Zulaykha pulls Yūsuf's coat as he leaves, from Rosary of the Pious (Subḥat al-abrār) by Jāmī (d. 1492)

İsim	Zulaykha pulls Yūsuf's coat as he leaves, from Rosary of the Pious (Subḥat al-abrār) by Jāmī (d. 1492)
Basım Tarihi:	c. 1560-1570
Tür	Belge
Dil	Farsça
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	284 mm x 180 mm (height x width)
Kütüphane:	Chester Beatty
Kayıt Numarası	Per 238.20
Lokasyon	Persian collection
Tarih	c. 1560-1570
Notlar	Zulaykha pulls Yūsuf's coat as he leaves, from Rosary of the Pious (Subḥat al-abrār) by Jāmī (d. 1492). Composed in 1481, Jāmī's poem contains 40 sections or "knots" (`aqd), each dedicated to a Sufi principle, with a narrative episode to illustrate the point. Here, the Qur'anic prophet Yūsuf (Joseph in the Old Testament) rushes away from his employer's wife Zulaykha (Potiphar's wife), resisting her attempts to seduce him. A golden statue sits in the alcove behind them, half-concealed by a curtain: Zulaykha had gone to draw the curtain over her sacred idol, so it could not watch them. Reflecting that his own God could see all things, Yūsuf left the room hastily. Folio, ink, colours and gold on paper, Persian text in nasta`liq script, with full page painting (on verso), from Rosary of the Pious (Subḥat al-Abrār) by Nūr al-Dīn `Abd al-Raḥmān Jāmī (d. 1492), detached from codex CBL Per 238, Bukhara, Uzbekistan, undated, c. 1560-1570.
Materyal	Paper (material), Pigment (material), Ink (material), Gold
Nesne Adı	Folio / Bi-Folio (Codex)
Yazı Tipi	Nasta`liq script

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Chester Beatty

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Zulaykha pulls Yūsuf's coat as he leaves, from Rosary of the Pious (Subḥat al-abrār) by Jāmī (d. 1492)

Basım Tarihi c. 1560-1570

Tür Belge

Dil Farsça

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 284 mm x 180 mm (height x width)

Kütüphane Chester Beatty

Kayıt Numarası Per 238.20

Lokasyon Persian collection

Tarih c. 1560-1570

Notlar Zulaykha pulls Yūsuf's coat as he leaves, from Rosary of the Pious (Subḥat al-abrār) by Jāmī (d. 1492). Composed in 1481, Jāmī's poem contains 40 sections or "knots" (`aqd), each dedicated to a Sufi principle, with a narrative episode to illustrate the point. Here, the Qur'anic prophet Yūsuf (Joseph in the Old Testament) rushes away from his employer's wife Zulaykha (Potiphar's wife), resisting her attempts to seduce him. A golden statue sits in the alcove behind them, half-concealed by a curtain: Zulaykha had gone to draw the curtain over her sacred idol, so it could not watch them. Reflecting that his own God could see all things, Yūsuf left the room hastily. Folio, ink, colours and gold on paper, Persian text in nasta`liq script, with full page painting (on verso), from Rosary of the Pious (Subḥat al-Abrār) by Nūr al-Dīn `Abd al-Raḥmān Jāmī (d. 1492), detached from codex CBL Per 238, Bukhara, Uzbekistan, undated, c. 1560-1570.

Materyal Paper (material), Pigment (material), Ink (material), Gold

Nesne Adı Folio / Bi-Folio (Codex)

Yazı Tipi Nasta`liq script