The Sufi, the enslaved man, and the last camel, from Rosary of the Pious (Subḥat al-abrār) by Jāmī (d. 1492)

İsim	The Sufi, the enslaved man, and the last camel, from Rosary of the Pious (Subḥat al-abrār) by Jāmī (d. 1492)
Basım Tarihi:	c. 1560-1570
Tür	Belge
Dil	Farsça
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	284 mm x 179 mm (height x width)
Kütüphane:	Chester Beatty
Kayıt Numarası	Per 238.46
Lokasyon	Persian collection
Tarih	c. 1560-1570
Notlar	The Sufi, the enslaved man, and the last camel, from Rosary of the Pious (Subḥat al-abrār) by Jāmī (d. 1492). In this brief episode, a Sufi mystic meets with a merchant's encampment, and notices an enslaved African man chained in one of the tents. On asking the merchant to free him, the Sufi hears from the merchant why he now has only one camel left: earlier, the man’s beautiful singing so haunted the camel train, that once their packs were unloaded at the end of the day, the animals had run away. On requesting the man to sing once more, the Sufi was transfixed utterly by his song of longing, and the last camel broke its rope and escaped. Folio, ink, colours and gold on paper, Persian text in nasta`liq script, with full painting (on verso), from Rosary of the Pious (Subḥat al-Abrār) by Nūr al-Dīn `Abd al-Raḥmān Jāmī (d. 1492), detached from codex CBL Per 238, text unsigned, painting attributed (lower margin) to Divāna Naqqāsh working from an older composition by Bihzād (“ṭarḥ Ustād Bihzād”), Bukhara, Uzbekistan, undated, c. 1560-1570.
Materyal	Paper (material), Pigment (material), Ink (material), Gold
Nesne Adı	Folio / Bi-Folio (Codex)
Yazı Tipi	Nasta`liq script

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Chester Beatty

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The Sufi, the enslaved man, and the last camel, from Rosary of the Pious (Subḥat al-abrār) by Jāmī (d. 1492)

Basım Tarihi c. 1560-1570

Tür Belge

Dil Farsça

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 284 mm x 179 mm (height x width)

Kütüphane Chester Beatty

Kayıt Numarası Per 238.46

Lokasyon Persian collection

Tarih c. 1560-1570

Notlar The Sufi, the enslaved man, and the last camel, from Rosary of the Pious (Subḥat al-abrār) by Jāmī (d. 1492). In this brief episode, a Sufi mystic meets with a merchant's encampment, and notices an enslaved African man chained in one of the tents. On asking the merchant to free him, the Sufi hears from the merchant why he now has only one camel left: earlier, the man’s beautiful singing so haunted the camel train, that once their packs were unloaded at the end of the day, the animals had run away. On requesting the man to sing once more, the Sufi was transfixed utterly by his song of longing, and the last camel broke its rope and escaped. Folio, ink, colours and gold on paper, Persian text in nasta`liq script, with full painting (on verso), from Rosary of the Pious (Subḥat al-Abrār) by Nūr al-Dīn `Abd al-Raḥmān Jāmī (d. 1492), detached from codex CBL Per 238, text unsigned, painting attributed (lower margin) to Divāna Naqqāsh working from an older composition by Bihzād (“ṭarḥ Ustād Bihzād”), Bukhara, Uzbekistan, undated, c. 1560-1570.

Materyal Paper (material), Pigment (material), Ink (material), Gold

Nesne Adı Folio / Bi-Folio (Codex)

Yazı Tipi Nasta`liq script