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Shahnama (Ismail II)

İsim Shahnama (Ismail II)
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Sayfa Sayısı 8
Fiziksel Boyutlar Detached manuscript folios. Single Sheets.
Kütüphane: Cambridge Dijital Kütüphanesi
Kayıt Numarası MS-AGAKHAN-AKM70-00072-00099-00103
Lokasyon Aga Khan Museum — Aga Khan Museum AKM70-72, 99-103
Tarih Gregorian: 1576/Y77/---/--.-1576-1576
Notlar Previously recorded as 2005.1.70-72, 99-103 (Ir.M. 29-29/B, 69-69/D). Several folios from the celebrated Shahnama made for Shah Isma'il II (reg. 1576-77), including the double frontispiece.The ms. was originally in the Qajar Royal Library. It was exhibited intact by the dealer, Demotte, in Paris in 1912, but thereafter split up and dispersed through different galleries (e.g. Heeramaneck Gallery) and auction houses into many private and public collections, especially Baron Edmund de Rothschild (cf. Chester Beatty Library Dublin, Kevorkian collection).The paintings have been numbered in the order they appear in the text. See also under Dispersed mss. The dimensions given here are from AKM70, of which the image is on the verso and the text on the recto sideThe folios are available on the Museum website and discussed there by Ch. Melville. The pages are also described by Anthony Welch, Collection of Islamic Art, vol. I (1972), pp. 170-78, and vol. III (1978), pp. 79-95, in the unpublished catalogue by Moya Carey, vol. I (2002), pp. 113-19, 163-74,and the manuscript as a whole in two articles by B.W. Robinson, in IRAN, 14 (1967) and 43 (2005).
İlişkili Ad(lar) Naqdi; Sadiqi Beg; Sadiqi; Mihrab; Siyavush; Murad Dailami; Shah Isma'il II Safavi
Bibliyografya Welch, A. & Welch, S.C., Arts of the Islamic book. The Collection of Prince Sadruddin Aga Khan, London, 1982.Welch, A., Artists for the Shah: Late sixteenth century painting at the Imperial Court of Iran, New Haven, 1976.Robinson, B.W., Shah Isma'il II's copy of the Shahnama: Additional material, Iran, (2005), 291-299.Welch, A. & Welch, S.C., Arts of the Islamic book. The Collection of Prince Sadruddin Aga Khan, London, 1982.Welch, A. & Welch, S.C., Arts of the Islamic book. The Collection of Prince Sadruddin Aga Khan, London, 1982.Welch, A. & Welch, S.C., Arts of the Islamic book. The Collection of Prince Sadruddin Aga Khan, London, 1982.Welch, A. & Welch, S.C., Arts of the Islamic book. The Collection of Prince Sadruddin Aga Khan, London, 1982.Robinson, B.W., Shah Isma'il II's copy of the Shahnama: Additional material, Iran, (2005), 291-299.Welch, A. & Welch, S.C., Arts of the Islamic book. The Collection of Prince Sadruddin Aga Khan, London, 1982.Welch, A., Artists for the Shah: Late sixteenth century painting at the Imperial Court of Iran, New Haven, 1976.Welch, A., Artists for the Shah: Late sixteenth century painting at the Imperial Court of Iran, New Haven, 1976.Welch, A. & Welch, S.C., Arts of the Islamic book. The Collection of Prince Sadruddin Aga Khan, London, 1982.Welch, A., Artists for the Shah: Late sixteenth century painting at the Imperial Court of Iran, New Haven, 1976.Welch, A. & Welch, S.C., Arts of the Islamic book. The Collection of Prince Sadruddin Aga Khan, London, 1982.Welch, A., Artists for the Shah: Late sixteenth century painting at the Imperial Court of Iran, New Haven, 1976.Welch, A. & Welch, S.C., Arts of the Islamic book. The Collection of Prince Sadruddin Aga Khan, London, 1982.
Süsleme Zahhak consults physiciansTitle (Persian): 188Folio number: 001rPainter:NaqdiNotes: Previously identified (in Geneva) as 2005.1.71 (Ir.M. 29/A). Opaque watercolour, gold, silver and ink on paper; attributed to Naqdi. The illustration has been repeatedly misidentified, as depicting Jamshid, following Robinson's original description, although Anthony Welch correctly noted that it depicts Zahhak. The rubric refers to the scene in which Zahhak is established on the throne, shortly before ordering Jamshid to be sawn in half, but the painting appears to reflect the earlier passage where the ruler consults his physicians. Page dimensions: 455 x 304. Text dimensions (verso side): 175 x 177 mm. See also under Dispersed. Location in text:Mohl 4, Jamshid (700 years), first line: 167, break line before: 192, break line after: None, last line: 192.Salm and Tur send a message to FaridunFolio number: 002rPainter:Sadiqi BegNotes: Previously identified (in Geneva) as 2005.1.99 (Ir.M. 69). The break-line verse is not in the standard editions. The page has been trimmed off across the bottom. Reproduced in Welch, Artists for the Shah, pl. 5.Location in text:Mohl 6, Faridun (500 years), first line: 345, break line before: 364, break line after: None, last line: 364.Pashang learns of the death of ManuchihrFolio number: 003rPainter:SadiqiNotes: Previously identified (in Geneva) as 2005.1.72 (Ir.M. 29/B). The third verse after the painting is not in the standard editions. Opaque watercolour, gold and ink on paper; a folio from Shah Isma'il Safavi's Shahnama, attributed to Sadiqi Beg. Page dimensions: 456 x 305. Text (verso side): 304 x 182 mm. Reproduced in Marteau & Vever, 1913, no. 128; ex-Kevorkian collection, lot 66; Sotheby's sale, 1 December 1969; A. Welch, Collection of Islamic art, vol. 1, p. 173; Colnaghi, 1976, no. 5.Location in text:Mohl 8, Nauzar (7 years), first line: 102, break line before: 104, break line after: 105.0, last line: 108.Khaleghi-Motlagh 8, Nauzar (559), first line: 89.0, break line before: 91.0, break line after: 92.0, last line: 95.0.Rustam's third labour: he kills a dragonFolio number: 004rPainter:Sadiqi BegNotes: Formerly identified (in Geneva) as 2005.1.100 (Ir.M. 69/A). Page dimensions 429 x 306 (Museum site lists 430x301); there is no verso: the folio has been trimmed and pasted onto card by Demotte. See Colnaghi, 1976; acquired from the collection of Edmund de Rothschild.Location in text:Mohl 12, Kay Kavus (150 years), first line: 404, break line before: 405, break line after: 406.0, last line: 407.Khaleghi-Motlagh 11, Kay Ka'us - Mazandaran (885), first line: 375.0, break line before: 376.0, break line after: 377.0, last line: 378.0.Rustam fights the TuraniansFolio number: 005rPainter:MihrabNotes: Formerly identified (in Geneva) as 2005.1.101 (Ir.M. 69/B). The painting is usually described as depicting Alkus being fought and killed by Rustam, but in fact it occurs much earlier in the text, when the Iranian hunting party is surprised by the attack of a large force of Turanians. On the margins of the page is the account of the interpolated story of Pilsam's fight with the Iranians - only after which, is Alkus involved.. The scribe has inadvertently jumped from Mohl 12b: 661 to 711 in the passage below the painting, the intervening gap being largely filled by the Pilsam episode; the text here departs in various places from Mohl's edition but is essentially the same. Dimensions recorded as 392x272 Ex Baron Edmnd de Rothschild.Location in text:Mohl 12b, Kay Kavus fights the King of Hamavaran, first line: 658, break line before: 658, break line after: 659.0, last line: 714.Khaleghi-Motlagh 13, Rustam and the seven heroes (163), first line: 106.0, break line before: 106.0, break line after: 107.0, last line: 113.0.The Khaqan learns of the killing of KamusFolio number: 006vPainter:SiyavushNotes: Formerly identified (in Geneva) as 2005.1.70 (Ir.M. 29). Opaque watercolour, gold and ink on paper, attributed to Siyavush. Reproduced in Marteau & Vever, 1913, no. 128; Columbus Ohio, 1951, no. 201; Anthony Welch, Collection of Islamic art, vol. 1, p. 171;Anthony Welch, Artists for the Shah, pl. 2; Sheila Canby, Princes, poets and paladins, 1998, pl. 36. The page dimensions are 455 x 312; text block (recto side) is 305 x 183 mm.Location in text:Mohl 13c, Rustam and the Khaqan-i Chin, first line: 16, break line before: 20, break line after: 21.0, last line: 27.Khaleghi-Motlagh 20, Kamus-i Kashani (2881), first line: 1483.0, break line before: 1487.0, break line after: 1488.0, last line: 1494.0.Isfandiyar's first labour: he fights the wolvesTitle (Persian): 1611Folio number: 007rPainter:NaqdiNotes: Formerly 2005.1.102 (Ir.M. 69/C). Folio dimensions 454x315; image (max.) 422x260 mm. The verso side has next painting. Reproduced in Anthony Welch, Artists for the Shah, pl. 14.Location in text:Mohl 15, Gushtasp (120 years), first line: 1599, break line before: 1617, break line after: 1618.0, last line: 1623.Khaleghi-Motlagh 27, Haft khwan-i Isfandiyar (849), first line: 60.0, break line before: 78.0, break line after: 79.0, last line: 84.0.Isfandiyar's second labour: he fights the lionsTitle (Persian): 1649Folio number: 008vPainter:Murad DailamiNotes: The verso side of the previous page. Dimensions 456 x 314; text block 303 x 179 mm (inner? = 227 x 193). Image (max.) 390 x 235; originally entered as 302 x 247 - the variations reveal the different ways of measuring these things.(Ch.M.). Reproduced in Welch, Artists for the Shah, pl. 16. Ex Baron de Rothschild collection. Location in text:Mohl 15, Gushtasp (120 years), first line: 1624, break line before: 1651, break line after: 1653.0, last line: 1653.Khaleghi-Motlagh 27, Haft khwan-i Isfandiyar (849), first line: 85.0, break line before: 112.0, break line after: 114.0, last line: 114.0.Isfandyar 's fifth labour: he kills the SimurghTitle (Persian): 1793Scene Title:Isfandiyar's fifth labour: he kills the SimurghFolio number: 009rPainter:SiyavushNotes: Previously identified as 2005.1.103 (Ir.M. 69/D). Dimensions of folio: 433 x 300 (Museum website lists 404x298). The reverse is blank: the folio has been trimmed and pasted onto board. See also under 'Dispersed'.Location in text:Mohl 15, Gushtasp (120 years), first line: 1783, break line before: 1800, break line after: 1801.0, last line: 1805.Khaleghi-Motlagh 27, Haft khwan-i Isfandiyar (849), first line: 245.0, break line before: 261.0, break line after: 262.0, last line: 267.0.
Mizanpaj 4 columns. 22 rows. Leaf height: 455 mm, width: 312 mm. Written height: 305 mm, width: 183 mm.
Not(lar) Patron: Shah Isma'il II Safavi.
Menşei Yeri Qazvin, Iran
Köken (Provenance) Sadruddin Aga Khan; Qajar Royal Library; Demotte collection; dispersed after 1912; Heeramaneck Galleries (1951), etc.
Yazı Tipi Nasta'liq.
Yüzyıl 1 1500s C.E.
Oluşturma Tarihi (Bağlantı Türü) keyword search
Oluşturma Türü creation
Yıl (Bitiş) 1576
Yıl (Başlangıç) 1576
Görüntü Hakları (Görüntüleme) Zooming image © Aga Khan Museum.
Görüntü Hakları (İndirme) Images made available for download are licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License (CC BY-NC 4.0)
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Dil 1 Persian
Metadata Hakları This metadata is licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License.
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Filigran Beyanı © Aga Khan Museum (CC BY-NC 4.0)
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Shahnama (Ismail II)

Yazar Firdausi
Tür Belge
Dil Farsça
Dijital Evet
Yazma Evet
Sayfa Sayısı 8
Fiziksel Boyutlar Detached manuscript folios. Single Sheets.
Kütüphane Cambridge Dijital Kütüphanesi
Kayıt Numarası MS-AGAKHAN-AKM70-00072-00099-00103
Lokasyon Aga Khan Museum — Aga Khan Museum AKM70-72, 99-103
Tarih Gregorian: 1576/Y77/---/--.-1576-1576
Notlar Previously recorded as 2005.1.70-72, 99-103 (Ir.M. 29-29/B, 69-69/D). Several folios from the celebrated Shahnama made for Shah Isma'il II (reg. 1576-77), including the double frontispiece.The ms. was originally in the Qajar Royal Library. It was exhibited intact by the dealer, Demotte, in Paris in 1912, but thereafter split up and dispersed through different galleries (e.g. Heeramaneck Gallery) and auction houses into many private and public collections, especially Baron Edmund de Rothschild (cf. Chester Beatty Library Dublin, Kevorkian collection).The paintings have been numbered in the order they appear in the text. See also under Dispersed mss. The dimensions given here are from AKM70, of which the image is on the verso and the text on the recto sideThe folios are available on the Museum website and discussed there by Ch. Melville. The pages are also described by Anthony Welch, Collection of Islamic Art, vol. I (1972), pp. 170-78, and vol. III (1978), pp. 79-95, in the unpublished catalogue by Moya Carey, vol. I (2002), pp. 113-19, 163-74,and the manuscript as a whole in two articles by B.W. Robinson, in IRAN, 14 (1967) and 43 (2005).
İlişkili Ad(lar) Naqdi; Sadiqi Beg; Sadiqi; Mihrab; Siyavush; Murad Dailami; Shah Isma'il II Safavi
Bibliyografya Welch, A. & Welch, S.C., Arts of the Islamic book. The Collection of Prince Sadruddin Aga Khan, London, 1982.Welch, A., Artists for the Shah: Late sixteenth century painting at the Imperial Court of Iran, New Haven, 1976.Robinson, B.W., Shah Isma'il II's copy of the Shahnama: Additional material, Iran, (2005), 291-299.Welch, A. & Welch, S.C., Arts of the Islamic book. The Collection of Prince Sadruddin Aga Khan, London, 1982.Welch, A. & Welch, S.C., Arts of the Islamic book. The Collection of Prince Sadruddin Aga Khan, London, 1982.Welch, A. & Welch, S.C., Arts of the Islamic book. The Collection of Prince Sadruddin Aga Khan, London, 1982.Welch, A. & Welch, S.C., Arts of the Islamic book. The Collection of Prince Sadruddin Aga Khan, London, 1982.Robinson, B.W., Shah Isma'il II's copy of the Shahnama: Additional material, Iran, (2005), 291-299.Welch, A. & Welch, S.C., Arts of the Islamic book. The Collection of Prince Sadruddin Aga Khan, London, 1982.Welch, A., Artists for the Shah: Late sixteenth century painting at the Imperial Court of Iran, New Haven, 1976.Welch, A., Artists for the Shah: Late sixteenth century painting at the Imperial Court of Iran, New Haven, 1976.Welch, A. & Welch, S.C., Arts of the Islamic book. The Collection of Prince Sadruddin Aga Khan, London, 1982.Welch, A., Artists for the Shah: Late sixteenth century painting at the Imperial Court of Iran, New Haven, 1976.Welch, A. & Welch, S.C., Arts of the Islamic book. The Collection of Prince Sadruddin Aga Khan, London, 1982.Welch, A., Artists for the Shah: Late sixteenth century painting at the Imperial Court of Iran, New Haven, 1976.Welch, A. & Welch, S.C., Arts of the Islamic book. The Collection of Prince Sadruddin Aga Khan, London, 1982.
Süsleme Zahhak consults physiciansTitle (Persian): 188Folio number: 001rPainter:NaqdiNotes: Previously identified (in Geneva) as 2005.1.71 (Ir.M. 29/A). Opaque watercolour, gold, silver and ink on paper; attributed to Naqdi. The illustration has been repeatedly misidentified, as depicting Jamshid, following Robinson's original description, although Anthony Welch correctly noted that it depicts Zahhak. The rubric refers to the scene in which Zahhak is established on the throne, shortly before ordering Jamshid to be sawn in half, but the painting appears to reflect the earlier passage where the ruler consults his physicians. Page dimensions: 455 x 304. Text dimensions (verso side): 175 x 177 mm. See also under Dispersed. Location in text:Mohl 4, Jamshid (700 years), first line: 167, break line before: 192, break line after: None, last line: 192.Salm and Tur send a message to FaridunFolio number: 002rPainter:Sadiqi BegNotes: Previously identified (in Geneva) as 2005.1.99 (Ir.M. 69). The break-line verse is not in the standard editions. The page has been trimmed off across the bottom. Reproduced in Welch, Artists for the Shah, pl. 5.Location in text:Mohl 6, Faridun (500 years), first line: 345, break line before: 364, break line after: None, last line: 364.Pashang learns of the death of ManuchihrFolio number: 003rPainter:SadiqiNotes: Previously identified (in Geneva) as 2005.1.72 (Ir.M. 29/B). The third verse after the painting is not in the standard editions. Opaque watercolour, gold and ink on paper; a folio from Shah Isma'il Safavi's Shahnama, attributed to Sadiqi Beg. Page dimensions: 456 x 305. Text (verso side): 304 x 182 mm. Reproduced in Marteau & Vever, 1913, no. 128; ex-Kevorkian collection, lot 66; Sotheby's sale, 1 December 1969; A. Welch, Collection of Islamic art, vol. 1, p. 173; Colnaghi, 1976, no. 5.Location in text:Mohl 8, Nauzar (7 years), first line: 102, break line before: 104, break line after: 105.0, last line: 108.Khaleghi-Motlagh 8, Nauzar (559), first line: 89.0, break line before: 91.0, break line after: 92.0, last line: 95.0.Rustam's third labour: he kills a dragonFolio number: 004rPainter:Sadiqi BegNotes: Formerly identified (in Geneva) as 2005.1.100 (Ir.M. 69/A). Page dimensions 429 x 306 (Museum site lists 430x301); there is no verso: the folio has been trimmed and pasted onto card by Demotte. See Colnaghi, 1976; acquired from the collection of Edmund de Rothschild.Location in text:Mohl 12, Kay Kavus (150 years), first line: 404, break line before: 405, break line after: 406.0, last line: 407.Khaleghi-Motlagh 11, Kay Ka'us - Mazandaran (885), first line: 375.0, break line before: 376.0, break line after: 377.0, last line: 378.0.Rustam fights the TuraniansFolio number: 005rPainter:MihrabNotes: Formerly identified (in Geneva) as 2005.1.101 (Ir.M. 69/B). The painting is usually described as depicting Alkus being fought and killed by Rustam, but in fact it occurs much earlier in the text, when the Iranian hunting party is surprised by the attack of a large force of Turanians. On the margins of the page is the account of the interpolated story of Pilsam's fight with the Iranians - only after which, is Alkus involved.. The scribe has inadvertently jumped from Mohl 12b: 661 to 711 in the passage below the painting, the intervening gap being largely filled by the Pilsam episode; the text here departs in various places from Mohl's edition but is essentially the same. Dimensions recorded as 392x272 Ex Baron Edmnd de Rothschild.Location in text:Mohl 12b, Kay Kavus fights the King of Hamavaran, first line: 658, break line before: 658, break line after: 659.0, last line: 714.Khaleghi-Motlagh 13, Rustam and the seven heroes (163), first line: 106.0, break line before: 106.0, break line after: 107.0, last line: 113.0.The Khaqan learns of the killing of KamusFolio number: 006vPainter:SiyavushNotes: Formerly identified (in Geneva) as 2005.1.70 (Ir.M. 29). Opaque watercolour, gold and ink on paper, attributed to Siyavush. Reproduced in Marteau & Vever, 1913, no. 128; Columbus Ohio, 1951, no. 201; Anthony Welch, Collection of Islamic art, vol. 1, p. 171;Anthony Welch, Artists for the Shah, pl. 2; Sheila Canby, Princes, poets and paladins, 1998, pl. 36. The page dimensions are 455 x 312; text block (recto side) is 305 x 183 mm.Location in text:Mohl 13c, Rustam and the Khaqan-i Chin, first line: 16, break line before: 20, break line after: 21.0, last line: 27.Khaleghi-Motlagh 20, Kamus-i Kashani (2881), first line: 1483.0, break line before: 1487.0, break line after: 1488.0, last line: 1494.0.Isfandiyar's first labour: he fights the wolvesTitle (Persian): 1611Folio number: 007rPainter:NaqdiNotes: Formerly 2005.1.102 (Ir.M. 69/C). Folio dimensions 454x315; image (max.) 422x260 mm. The verso side has next painting. Reproduced in Anthony Welch, Artists for the Shah, pl. 14.Location in text:Mohl 15, Gushtasp (120 years), first line: 1599, break line before: 1617, break line after: 1618.0, last line: 1623.Khaleghi-Motlagh 27, Haft khwan-i Isfandiyar (849), first line: 60.0, break line before: 78.0, break line after: 79.0, last line: 84.0.Isfandiyar's second labour: he fights the lionsTitle (Persian): 1649Folio number: 008vPainter:Murad DailamiNotes: The verso side of the previous page. Dimensions 456 x 314; text block 303 x 179 mm (inner? = 227 x 193). Image (max.) 390 x 235; originally entered as 302 x 247 - the variations reveal the different ways of measuring these things.(Ch.M.). Reproduced in Welch, Artists for the Shah, pl. 16. Ex Baron de Rothschild collection. Location in text:Mohl 15, Gushtasp (120 years), first line: 1624, break line before: 1651, break line after: 1653.0, last line: 1653.Khaleghi-Motlagh 27, Haft khwan-i Isfandiyar (849), first line: 85.0, break line before: 112.0, break line after: 114.0, last line: 114.0.Isfandyar 's fifth labour: he kills the SimurghTitle (Persian): 1793Scene Title:Isfandiyar's fifth labour: he kills the SimurghFolio number: 009rPainter:SiyavushNotes: Previously identified as 2005.1.103 (Ir.M. 69/D). Dimensions of folio: 433 x 300 (Museum website lists 404x298). The reverse is blank: the folio has been trimmed and pasted onto board. See also under 'Dispersed'.Location in text:Mohl 15, Gushtasp (120 years), first line: 1783, break line before: 1800, break line after: 1801.0, last line: 1805.Khaleghi-Motlagh 27, Haft khwan-i Isfandiyar (849), first line: 245.0, break line before: 261.0, break line after: 262.0, last line: 267.0.
Mizanpaj 4 columns. 22 rows. Leaf height: 455 mm, width: 312 mm. Written height: 305 mm, width: 183 mm.
Not(lar) Patron: Shah Isma'il II Safavi.
Menşei Yeri Qazvin, Iran
Köken (Provenance) Sadruddin Aga Khan; Qajar Royal Library; Demotte collection; dispersed after 1912; Heeramaneck Galleries (1951), etc.
Yazı Tipi Nasta'liq.
Yüzyıl 1 1500s C.E.
Oluşturma Tarihi (Bağlantı Türü) keyword search
Oluşturma Türü creation
Yıl (Bitiş) 1576
Yıl (Başlangıç) 1576
Görüntü Hakları (Görüntüleme) Zooming image © Aga Khan Museum.
Görüntü Hakları (İndirme) Images made available for download are licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License (CC BY-NC 4.0)
Dil Kodu 1 per
Dil 1 Persian
Metadata Hakları This metadata is licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License.
Küçük Resim Yönü portrait
Filigran Beyanı © Aga Khan Museum (CC BY-NC 4.0)
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