet of MahuyScene Title:Bizhan kills Mahuy to avenge YazdagirdFolio number: 807vPainter:Painter 2Notes: This painting shows Mahuy with his legs cut off.Location in text:Mohl 50, Yazdagird (16 years), first line: 864, break line before: 865, break line after: 874.0, last line: None.Sample pageFolio number: 020rColophonFolio number: 809r
Mizanpaj 4 columns. 19 rows. Leaf height: 325 mm, width: 210 mm. Written height: 193 mm, width: 113 mm.
Menşei Yeri Shiraz
Köken (Provenance) Obtained in Constantinople by Heinrich Friedrich von Diez (1751-1817). Stamp on folio 1r from Sultan Uthman ibn Mustafa (1168-70/1754-56).
Müstensih(ler) Yusuf b. Husain b. Yusuf Katib Jahrumi
Yazı Tipi Nasta'liq. Calligrapher: Yusuf b. Husain b. Yusuf Katib Jahrumi.
Yüzyıl 1 1500s C.E.
Oluşturma Tarihi (Bağlantı Türü) keyword search
Oluşturma Türü creation
Yıl (Bitiş) 1593
Yıl (Başlangıç) 1593
Görüntü Hakları (Görüntüleme) Zooming image © Berlin, Staatsbibliotheek zu Berlin - Preussischer Kulturbesitz - Orientabteilung.
Görüntü Hakları (İndirme) Images made available for download are licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License (CC BY-NC 4.0)
Dil Kodu 1 per
Dil 1 Persian
Metadata Hakları This metadata is licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License.
Küçük Resim Yönü portrait
Filigran Beyanı © Berlin, Staatsbibliotheek zu Berlin - Preussischer Kulturbesitz - Orientabteilung (CC BY-NC 4.0)
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Shahnama

Yazar Firdausi
Tür Belge
Dil Farsça
Dijital Evet
Yazma Evet
Sayfa Sayısı 33
Fiziksel Boyutlar 809 ff. Codex. Complete.
Kütüphane Cambridge Dijital Kütüphanesi
Kayıt Numarası MS-BE-MS-DIEZ-A-FOL-00001
Lokasyon Staatsbibliothek zu Berlin — Staatsbibliothek zu Berlin Ms. Diez A fol. 1
Tarih Gregorian: 1593/Hcm/Sep/--. Hijri: 1002/Muh/--.-1593-1593
Notlar According to a stamp on f. 1r the manuscript once belonged to the library of Sultan 'Uthman b. Mustafa (1754-7). It entered the collection in 1817 as part of the Diez bequest.The manuscript has a binding of Shirazi type made from dark brown leather (without flap). Outer and inner surfaces are identically structured: a central area with medallion, pendants and corner pieces surrounded by two borders filled with cartouches - and completely gilded or covered by leather filigree on coloured backgrounds. On the outsides of the covers, stamped and gilded decoration consisting of flowered tendrils and cloud ribbons dominates. Only the inner border has coloured decoration. Contrastingly, on the doublures, gilded leather filigree over red, blue or green backgrounds is used for most decorative units. The double-page frontispiece (ff. 1v-2r) and the heading at the beginning of the poem (f. 18v) are typical Shirazi work as well. This, however, cannot be said about the illustrations. In particular, those attributed to painter 1 by Stchoukine have much more in common with the Qazvin style of about 1590. The inferior work - most likely the work of one artist - also relates to Qazvin painting. Where this complex work was produced remains an open question. Since another manuscript copied by Yusuf b. Husain b. Yusuf (katib Jahrumi) with Shiraz style miniatures was already completed in 1571 it is not of much help in fixing the place of origin of the Shahnama. Both painters use the same range of strong colours. Concerning their balance, the drawing of figures, faces and landscape details, and the evoking of the illusion of space, painter 1 is clearly the better artist. His interior architecture, however, displays the same flat ornamented surfaces as does the work of the second painter.The volume has the Baysunghur preface and contains two large interpolations, the Barzunama (beginning on f. 293r) and the Bahmannama (beginning on f. 485r). 23 of the 31 miniatures are assigned to the first part of the Shahnama and the interpolations it includes. While the Shahnama illustrations are dedicated to well-known episodes, for the interpolations several unusual subjects were selected. Probably, the people involved in the production of the manuscript had little experience illustrating the interpolated texts. The second artist in particular may have kept to the notes that in some cases are preserved at the top of the upper margin (see e.g. f. 481r) . (Karin Ruhrdanz)Bibliography:W. Pertsch, Die Handschriftenverzeichnisse der königlichen Bibliothek zu Berlin, 4: Verzeichnis der persischen Handschriften, Berlin, 1888, 734-5, no. 703.I. Stchoukine, B. Flemming, P. Luft, & H. Sohrweide, Illuminierte islamische Handschriften, Wiesbaden, 1971, 73-7, no. 26.
İlişkili Ad(lar) Painter 1; Painter 2; Painter 3
Süsleme Zal marries RudabaFolio number: 072vPainter:Painter 1Location in text:Mohl 7, Manuchihr (120 years), first line: 1632, break line before: None, break line after: 1638.0, last line: 1639.Rustam catches RakhshFolio number: 089rPainter:Painter 1Location in text:Mohl 10, Garshasp (9 years), first line: None, break line before: 129, break line after: 132.0, last line: 137.Rustam's third labour: he kills a dragonFolio number: 099vPainter:Painter 1Location in text:Mohl 12, Kay Kavus (150 years), first line: 400, break line before: 399, break line after: None, last line: 410.Rustam's seventh labour: he kills the White DivFolio number: 102vPainter:Painter 1Location in text:Mohl 12, Kay Kavus (150 years), first line: 610, break line before: 609, break line after: 619.0, last line: 618.Bertels 12, Kay Ka'us - Mazandaran (918), first line: 581.0, break line before: 579.0, break line after: 587.0, last line: 618.The fire ordeal of SiyavushFolio number: 142vPainter:Painter 1Location in text:Mohl 12d, Siyavush, first line: 533, break line before: 532, break line after: None, last line: None.Kay Khusrau receives Rustam and ZalFolio number: 197rPainter:Painter 1Notes: This painting comes very early in the text (where the shah is praised by the elders): but Rustam is depicted seated before the shah, although this does not take place until v. 51.Location in text:Mohl 13, Kay Khusrau (60 years), first line: 24, break line before: None, break line after: 27.0, last line: 30.Rustam kills Ashkabus and his horseFolio number: 240rPainter:Painter 1Location in text:Mohl 13b, Kamus-i Kashani, first line: 1396, break line before: 1397, break line after: 1412.0, last line: 1411.Khaleghi-Motlagh 20, Kamus-i Kashani (2881), first line: 1296.0, break line before: 1297.0, break line after: 1304.0, last line: 1303.0.Rustam pulls the Khaqan of Chin from his elephant by lassoFolio number: 253vPainter:Painter 1Location in text:Mohl 13c, Rustam and the Khaqan-i Chin, first line: 717, break line before: 722, break line after: 723.0, last line: None.Akvan Div flings Rustam into the seaFolio number: 268vPainter:Painter 2Location in text:Mohl 13d, Rustam fights Akhvan Div, first line: None, break line before: 106, break line after: 107.0, last line: 113.Rustam rescues Bizhan from the pitFolio number: 289vPainter:Painter 2Location in text:Mohl 13e, Bizhan and Manizha, first line: 1164, break line before: 1163, break line after: None, last line: 1174.Rustam throws Barzu to the ground while wrestlingScene Title:Scene from the BarzunamaFolio number: 319vPainter:Painter 2Location in text:Mohl -2b, Barzunama, first line: None, break line before: None, break line after: None, last line: None.Description of the company of Rustam and the heroes of IranScene Title:Scene from the BarzunamaFolio number: 323vPainter:Painter 2Notes: Description of the company of Rustam and the heroes of Iran.Location in text:Mohl -2b, Barzunama, first line: None, break line before: None, break line after: None, last line: None.Rustam meets Kay Khusrau ridingScene Title:Scene from the BarzunamaFolio number: 338vPainter:Painter 3Notes: Rustam meets Kay Khusrau riding.Location in text:Mohl -2b, Barzunama, first line: None, break line before: None, break line after: None, last line: None.Bizhan kills HumanFolio number: 354vPainter:Painter 2Location in text:Mohl 13f, The Twelve Rukhs, first line: 816, break line before: 820, break line after: 821.0, last line: 825.Bertels 21, The twelve Rukhs (2518), first line: 803.0, break line before: 807.0, break line after: 808.0, last line: 825.Kay Khusrau speaks with Jahn who has come as a messenger of AfrasiyabScene Title:Jahn arrives with a message from AfrasiyabFolio number: 382vPainter:Painter 3Location in text:Mohl 13g, The Great War between Kay Khusrau and Afrasiyab, first line: 1160, break line before: 1166, break line after: 1167.0, last line: 1169.Bertels 22, Kay Khusrau - The great war (3107), first line: 1126.0, break line before: 1125.0, break line after: 1132.0, last line: 1169.The execution of GarsivazFolio number: 399vPainter:Painter 2Location in text:Mohl 13g, The Great War between Kay Khusrau and Afrasiyab, first line: 2416, break line before: 2420, break line after: 2421.0, last line: 2425.Bertels 22, Kay Khusrau - The great war (3107), first line: 2362.0, break line before: 2366.0, break line after: 2367.0, last line: 2425.Luhrasp enthronedScene Title:The coronation of LuhraspFolio number: 414rPainter:Painter 1Location in text:Mohl 14, Luhrasp (120 years), first line: 13, break line before: 18, break line after: 18.0, last line: 20.Bertels 23, Luhrasp (901), first line: 14.0, break line before: 13.0, break line after: 18.0, last line: 20.Bidarafsh kills ZarirScene Title:Bidarafsh kills Zarir, the brother of GushtaspFolio number: 433vPainter:Painter 3Location in text:Mohl 15, Gushtasp (120 years), first line: 606, break line before: 610, break line after: 610.0, last line: 615.Bertels 24, Gushtasp (Daqiqi) (1022), first line: 590.0, break line before: 589.0, break line after: 595.0, last line: 615.Isfandiyar besieges Arjasp's fortressFolio number: 454vPainter:Painter 3Location in text:Mohl 15, Gushtasp (120 years), first line: 2163, break line before: 2169, break line after: 2170.0, last line: 2174.Khaleghi-Motlagh 26, Gushtasp (1537), first line: 626.0, break line before: 625.0, break line after: 636.0, last line: 637.0.Rustam shoots Isfandiyar in the eyes with a double-pointed arrowFolio number: 474vPainter:Painter 3Location in text:Mohl 15, Gushtasp (120 years), first line: None, break line before: 3792, break line after: 3793.0, last line: 3796.Khaleghi-Motlagh 28, Rustam and Isfandiyar (849), first line: 1389.1, break line before: 1388.0, break line after: 1394.0, last line: 1395.0.Shaghad watches Rustam falling down into the pitScene Title:Rustam falls into a pitFolio number: 481rPainter:Painter 2Notes: The lines found on this folio are not in any of the standard editions of the text. Although the iconography is quite standard, Shaghad (if it he) is still safely contemplating the scene. (GvdB). The note at the top of the page, left by for the artist, says "mauzu‘-e shikar-gah va Rustam ba-chah oftadan", without mentioning Shaghad. It is not clear whether Shaghad is in fact a part of the composition, or whether he is to be found as one of the two standard onlookers. (Karin Ruhrdanz).Location in text:Mohl 15, Gushtasp (120 years), first line: None, break line before: None, break line after: None, last line: None.Barzin visits ZalScene Title:Scene from the BahmannamaFolio number: 505vPainter:Painter 3Notes: Barzin visits Zal.Location in text:Mohl -2a, Bahmannama, first line: None, break line before: None, break line after: None, last line: None.Iskandar attends the dying DaraFolio number: 519rPainter:Painter 2Location in text:Mohl 19, Dara son of Darab (14 years), first line: 324, break line before: 327, break line after: 328.0, last line: 332.Bertels 32, Dara son of Darab (453), first line: 319.0, break line before: 322.0, break line after: 323.0, last line: 332.Bahram Gur on the throne after having killed the two lionsScene Title:Bahram Gur enthroned after killing the lionsFolio number: 596vPainter:Painter 3Location in text:Mohl 34, Yazdagird the Sinner (21 years), first line: None, break line before: 681, break line after: 682.0, last line: None.Anushirvan sits before the chessboard sent by the Raja of HindFolio number: 680vPainter:Painter 3Location in text:Mohl 41, Kisra Anushirvan (48 years), first line: 2735, break line before: 2734, break line after: 2743.0, last line: 2744.Bertels 54, Anushirvan (4468), first line: 2665.0, break line before: 2664.0, break line after: 2673.0, last line: 2744.Bahram Chubina defeats and kills Sava ShahScene Title:Bahram Chubina kills the fleeing Sava ShahFolio number: 715rPainter:Painter 3Location in text:Mohl 42, Hurmuzd (14 years), first line: 915, break line before: 916, break line after: 922.0, last line: 921.Bertels 55, Hurmuzd (1887), first line: 893.0, break line before: 894.0, break line after: 900.0, last line: 921.Khusrau Parviz reviews the troops brought by Niatus from RumFolio number: 751rPainter:Painter 2Location in text:Mohl 43, Khusrau Parviz (38 years), first line: 1622, break line before: 1623, break line after: None, last line: 1628.Bahram Chubina and Khusrau Parviz fight for the third timeFolio number: 756vPainter:Painter 2Location in text:Mohl 43, Khusrau Parviz (38 years), first line: 1994, break line before: 1993, break line after: None, last line: 2009.Bahram Chubina kills the monkey-lionFolio number: 763rPainter:Painter 2Notes: The lines before and after the painting are quite far apart in the standard editions of the text, suggesting at first sight that the painting cover up the intervening verses, although this does not seem to be the case. The text is rather disordered here.Location in text:Mohl 43, Khusrau Parviz (38 years), first line: None, break line before: 2431, break line after: 2447.0, last line: 2443.The musician Barbad plays for Khusrau ParvizFolio number: 781vPainter:Painter 2Location in text:Mohl 43, Khusrau Parviz (38 years), first line: 3780, break line before: 3784, break line after: 3785.0, last line: 3789.Bertels 56, Khusrau Parviz (4083), first line: 3665.0, break line before: 3669.0, break line after: 3670.0, last line: 3789.Bizhan cuts off hands and feet of MahuyScene Title:Bizhan kills Mahuy to avenge YazdagirdFolio number: 807vPainter:Painter 2Notes: This painting shows Mahuy with his legs cut off.Location in text:Mohl 50, Yazdagird (16 years), first line: 864, break line before: 865, break line after: 874.0, last line: None.Sample pageFolio number: 020rColophonFolio number: 809r
Mizanpaj 4 columns. 19 rows. Leaf height: 325 mm, width: 210 mm. Written height: 193 mm, width: 113 mm.
Menşei Yeri Shiraz
Köken (Provenance) Obtained in Constantinople by Heinrich Friedrich von Diez (1751-1817). Stamp on folio 1r from Sultan Uthman ibn Mustafa (1168-70/1754-56).
Müstensih(ler) Yusuf b. Husain b. Yusuf Katib Jahrumi
Yazı Tipi Nasta'liq. Calligrapher: Yusuf b. Husain b. Yusuf Katib Jahrumi.
Yüzyıl 1 1500s C.E.
Oluşturma Tarihi (Bağlantı Türü) keyword search
Oluşturma Türü creation
Yıl (Bitiş) 1593
Yıl (Başlangıç) 1593
Görüntü Hakları (Görüntüleme) Zooming image © Berlin, Staatsbibliotheek zu Berlin - Preussischer Kulturbesitz - Orientabteilung.
Görüntü Hakları (İndirme) Images made available for download are licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License (CC BY-NC 4.0)
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Metadata Hakları This metadata is licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License.
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Filigran Beyanı © Berlin, Staatsbibliotheek zu Berlin - Preussischer Kulturbesitz - Orientabteilung (CC BY-NC 4.0)
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