The robber-chief changes his opinion of the poet, from Prince Baysunghur's Rose Garden (Gulistan) by Sa`di

Name: The robber-chief changes his opinion of the poet, from Prince Baysunghur's Rose Garden (Gulistan) by Sa`di
Author: Herat

İsim	The robber-chief changes his opinion of the poet, from Prince Baysunghur's Rose Garden (Gulistan) by Sa`di
Yazar	Herat
Basım Tarihi:	1427 (830H)
Tür	Belge
Dil	Farsça
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	248 mm x 150 mm (height x width)
Kütüphane:	Chester Beatty
Kayıt Numarası	Per 119.32
Lokasyon	Persian collection
Tarih	1427 (830H)
Notlar	The robber-chief changes his opinion of the poet, from Prince Baysunghur's Rose Garden (Gulistan) by Sa`di. A poet tried to impress a robber-chief by composing a praise poem about him. Instead the chief had him stripped and threw him out. As the village dogs came to attack him, the poet tried in vain to dislodge some frozen stones from the ground, and he swore angrily about a village where the stones were fixed but the dogs were loose. The robber chief overhead this, and was highly amused. He returned the poet's clothes, and rewarded him with money and a new coat. Detached folio, ink, pigments and gold on paper, Persian text in nasta`liq calligraphy, with blue and gold headings, illumination panels and full-page painting (on verso), calligraphy by Ja`far al-Baysunghuri, from a manuscript dedicated to Timurid prince Baysunghur, Herat, Afghanistan, dated 830H, 1427. Sa`di (d.1290) of Shiraz is one of Iran's greatest classical poets. Pithy as well as ethical, the distinctive lines of the Rose Garden (Gulistan) combine prose tales (hikayat) with inserted poetry (bayt), and have been admired for centuries. This beautiful illustrated manuscript was produced in Herat, at the court of the Timurid prince Baysunghur (d. 1433), a renowned book-lover, art patron and bon vivant. The Persian text was copied out (and signed) by Baysunghur's head librarian, the master-calligrapher Farid al-Din Ja`far al-Tabrizi (known as Ja`far al-Baysunghuri). The illustrations and the illuminated panels are the work of several different court painters: Amir Khalil, Khwaja Ghiyathuddin, Khwaja Ata and Mawlana Shihab. Although they have not signed their work in this manuscript, a separate court document (written by Ja`far to prince Baysunghur, c. 1430) reported that these specific artists were currently finishing a copy of the Gulistan: for example Amir Khalil was completing "two sea scenes of the Gulistan", surely referring to the two such paintings in this manuscript (Per 119.15 and Per 119.29).
Materyal	Paper (material), Pigment (material), Ink (material), Gold
Nesne Adı	Folio / Bi-Folio (Codex)
Yazı Tipi	Nasta'liq script

Kaynağa git Chester Beatty

Aramaya Dön

Chester Beatty

Kaynağa git

The robber-chief changes his opinion of the poet, from Prince Baysunghur's Rose Garden (Gulistan) by Sa`di

Yazar Herat

Basım Tarihi 1427 (830H)

Tür Belge

Dil Farsça

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 248 mm x 150 mm (height x width)

Kütüphane Chester Beatty

Kayıt Numarası Per 119.32

Lokasyon Persian collection

Tarih 1427 (830H)

Notlar The robber-chief changes his opinion of the poet, from Prince Baysunghur's Rose Garden (Gulistan) by Sa`di. A poet tried to impress a robber-chief by composing a praise poem about him. Instead the chief had him stripped and threw him out. As the village dogs came to attack him, the poet tried in vain to dislodge some frozen stones from the ground, and he swore angrily about a village where the stones were fixed but the dogs were loose. The robber chief overhead this, and was highly amused. He returned the poet's clothes, and rewarded him with money and a new coat. Detached folio, ink, pigments and gold on paper, Persian text in nasta`liq calligraphy, with blue and gold headings, illumination panels and full-page painting (on verso), calligraphy by Ja`far al-Baysunghuri, from a manuscript dedicated to Timurid prince Baysunghur, Herat, Afghanistan, dated 830H, 1427. Sa`di (d.1290) of Shiraz is one of Iran's greatest classical poets. Pithy as well as ethical, the distinctive lines of the Rose Garden (Gulistan) combine prose tales (hikayat) with inserted poetry (bayt), and have been admired for centuries. This beautiful illustrated manuscript was produced in Herat, at the court of the Timurid prince Baysunghur (d. 1433), a renowned book-lover, art patron and bon vivant. The Persian text was copied out (and signed) by Baysunghur's head librarian, the master-calligrapher Farid al-Din Ja`far al-Tabrizi (known as Ja`far al-Baysunghuri). The illustrations and the illuminated panels are the work of several different court painters: Amir Khalil, Khwaja Ghiyathuddin, Khwaja Ata and Mawlana Shihab. Although they have not signed their work in this manuscript, a separate court document (written by Ja`far to prince Baysunghur, c. 1430) reported that these specific artists were currently finishing a copy of the Gulistan: for example Amir Khalil was completing "two sea scenes of the Gulistan", surely referring to the two such paintings in this manuscript (Per 119.15 and Per 119.29).

Materyal Paper (material), Pigment (material), Ink (material), Gold

Nesne Adı Folio / Bi-Folio (Codex)

Yazı Tipi Nasta'liq script