Bahram Gur and the Iranian princess in the white pavilion, from Seven Portraits (Haft Paykar), in the Five Poems (Khamsa), by Nizami

İsim	Bahram Gur and the Iranian princess in the white pavilion, from Seven Portraits (Haft Paykar), in the Five Poems (Khamsa), by Nizami
Basım Tarihi:	1671 (1081H)
Tür	Belge
Dil	Farsça
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	219 mm x 132 mm (height x width)
Kütüphane:	Chester Beatty
Kayıt Numarası	Per 276.205
Lokasyon	Persian collection
Tarih	1671 (1081H)
Notlar	Bahram Gur and the Iranian princess in the white pavilion, from Seven Portraits (Haft Paykar), in the anthology of Five Poems (Khamsa), by Nizami. Nizami's Seven Portraits tells how prince Bahram marries seven princesses from the seven world regions, and orders a pavilion built for each bride within his palace. Following cosmic order, each world region has a specific colour, virtue, ruling planet and day of the week, and Bahram's seven pavilions are themed accordingly. Each night, he visits one princess, who tells him a story. The week ends in the white pavilion on Friday, when Bahram visits the Iranian princess, attended by her servants and musicians, and listens to her story. Folio, ink, colours and gold on paper, Persian text in nasta`liq script, with painting (unsigned, attributed to Muhammad Muqim, on recto), from Seven Portraits (Haft Paykar), in the anthology Five Poems (Khamsa), by Nizami (1141-1209), copied by Mulla Barqi and Mulla `Arabshah, ordered by librarian (kitabdar) `Abd al-Rahman for Janid ruler ‘Abd al-`Aziz Bahadur Khan (r. 1647-80), Bukhara, Uzbekistan, codex (Per 276, fol. 348v) dated 15 Dhu'l-Hijja 1081, 25 April 1671.
Materyal	Paper (material), Pigment (material), Ink (material), Gold
Nesne Adı	Folio / Bi-Folio (Codex)
Yazı Tipi	Nasta'liq script

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Chester Beatty

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Bahram Gur and the Iranian princess in the white pavilion, from Seven Portraits (Haft Paykar), in the Five Poems (Khamsa), by Nizami

Basım Tarihi 1671 (1081H)

Tür Belge

Dil Farsça

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 219 mm x 132 mm (height x width)

Kütüphane Chester Beatty

Kayıt Numarası Per 276.205

Lokasyon Persian collection

Tarih 1671 (1081H)

Notlar Bahram Gur and the Iranian princess in the white pavilion, from Seven Portraits (Haft Paykar), in the anthology of Five Poems (Khamsa), by Nizami. Nizami's Seven Portraits tells how prince Bahram marries seven princesses from the seven world regions, and orders a pavilion built for each bride within his palace. Following cosmic order, each world region has a specific colour, virtue, ruling planet and day of the week, and Bahram's seven pavilions are themed accordingly. Each night, he visits one princess, who tells him a story. The week ends in the white pavilion on Friday, when Bahram visits the Iranian princess, attended by her servants and musicians, and listens to her story. Folio, ink, colours and gold on paper, Persian text in nasta`liq script, with painting (unsigned, attributed to Muhammad Muqim, on recto), from Seven Portraits (Haft Paykar), in the anthology Five Poems (Khamsa), by Nizami (1141-1209), copied by Mulla Barqi and Mulla `Arabshah, ordered by librarian (kitabdar) `Abd al-Rahman for Janid ruler ‘Abd al-`Aziz Bahadur Khan (r. 1647-80), Bukhara, Uzbekistan, codex (Per 276, fol. 348v) dated 15 Dhu'l-Hijja 1081, 25 April 1671.

Materyal Paper (material), Pigment (material), Ink (material), Gold

Nesne Adı Folio / Bi-Folio (Codex)

Yazı Tipi Nasta'liq script