Marooned at sea, from Prince Baysunghur's Rose Garden (Gulistan) by Sa`di

Name: Marooned at sea, from Prince Baysunghur's Rose Garden (Gulistan) by Sa`di
Author: Herat

İsim	Marooned at sea, from Prince Baysunghur's Rose Garden (Gulistan) by Sa`di
Yazar	Herat
Basım Tarihi:	1427 (830H)
Tür	Belge
Dil	Farsça
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	249 mm x 152 mm (height x width)
Kütüphane:	Chester Beatty
Kayıt Numarası	Per 119.29
Lokasyon	Persian collection
Tarih	1427 (830H)
Notlar	Marooned at sea, from Prince Baysunghur's Rose Garden (Gulistan) by Sa`di. During a voyage, the sailors take revenge on an aggressive young passenger, by marooning him on a stone column in the sea. Detached folio, ink, pigments and gold on paper, Persian text in nasta`liq calligraphy, with gold headings, illumination panels and full-page painting (on verso), calligraphy by Ja`far al-Baysunghuri, painting by Amir Khalil, from a manuscript dedicated to Timurid prince Baysunghur, Herat, Afghanistan, dated 830H, 1427. Sa`di (d.1290) of Shiraz is one of Iran's greatest classical poets. Pithy as well as ethical, the distinctive lines of the Rose Garden (Gulistan) combine prose tales (hikayat) with inserted poetry (bayt), and have been admired for centuries. This beautiful illustrated manuscript was produced in Herat, at the court of the Timurid prince Baysunghur (d. 1433), a renowned book-lover, art patron and bon vivant. The Persian text was copied out (and signed) by Baysunghur's head librarian, the master-calligrapher Farid al-Din Ja`far al-Tabrizi (known as Ja`far al-Baysunghuri). The illustrations and the illuminated panels are the work of several different court painters: Amir Khalil, Khwaja Ghiyathuddin, Khwaja Ata and Mawlana Shihab. Although they have not signed their work in this manuscript, a separate court document (written by Ja`far to prince Baysunghur, c. 1430) reported that these specific artists were currently finishing a copy of the Gulistan: for example Amir Khalil was completing "two sea scenes of the Gulistan", surely referring to the two such paintings in this manuscript (Per 119.15 and Per 119.29).
Materyal	Paper (material), Pigment (material), Ink (material), Gold
Nesne Adı	Folio / Bi-Folio (Codex)
Yazı Tipi	Nasta'liq script

Kaynağa git Chester Beatty

Aramaya Dön

Chester Beatty

Kaynağa git

Marooned at sea, from Prince Baysunghur's Rose Garden (Gulistan) by Sa`di

Yazar Herat

Basım Tarihi 1427 (830H)

Tür Belge

Dil Farsça

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 249 mm x 152 mm (height x width)

Kütüphane Chester Beatty

Kayıt Numarası Per 119.29

Lokasyon Persian collection

Tarih 1427 (830H)

Notlar Marooned at sea, from Prince Baysunghur's Rose Garden (Gulistan) by Sa`di. During a voyage, the sailors take revenge on an aggressive young passenger, by marooning him on a stone column in the sea. Detached folio, ink, pigments and gold on paper, Persian text in nasta`liq calligraphy, with gold headings, illumination panels and full-page painting (on verso), calligraphy by Ja`far al-Baysunghuri, painting by Amir Khalil, from a manuscript dedicated to Timurid prince Baysunghur, Herat, Afghanistan, dated 830H, 1427. Sa`di (d.1290) of Shiraz is one of Iran's greatest classical poets. Pithy as well as ethical, the distinctive lines of the Rose Garden (Gulistan) combine prose tales (hikayat) with inserted poetry (bayt), and have been admired for centuries. This beautiful illustrated manuscript was produced in Herat, at the court of the Timurid prince Baysunghur (d. 1433), a renowned book-lover, art patron and bon vivant. The Persian text was copied out (and signed) by Baysunghur's head librarian, the master-calligrapher Farid al-Din Ja`far al-Tabrizi (known as Ja`far al-Baysunghuri). The illustrations and the illuminated panels are the work of several different court painters: Amir Khalil, Khwaja Ghiyathuddin, Khwaja Ata and Mawlana Shihab. Although they have not signed their work in this manuscript, a separate court document (written by Ja`far to prince Baysunghur, c. 1430) reported that these specific artists were currently finishing a copy of the Gulistan: for example Amir Khalil was completing "two sea scenes of the Gulistan", surely referring to the two such paintings in this manuscript (Per 119.15 and Per 119.29).

Materyal Paper (material), Pigment (material), Ink (material), Gold

Nesne Adı Folio / Bi-Folio (Codex)

Yazı Tipi Nasta'liq script