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Shahnama (Baysunghur)

İsim Shahnama (Baysunghur)
Yazar Firdausi
Tür Belge
Dil Farsça
Dijital Evet
Yazma Evet
Sayfa Sayısı 35
Fiziksel Boyutlar 346 ff. Codex. Complete.
Kütüphane: Cambridge Dijital Kütüphanesi
Kayıt Numarası MS-TEHRANGUL-MS-00716
Lokasyon Gulistan Museum — Gulistan Museum Ms 716
Tarih Gregorian: 1430/Hcd/Feb/07. Hijri: 0833/Ju1/05.-1430-1430
Notlar See the detailed description by S.A. Sharifzadeh, Namvarnama, Tehran, 1370 sh./1991, pp. 10-20. Some of the paintings have been published by Vera Kubickova, Persische Miniaturen, Prague, 1960, see pp. 58-9, figs. 12-16, and most of them also by Mohammad-Hasan Semsar, Gulistan Palace Library. Portfolio of miniature paintings and calligraphy, Tehran, 2000, pp. 84-109. See also Baqir Najafi, Shahnama-ha-yi Iran, 1997, pp. 486-90, with several colour plates.The manuscript has not yet been the object of a systematic study nor published fully, though there is a facsimile edition of the text. See further the articles in Encyclopaedia Iranica under 'Baysongor' and 'Baysongori Sah-nama', and by Eleanor Sims in Ars Orientalis 22 (1992), pp. 43-68.The manuscript was exhibited at the Museum of Contemporary Art in Tehran, in 2005, and the paintings are illustrated in the lavish catalogue, Masterpieces of Persian painting, ed. Muhammad 'Ali Rajabi,Tehran, 2005, pp. 39-68. For a more recent study, see R. Hillenbrand, 'Exploring a neglected masterpiece: The Gulistan Shahnama of Baysunghur', Iranian Studies, 43 no.1 (2010), pp. 97-126, and Shiva Mihan, 'The Baysunghuri manuscript in the Malek National Library', in G. van den Berg & C. Melville, eds. Shahnama Studies III, Leiden, 2018, pp. 273-419.The ms. is paginated rather than foliated and all illustrations are given page numbers rather than folio nos.Folio numbers are supplied as 'reconstructed' folio numbers; foliation assumes that the first sheet (f. 1r-v) is blank and the opening shamsa is on f. 2r.More correctly, the Julian date is 30 January 1430.
İlişkili Ad(lar) Baysunghur
Süsleme BindingFolio number: unlabelled-folio-1Location in text:Mohl -1b, Bindings, first line: None, break line before: None, break line after: None, last line: None.DoublureFolio number: unlabelled-folio-2Location in text:Mohl -1b, Bindings, first line: None, break line before: None, break line after: None, last line: None.ShamsaFolio number: 002Location in text:Mohl -1a, Illuminations, first line: None, break line before: None, break line after: None, last line: None.Frontispiece: hunting sceneScene Title:Frontispiece (verso side)Folio number: 003Location in text:Mohl -1c, Frontispieces and Finispieces, first line: None, break line before: None, break line after: None, last line: None.Frontispiece, hunting sceneScene Title:Frontispiece (recto side)Folio number: 004Location in text:Mohl -1c, Frontispieces and Finispieces, first line: None, break line before: None, break line after: None, last line: None.Start of prose preface (verso side)Scene Title:Illuminated title page (verso side)Folio number: 007Location in text:Mohl -1a, Illuminations, first line: None, break line before: None, break line after: None, last line: None.Start of prose preface (recto side)Scene Title:Illuminated title page (recto side)Folio number: 008Location in text:Mohl -1a, Illuminations, first line: None, break line before: None, break line after: None, last line: None.Firdausi and the poets of GhaznaFolio number: 013Notes: Reproduced by Kubickova, 1960, fig. 12 (see also p. 58).Location in text:Mohl -1d, Preface, first line: None, break line before: None, break line after: None, last line: None.End of prose preface (verso side)Scene Title:Miscellaneous preliminary materialFolio number: 023Location in text:Mohl -1c, Frontispieces and Finispieces, first line: None, break line before: None, break line after: None, last line: None.End of prose preface (recto side)Scene Title:Miscellaneous preliminary materialFolio number: 024Location in text:Mohl -1c, Frontispieces and Finispieces, first line: None, break line before: None, break line after: None, last line: None.Illuminated title page (verso side)Folio number: 025Location in text:Mohl -1a, Illuminations, first line: None, break line before: None, break line after: None, last line: None.Illuminated title page (recto side)Folio number: 026Location in text:Mohl -1a, Illuminations, first line: None, break line before: None, break line after: None, last line: None.Illuminated text pageScene Title:Illuminated unvanFolio number: 027Location in text:Mohl -1a, Illuminations, first line: None, break line before: None, break line after: None, last line: None.Jamshid teaches the craftsTitle (Persian): 1Folio number: 031Notes: There is a precedent for this scene in Berlin ms. and Ibrahim Sultan's Shahnama. The first bait is Tahmuras,v. 10; the rubric comes before Jamshid v. 1 (previous two baits not in Mohl).Location in text:Mohl 4, Jamshid (700 years), first line: 10, break line before: 2, break line after: None, last line: 2.Faridun brings Zahhak to Mount DamavandFolio number: 040Notes: Reproduced by Kubickova, 1960, fig. 13.Location in text:Mohl 5, Zahhak (1000 years), first line: 501, break line before: 526, break line after: 527.0, last line: 539.The meeting of Zal and RudabaScene Title:Rudaba and Zal togetherFolio number: 062Location in text:Mohl 7, Manuchihr (120 years), first line: 620, break line before: 665, break line after: None, last line: 665.A minstrel div tempts Kay Kavus to invade MazandaranTitle (Persian): Majles Kay KavusFolio number: 092Location in text:Mohl 12, Kay Kavus (150 years), first line: 25, break line before: None, break line after: 25.0, last line: 36.Rustam's seventh labour: he kills the White DivTitle (Persian): Nabarde Rustam va Div SefidFolio number: 101Location in text:Mohl 12, Kay Kavus (150 years), first line: 625, break line before: 636, break line after: None, last line: 645.The murder of SiyavushTitle (Persian): Koshte shodan-e SiyavushScene Title:Guruy executes SiyavushFolio number: 163Notes: Trimmed image reproduced in Kubickova, 1960, fig. 14.Location in text:Mohl 12d, Siyavush, first line: None, break line before: 2516, break line after: None, last line: 2516.Rustam pulls the Khaqan of Chin from his elephantTitle (Persian): Nabarde Rustam va Khaqan-e ChinScene Title:Rustam pulls the Khaqan of Chin from his elephant by lassoFolio number: 219Location in text:Mohl 13c, Rustam and the Khaqan-i Chin, first line: None, break line before: 723, break line after: 724.0, last line: None.Barzu wounds Rustam in combatFolio number: 257Notes: Verses 611/612 Barzunama ed. Dabir Siyaqi follow breakline after, in chapter Jang-e Rostam ba Barzu va azorde shodan-e dast-e Rostam. Other verses difficult to place/read from the image.Location in text:Mohl -2b, Barzunama, first line: None, break line before: None, break line after: None, last line: None.The duel between Gudarz and PiranTitle (Persian): Nabarde Gudarz by PiranScene Title:Piran escapes from Gudarz up the mountainsideFolio number: 318Notes: Cropped image reproduced by Kubickova, 1960, fig. 16; b/w image in Survey of Persian Art, pl. 869.Location in text:Mohl 13f, The Twelve Rukhs, first line: 2030, break line before: 2040, break line after: 2041.0, last line: 2061.Kay Khusrau kills AilaFolio number: 335Notes: The painting comes a long way after the apparent scene it depicts, namely the encounter between Kay Khusrau and the three Turanian champions, Astaqila, Aila and Burzi-aila in full battle. After the defeat of these heros, Afrasiyab fled the battle field and later came to Gang Dizh, at which point this picture is placed in the text. The picture appears to refer to Mohl, vv. 837-8: When Khusrau saw his (Aila's) heart and strength, he quickly drew his sharp sword from his belt; he struck him in the waist and cut him in two; he made the heart of the heroes full of fear. Location in text:Mohl 13g, The Great War between Kay Khusrau and Afrasiyab, first line: None, break line before: 903, break line after: 904.0, last line: None.Luhrasp hears of Kay Khusrau's disappearanceTitle (Persian): Be takht neshastane LuhraspScene Title:The coronation of LuhraspFolio number: 362Location in text:Mohl 13g, The Great War between Kay Khusrau and Afrasiyab, first line: None, break line before: 3153, break line after: None, last line: 3153.Isfandiyar's first labour: he fights the wolvesFolio number: 393Location in text:Mohl 15, Gushtasp (120 years), first line: 1618, break line before: 1625, break line after: None, last line: 1625.Isfandiyar slays Arjasp in the brazen holdScene Title:Isfandiyar kills Arjasp to rescue his sistersFolio number: 401Notes: Trimmed image reproduced by Kubickova, 1960, fig. 15.Location in text:Mohl 15, Gushtasp (120 years), first line: 2195, break line before: 2195, break line after: None, last line: 2195.Rustam boasts about his strengthTitle (Persian): Molaghat Rustam va IsfandiyarFolio number: 413Notes: Once more, the painting is not placed closely in the text, as the passage here only concerns the boasting of Isfandiyar about his lineage. After Rustam's retort, and his own boasting, the two heroes grip each other's hand in a trial of strength, which is presumably the moment illustrated here (cf. Mohl, vv. 3145-52), neither showing the pain caused by the fierce squeezing of the other. For a discussion of this passage, see Olga Davidson's article, "Epic as a frame for speech-acts: ritual boasting in the Shahnama of Ferdowsi' in Davidson, Comparative Literature and Classical Persian Poetics, pp. 99-121. Location in text:Mohl 15, Gushtasp (120 years), first line: 3063, break line before: 3081, break line after: 3082.0, last line: 3081.Faramarz mourning at the coffins of Rustam and ZavaraScene Title:Faramarz mourns Rustam and ZavaraFolio number: 429Location in text:Mohl 15, Gushtasp (120 years), first line: 4333, break line before: 4333, break line after: None, last line: 4333.Gulnar sees Ardashir and falls in love with himFolio number: 469Notes: The previous rubric reads: "Ardeshir sees Gulnar from the roof of the palace"; the text suggests it was the other way round. Whereas all other pictures of these two show them in bed together, this ms. depicts the moment of their first meeting.Location in text:Mohl 21, The Ashkanians (200 years), first line: None, break line before: 199, break line after: 199.0, last line: None.Bahram Gur given into the care of Monzer the ArabScene Title:Yazdagird presents a robe of honour to Munzir the ArabFolio number: 498Notes: The scene shows Yazdagird honouring Mundhir, the Arab chief, who is charged with the upbringing of the Shah's son, Bahram (the future Bahram Gur). The image is placed precisely in the text; the misra's of the break-line are reversed, compared with the edition of Mohl.Location in text:Mohl 34, Yazdagird the Sinner (21 years), first line: 53, break line before: 83, break line after: 84.0, last line: 83.Buzurjmihr arranges chess pieces before AnushirvanScene Title:Buzurjmihr demonstrates how to play the game of chessFolio number: 572Location in text:Mohl 41, Kisra Anushirvan (48 years), first line: 2765, break line before: 2770, break line after: None, last line: 2770.Bahram Chubina defeats the army of Sava ShahFolio number: 604Location in text:Mohl 42, Hurmuzd (14 years), first line: 861, break line before: 889, break line after: None, last line: 889.Illuminated pageFolio number: 689Notes: The right and side of the final double page illuminations at the end of the Shahnama text (the colophon is on the facing page).Location in text:Mohl -1a, Illuminations, first line: None, break line before: None, break line after: None, last line: None.Sample pageFolio number: p30ColophonFolio number: p690
Mizanpaj 6 columns. 31 rows. Leaf height: 380 mm, width: 260 mm. Written height: 280 mm, width: 184 mm.
Not(lar) Patron: Baysunghur.
Menşei Yeri Herat
Müstensih(ler) Maulana Ja'far Baysunghuri
Yazı Tipi Nasta'liq. Calligrapher: Maulana Ja'far Baysunghuri.
Yüzyıl 1 1400s C.E.
Oluşturma Tarihi (Bağlantı Türü) keyword search
Oluşturma Türü creation
Yıl (Bitiş) 1430
Yıl (Başlangıç) 1430
Görüntü Hakları (Görüntüleme) Zooming image © The Gulistan Palace Museum, Tehran.
Görüntü Hakları (İndirme) Images made available for download are licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License (CC BY-NC 4.0)
Dil Kodu 1 per
Dil 1 Persian
Metadata Hakları This metadata is licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License.
Küçük Resim Yönü portrait
Filigran Beyanı © The Gulistan Palace Museum, Tehran (CC BY-NC 4.0)
Kaynağa git Cambridge Dijital Kütüphanesi Cambridge Digital Library
Aramaya Dön
Cambridge Digital Library Cambridge Dijital Kütüphanesi
Kaynağa git

Shahnama (Baysunghur)

Yazar Firdausi
Tür Belge
Dil Farsça
Dijital Evet
Yazma Evet
Sayfa Sayısı 35
Fiziksel Boyutlar 346 ff. Codex. Complete.
Kütüphane Cambridge Dijital Kütüphanesi
Kayıt Numarası MS-TEHRANGUL-MS-00716
Lokasyon Gulistan Museum — Gulistan Museum Ms 716
Tarih Gregorian: 1430/Hcd/Feb/07. Hijri: 0833/Ju1/05.-1430-1430
Notlar See the detailed description by S.A. Sharifzadeh, Namvarnama, Tehran, 1370 sh./1991, pp. 10-20. Some of the paintings have been published by Vera Kubickova, Persische Miniaturen, Prague, 1960, see pp. 58-9, figs. 12-16, and most of them also by Mohammad-Hasan Semsar, Gulistan Palace Library. Portfolio of miniature paintings and calligraphy, Tehran, 2000, pp. 84-109. See also Baqir Najafi, Shahnama-ha-yi Iran, 1997, pp. 486-90, with several colour plates.The manuscript has not yet been the object of a systematic study nor published fully, though there is a facsimile edition of the text. See further the articles in Encyclopaedia Iranica under 'Baysongor' and 'Baysongori Sah-nama', and by Eleanor Sims in Ars Orientalis 22 (1992), pp. 43-68.The manuscript was exhibited at the Museum of Contemporary Art in Tehran, in 2005, and the paintings are illustrated in the lavish catalogue, Masterpieces of Persian painting, ed. Muhammad 'Ali Rajabi,Tehran, 2005, pp. 39-68. For a more recent study, see R. Hillenbrand, 'Exploring a neglected masterpiece: The Gulistan Shahnama of Baysunghur', Iranian Studies, 43 no.1 (2010), pp. 97-126, and Shiva Mihan, 'The Baysunghuri manuscript in the Malek National Library', in G. van den Berg & C. Melville, eds. Shahnama Studies III, Leiden, 2018, pp. 273-419.The ms. is paginated rather than foliated and all illustrations are given page numbers rather than folio nos.Folio numbers are supplied as 'reconstructed' folio numbers; foliation assumes that the first sheet (f. 1r-v) is blank and the opening shamsa is on f. 2r.More correctly, the Julian date is 30 January 1430.
İlişkili Ad(lar) Baysunghur
Süsleme BindingFolio number: unlabelled-folio-1Location in text:Mohl -1b, Bindings, first line: None, break line before: None, break line after: None, last line: None.DoublureFolio number: unlabelled-folio-2Location in text:Mohl -1b, Bindings, first line: None, break line before: None, break line after: None, last line: None.ShamsaFolio number: 002Location in text:Mohl -1a, Illuminations, first line: None, break line before: None, break line after: None, last line: None.Frontispiece: hunting sceneScene Title:Frontispiece (verso side)Folio number: 003Location in text:Mohl -1c, Frontispieces and Finispieces, first line: None, break line before: None, break line after: None, last line: None.Frontispiece, hunting sceneScene Title:Frontispiece (recto side)Folio number: 004Location in text:Mohl -1c, Frontispieces and Finispieces, first line: None, break line before: None, break line after: None, last line: None.Start of prose preface (verso side)Scene Title:Illuminated title page (verso side)Folio number: 007Location in text:Mohl -1a, Illuminations, first line: None, break line before: None, break line after: None, last line: None.Start of prose preface (recto side)Scene Title:Illuminated title page (recto side)Folio number: 008Location in text:Mohl -1a, Illuminations, first line: None, break line before: None, break line after: None, last line: None.Firdausi and the poets of GhaznaFolio number: 013Notes: Reproduced by Kubickova, 1960, fig. 12 (see also p. 58).Location in text:Mohl -1d, Preface, first line: None, break line before: None, break line after: None, last line: None.End of prose preface (verso side)Scene Title:Miscellaneous preliminary materialFolio number: 023Location in text:Mohl -1c, Frontispieces and Finispieces, first line: None, break line before: None, break line after: None, last line: None.End of prose preface (recto side)Scene Title:Miscellaneous preliminary materialFolio number: 024Location in text:Mohl -1c, Frontispieces and Finispieces, first line: None, break line before: None, break line after: None, last line: None.Illuminated title page (verso side)Folio number: 025Location in text:Mohl -1a, Illuminations, first line: None, break line before: None, break line after: None, last line: None.Illuminated title page (recto side)Folio number: 026Location in text:Mohl -1a, Illuminations, first line: None, break line before: None, break line after: None, last line: None.Illuminated text pageScene Title:Illuminated unvanFolio number: 027Location in text:Mohl -1a, Illuminations, first line: None, break line before: None, break line after: None, last line: None.Jamshid teaches the craftsTitle (Persian): 1Folio number: 031Notes: There is a precedent for this scene in Berlin ms. and Ibrahim Sultan's Shahnama. The first bait is Tahmuras,v. 10; the rubric comes before Jamshid v. 1 (previous two baits not in Mohl).Location in text:Mohl 4, Jamshid (700 years), first line: 10, break line before: 2, break line after: None, last line: 2.Faridun brings Zahhak to Mount DamavandFolio number: 040Notes: Reproduced by Kubickova, 1960, fig. 13.Location in text:Mohl 5, Zahhak (1000 years), first line: 501, break line before: 526, break line after: 527.0, last line: 539.The meeting of Zal and RudabaScene Title:Rudaba and Zal togetherFolio number: 062Location in text:Mohl 7, Manuchihr (120 years), first line: 620, break line before: 665, break line after: None, last line: 665.A minstrel div tempts Kay Kavus to invade MazandaranTitle (Persian): Majles Kay KavusFolio number: 092Location in text:Mohl 12, Kay Kavus (150 years), first line: 25, break line before: None, break line after: 25.0, last line: 36.Rustam's seventh labour: he kills the White DivTitle (Persian): Nabarde Rustam va Div SefidFolio number: 101Location in text:Mohl 12, Kay Kavus (150 years), first line: 625, break line before: 636, break line after: None, last line: 645.The murder of SiyavushTitle (Persian): Koshte shodan-e SiyavushScene Title:Guruy executes SiyavushFolio number: 163Notes: Trimmed image reproduced in Kubickova, 1960, fig. 14.Location in text:Mohl 12d, Siyavush, first line: None, break line before: 2516, break line after: None, last line: 2516.Rustam pulls the Khaqan of Chin from his elephantTitle (Persian): Nabarde Rustam va Khaqan-e ChinScene Title:Rustam pulls the Khaqan of Chin from his elephant by lassoFolio number: 219Location in text:Mohl 13c, Rustam and the Khaqan-i Chin, first line: None, break line before: 723, break line after: 724.0, last line: None.Barzu wounds Rustam in combatFolio number: 257Notes: Verses 611/612 Barzunama ed. Dabir Siyaqi follow breakline after, in chapter Jang-e Rostam ba Barzu va azorde shodan-e dast-e Rostam. Other verses difficult to place/read from the image.Location in text:Mohl -2b, Barzunama, first line: None, break line before: None, break line after: None, last line: None.The duel between Gudarz and PiranTitle (Persian): Nabarde Gudarz by PiranScene Title:Piran escapes from Gudarz up the mountainsideFolio number: 318Notes: Cropped image reproduced by Kubickova, 1960, fig. 16; b/w image in Survey of Persian Art, pl. 869.Location in text:Mohl 13f, The Twelve Rukhs, first line: 2030, break line before: 2040, break line after: 2041.0, last line: 2061.Kay Khusrau kills AilaFolio number: 335Notes: The painting comes a long way after the apparent scene it depicts, namely the encounter between Kay Khusrau and the three Turanian champions, Astaqila, Aila and Burzi-aila in full battle. After the defeat of these heros, Afrasiyab fled the battle field and later came to Gang Dizh, at which point this picture is placed in the text. The picture appears to refer to Mohl, vv. 837-8: When Khusrau saw his (Aila's) heart and strength, he quickly drew his sharp sword from his belt; he struck him in the waist and cut him in two; he made the heart of the heroes full of fear. Location in text:Mohl 13g, The Great War between Kay Khusrau and Afrasiyab, first line: None, break line before: 903, break line after: 904.0, last line: None.Luhrasp hears of Kay Khusrau's disappearanceTitle (Persian): Be takht neshastane LuhraspScene Title:The coronation of LuhraspFolio number: 362Location in text:Mohl 13g, The Great War between Kay Khusrau and Afrasiyab, first line: None, break line before: 3153, break line after: None, last line: 3153.Isfandiyar's first labour: he fights the wolvesFolio number: 393Location in text:Mohl 15, Gushtasp (120 years), first line: 1618, break line before: 1625, break line after: None, last line: 1625.Isfandiyar slays Arjasp in the brazen holdScene Title:Isfandiyar kills Arjasp to rescue his sistersFolio number: 401Notes: Trimmed image reproduced by Kubickova, 1960, fig. 15.Location in text:Mohl 15, Gushtasp (120 years), first line: 2195, break line before: 2195, break line after: None, last line: 2195.Rustam boasts about his strengthTitle (Persian): Molaghat Rustam va IsfandiyarFolio number: 413Notes: Once more, the painting is not placed closely in the text, as the passage here only concerns the boasting of Isfandiyar about his lineage. After Rustam's retort, and his own boasting, the two heroes grip each other's hand in a trial of strength, which is presumably the moment illustrated here (cf. Mohl, vv. 3145-52), neither showing the pain caused by the fierce squeezing of the other. For a discussion of this passage, see Olga Davidson's article, "Epic as a frame for speech-acts: ritual boasting in the Shahnama of Ferdowsi' in Davidson, Comparative Literature and Classical Persian Poetics, pp. 99-121. Location in text:Mohl 15, Gushtasp (120 years), first line: 3063, break line before: 3081, break line after: 3082.0, last line: 3081.Faramarz mourning at the coffins of Rustam and ZavaraScene Title:Faramarz mourns Rustam and ZavaraFolio number: 429Location in text:Mohl 15, Gushtasp (120 years), first line: 4333, break line before: 4333, break line after: None, last line: 4333.Gulnar sees Ardashir and falls in love with himFolio number: 469Notes: The previous rubric reads: "Ardeshir sees Gulnar from the roof of the palace"; the text suggests it was the other way round. Whereas all other pictures of these two show them in bed together, this ms. depicts the moment of their first meeting.Location in text:Mohl 21, The Ashkanians (200 years), first line: None, break line before: 199, break line after: 199.0, last line: None.Bahram Gur given into the care of Monzer the ArabScene Title:Yazdagird presents a robe of honour to Munzir the ArabFolio number: 498Notes: The scene shows Yazdagird honouring Mundhir, the Arab chief, who is charged with the upbringing of the Shah's son, Bahram (the future Bahram Gur). The image is placed precisely in the text; the misra's of the break-line are reversed, compared with the edition of Mohl.Location in text:Mohl 34, Yazdagird the Sinner (21 years), first line: 53, break line before: 83, break line after: 84.0, last line: 83.Buzurjmihr arranges chess pieces before AnushirvanScene Title:Buzurjmihr demonstrates how to play the game of chessFolio number: 572Location in text:Mohl 41, Kisra Anushirvan (48 years), first line: 2765, break line before: 2770, break line after: None, last line: 2770.Bahram Chubina defeats the army of Sava ShahFolio number: 604Location in text:Mohl 42, Hurmuzd (14 years), first line: 861, break line before: 889, break line after: None, last line: 889.Illuminated pageFolio number: 689Notes: The right and side of the final double page illuminations at the end of the Shahnama text (the colophon is on the facing page).Location in text:Mohl -1a, Illuminations, first line: None, break line before: None, break line after: None, last line: None.Sample pageFolio number: p30ColophonFolio number: p690
Mizanpaj 6 columns. 31 rows. Leaf height: 380 mm, width: 260 mm. Written height: 280 mm, width: 184 mm.
Not(lar) Patron: Baysunghur.
Menşei Yeri Herat
Müstensih(ler) Maulana Ja'far Baysunghuri
Yazı Tipi Nasta'liq. Calligrapher: Maulana Ja'far Baysunghuri.
Yüzyıl 1 1400s C.E.
Oluşturma Tarihi (Bağlantı Türü) keyword search
Oluşturma Türü creation
Yıl (Bitiş) 1430
Yıl (Başlangıç) 1430
Görüntü Hakları (Görüntüleme) Zooming image © The Gulistan Palace Museum, Tehran.
Görüntü Hakları (İndirme) Images made available for download are licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License (CC BY-NC 4.0)
Dil Kodu 1 per
Dil 1 Persian
Metadata Hakları This metadata is licensed under a Creative Commons Attribution-NonCommercial 4.0 Unported License.
Küçük Resim Yönü portrait
Filigran Beyanı © The Gulistan Palace Museum, Tehran (CC BY-NC 4.0)
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